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DJ Rupture & Matt Shadetek Solar Life Raft CD Cover
OK we’re going in again. This time it’s me and Rupture, Solar Life Raft, the new mix album dropping November 11th on The Agriculture. For those of you that caught Uproot and enjoyed it we’re taking the format and going in deeper, wider, rougher. Me and /R have been cooking up tracks together for a while, some of which are appearing on Jahdan’s album and some on SLR. It’s our first official thing together with our names on it which is pretty exciting. It’s got a bunch of unreleased exclusive new collabo instrumentals plus excluse remixes of Telepathe and Gang Gang Dance. Mad I know. Expect to hear a lot more about it here soon.

“With the release of Solar Life Raft, DJ /rupture and Matt Shadetek emerge from the shores of Brooklyn bearing gifts from the future. A rich blend of bass, beats, and space, rocked by a tropical wind out of the west, Solar Life Raft is an arresting testament to the fruit that grows at the margins, free from genre orthodoxy and pulsing with gentle mutant energy. Created by two individuals with a shared appreciation for engaging with streetwise dance music from a ground-up, participatory perspective, as well as more experimental sounds, Solar Life Raft, the duo’s first extended project together, features tracks blended on three decks into a complete hypnotic and gripping narrative. ”

from alt.sounds.

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[audio:http://nyc.duttyartz.com/mp3s/TIME2SHINE.mp3]

Double Jay – Time 2 Shine

Early on this year, Wayne (you already know – wayneandwax.com) introduced us to Skeat’s “Dumelang” – a jam which I think gets played at every New York Tropical, and I’ve heard Geko Jones and Uproot Andy played it several times at Que Bajo?! and other parties, and needless to say, it destroys the dance every time.  Big up Wayne & Botswana’s Ruff Riddims for unleashing that, and this “brand new dirrty south african hip-hop” by Double Jay.

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jj

[audio:http://nyc.duttyartz.com/mp3s/jj_ecstasy.mp3]

jj – Ecstasy

“Lollipop” has been sampled by David Banner, covered by rock and country musicians, and now versioned by a mysterious Swedish pop outfit, with a radical lyrical shift, a stretch, an expansion – bottles are replaced with pills, and shawty is getting high on her own supply.  The same aesthetics, but more drugs and less sex. Either way, Wayne, Jonsin, and Static will be/would be proud.

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mosdef

GETTIN’ BLACK AS I WANT!

[audio:http://nyc.duttyartz.com/mp3s/MosDef-Revelations.mp3]

Mos Def – Revelations

“Revelations,” a mellow and extraordinary post-Obama, ridiculously pro-black, one-verse track with shots directed at the CIA, the US Federal Reserve/bankers/money-grubbers, doubters and none-believers, the recession, race, violence, etc. New York has been very hot and sticky lately, and Mos Def‘s latest album The Ecstatic has been in heavy rotation, especially the tracks with themes that are seemingly nonsensical/irrational/unhelpful for the times we are in. Just yesterday, we played two cuts from it on WFMU’s Mudd Up! with DJ Rupture. While we’re talking Mudd Up! radio, here are two more joints Rupture played (on his first and in all likelihood last cumbia-free show)  – another Mos track titled “Wahid”, and a song by “the most unusual star on the planet” (at least, that’s what he, himself claims.) Please check out Dan Hancox 10 Essential Wiley tunes on Fact Magazine, timely reminder of why the tireless genius can’t be stopped.

[audio:http://nyc.duttyartz.com/mp3s/MosDef-Wahid.mp3]

Mos Def – Wahid

[audio:http://nyc.duttyartz.com/mp3s/Wiley-EyesoftheLord.mp3]

Wiley – Eyes of the Lord

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[youtube width=”525″ height=”455″]http://www.youtube.com/watch?v=DWEReAtGJf0[/youtube]

Jahdan on Dollar Van Demos, singing a track titled “Songs of Love,” Leaving Babylon and going to a place where “the birds dance in the trees, singing songs of love” and “the breeze blow so free.” Dollar vans in the outer-boroughs are basically a response to the lack of adequate public transportation in certain parts of Brooklyn, Queens, Bronx, and other underserved NYC neighborhood.  I’ve been in the vans a few times, sometimes just keeping it extra-local like Jahdan, riding for only a few stops in Bed-Stuy, uptown in Harlem and BX, but they become extremely valuable during MTA/Transit worker strikes. Anyway, enjoy this one.

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[youtube width=”525″ height=”455″]http://www.youtube.com/watch?v=6Q-gx7YGNcE[/youtube]

While Vamanos was busy shutting down Brooklyn with Radioclit/The Very Best, Matt Shadetek, Uproot Andy, etc. this past Saturday, Boima was holding down the other half of the Ghetto Bassquake sound system in Dakar. The video above shows the Chief preparing for a show… Big!

Update – D of Bigger Judgement pointed out the nice tune Boima is playing is by Laden.

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this one should be fun… i can vouch that Matt & I have a bunch of new remixes and exclusive tunes to run, Gex & Lamin always bring it, and Zuzuka is meant to be a firecracker.

Dutty (and cheap-$5 early) tropikkkal fun on the edge of Brooklyn, sound enhanced by Grimm’s reggae bassbins.

let the CIA know yr coming by hitting Facebook.

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STORM

About ten minutes into my set last night on top of a Ukranian stone carring ship thats docked on the Danube river my subs had unexpected consequences on the  distribution of  heat on the surface of the earth…. A massive wind storm whipped up- for fears that the roof of the boat might fly down towards the Black Sea (and my needles flying around like leaves)… we had to cut things short. HOWEVER……..

If you happen to be in Berlin tonight or tomorrow… come out for my last two European Union shows before my return to Seattle at the end of the week.

Friday July 24(EARLY like 9PM) @ Jacki Terrasse on Schilling Brücke with the Dense record shop crew.

Saturday July 25 (Regular like midnight) @ Sick Girls summerfest at Picknick – live band and amazing food.

Berlin lets get it!

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[youtube width=”525″ height=”455″]http://www.youtube.com/watch?v=ye5dVQ8H9VQ[/youtube]

Lyrical badman Jahdan Blakkamoore discusses his career thus far, how he linked up with Brooklyn’s Dutty Artz crew, started listening to dubstep, hip-hop, and grime, and his new album Buzzrock Warrior, out September 15th on Gold Dust. For more info, check out… BUZZROCK WARRIOR site.

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GangstaBabyCIA

[audio:http://negrophonic.com/mp3/3)%20URgencia%20by%20MANUSA%20and%20PRINCE%20ABRAHAM%20for%20CIAFRICA.mp3]

CIAfrica – URgencia

I am ripping this directly from Jace’s mudd up! post.  Get the blazing new mixtape CIA History Part 3 (zip). Listen to the new exclusive jam “Black Mama” which we played a little while ago on Mudd Up, and me getting their name wrong on air, calling them C-I-A-Africa, when it is C-I-Africa. Raw and heavy, politically hostile sounds from Abijan. Get familiar.

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sabbo

[audio:http://nyc.duttyartz.com/mp3s/Sabbo-FartoGoftLittleX.mp3]

Sabbo – Far To Go (feat. Little X)

The Chief put me on Sabbo while he was here a couple of weeks ago.  Sabbo is a producer and DJ based in Tel-Aviv,  making solid bass-heavy music and collaborating with actual Jamaican dancehall and reggae artists. “Far to Go” is from his new release It Is The Time, an EP which is out now digitally (vinyl coming next month.)  All 4 tracks on the EP are remarkable, but “Far to Go” is what I’ve kept on repeat for the past week or so. The other three tracks, include vocal contributions from Jah Earth, Jah Rightful, and Chicago’s Zulu, are fully written, realized songs with verses, choruses, etc., whereas “Far to Go” contains only five lines and some chants from the vocalist Little X.  Sabbo stretched and enhanced those five lines and adlibs with his programming, a wicked rhythm track and some sick synths and effects.

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Melodic Wonkster

Waer Rock dropped another excellent mix last week over at Culture System, Melodic Wonkster – a collection of euphonic wobble sickness for those tired of the standard wubstep “wub wub”. Waer moved away from the downbeat treaty (or what we called “noir noir”) to a sonically harsher territory; a relentless attack of wobble/wonk that is not only tolerable but very enjoyable, simply because of the constant change up of styles in the mix and the interesting “design forms”/wobble structures the selected producers invested in the tracks.