Everybody come sweat with us, that’s the way we like it.

New York City is about cultural compression (in a good way) and super expensive everything else (in a bad way). So in efforts to raise our collective quality of life, the Dutty Artz Brooklyn party stays FREE (this is how we say we love you, in NY-speak) and Matt Shadetek, Chief Boima, & I will be joined by always-inspiring guests from nicer cities: Nguzunguzu will be here from L.A. and Maga Bo will be in from Rio. So yeah, party will ram up, get there early, buy or rapidshare our last compilation album which has music by everyone playing, tell a friend to start a revolution, etc.

da sweatlodge1b

DUTTY ARTZ: SWEAT LODGE

fri. March 11 @ The Cove, 106 N.6th st BK NY.

**FREE**

Nguzunguzu (L.A.)

Maga Bo (Brazil)

DJ Rupture

Matt Shadetek

Chief Boima

DUTTY ARTZ IS THE FAMILY!

 

We’re back at Gallery Bar for the second edition of Made In Africa this Thursday – the night of birthday celebrations! It’s Boima’s birthday, so do come out and show him love. Birthday boy Chief Boima and yours truly will be deck, supplying you homegrown and international heat and oil as we say farewell to Winter in America, Harmattan in West Africa, etc. and greet (slightly) warmer/dizzy/better seasons!

Made In Africa // Facebook RSVP
Thursday, March 3rd, 2011
Gallery Bar
120 Orchard Street
New York, NY 10002
21+ // $5 Cover // $5 Well Drinks until midnight!

& now – Gaddafi’s epic meltdown, THE TRANCE REMIX:

[youtube width=”525″ height=”393″]http://www.youtube.com/watch?v=cBY-0n4esNY[/youtube]

[youtube]http://www.youtube.com/watch?v=rhDthllmro8[/youtube]
I think I lost my flipcam last week- or it got stolen. It doesn’t really matter since I cant edit the HD footage on my Acer + it just eats up memory with videos I can barely replay. My homie Justin has a nice camera though- and last week we did a test run for a hopefully vaguely ongoing, but maybe never again, video series looking at studios and producers in Kingston. Supposed to reach to Bigship next week, but time is sticky in Jamaica. Enjoy.

[originally posted at Mudd Up!]

[audio:http://nyc.duttyartz.com/mp3s/Shackleton-Deadman-KingMidasSoundDeathDub.mp3]

Shackleton – Deadman King Midas Sound Death Dub

I am listening to this song which Lamin shared, some friends remixing another. It is filled with dusk-tones, close and fading, sunset a challenge to both darkness and light and at the same time I learn that a poet I’d read and knew in passing, has passed away. A friend who knew Akilah better sent some of us an excerpt of her speaking about grief.

And once again, we’re left with beautiful words and tones that linger but can never stay. In a sense, this is why we share it.

akilah-oliver

Akilah Oliver:

Grief is a complicated emotion but also an inadequate word in many ways. Maybe it isn’t so much that the term fails to encompass a range of emotional states, but I think also death itself, as an event, as a limit, as a field of investigation, is too many things at once.It’s solid and it’s slippery. For me what I’m doing in A Toast is using language to walk through that field to find out about love, the collapsible body, what it means to be human, all of that. Also, I think that I am trying to transcribe rapture. I mean that in the ecstatic sense of the word. . . . I am in a state of seeking. Grief is a part of that seeking, but so is redemption and anger, the forgivable and the unforgivable, this ecstasy of being in a kind of light, the simple astonishment of the impermanence of absence. This book is dedicated to my brother who died when I was very young, and he was very young, 28 years younger than I am now, so in some ways he has passed into myth for me, which is another kind of symbolic being-ness. It’s also dedicated to my son who died when he was 20, so there is that grappling with the loss of the body who has come through my body, a kind of intimacy that is almost indescribable. And it is also dedicated to my mother, who is still alive and kicking at 74, and the recognition of myself as the beloved body too, who has passed through another beloved. So there is this elegiac intent here as well. I am trying to trace the mystery of the bodylife, a term I’m borrowing from Cherríe Moraga. So there’s hope in these poems of course.

shackleton
[audio:http://nyc.duttyartz.com/mp3s/Shackleton-Deadman-KingMidasSoundDeathDub.mp3]
Shackleton – Deadman King Midas Sound Death Dub

Kevin Martin / King Midas Sound twists one of Sam Shackleton’s extremely warm cuts, we first heard this on Fabric 55. Here, Kevin Martin removed Shackleton’s congas and made some very wise decisions, including adding KMS’s Kiki Hitomi’s gorgeous voice (which has a phantasmal presence here!), and also focusing/thickening Shackleton’s orange and brown tones. The result is remarkable.  I’ve listened to this one countless times, but today at dusk, walking home – I walked past an older woman who flashed me a gold-tooth smile, and this never sounded more beautiful!

Holiday PATH train times aggravated an already-late start this Monday, so I missed the first few minutes of my radio show. Benjamen played a few rock tunes then I showed up, breathless, clutching a 99-cent Kassav LP and the mudd began. Hausa music, new Anne-James Chaton & Andy Moor, Illum Sphere, Jamie xx in various capacities, Palestinian ambient dabka, and the line that threads through it all. (Shouts to listener Shane, who wrote “Thanks to technology I know I’ve listened to “Time 2 Get Paid” by Beniton 18 times since I heard it on Mudd Up! 24 hrs ago.”)

I now turn things over to Columbia PhD student Amy, who has been thinking very hard about What It All Might Mean:

MUDD UP! LISTENER SURVEY

Dear listeners of Mudd Up! and all fans of DJ /Rupture, my name is Amy Zhang and I’m a PhD student at Columbia University doing research on DJ practices and their musical communities. I’ve been especially following DJ /Rupture’s work with Mudd Up! on WFMU.

If you can spare 5 minutes, please fill out this short questionnaire!

Though geared specifically towards listeners of the show, fans and general supporters of DJ /Rupture can feel free to share their thoughts as well—fill out whatever is relevant to you on the survey, or email me at muddup.survey@gmail.com.

Thanks so much for your time and thoughts!

2820

[Khaira Arby]

On Saturday March 5th, Nettle will perform at the Bell House in Brooklyn. Info. Nettle, flexible and growing, is currently a 5-piece. We’ve even started using words and a guitar – although not too much of either.

Malian singer Khaira Arby will headline. The event is a benefit for ASSOCIATION OF THE SAHEL TO AIDE DECENTRALIZED DEVELOPMENT (ASSADDEC), a collection of 71 women’s groups in north Mali, supporting women’s small business enterprises, HIV/AIDS awareness and more. Which is awesome. Also performing: The Sway Machinery and DJ Israel Soulico.

Here’s a nice clip of Khaira and her band performing on KEXP — note, at least three of her musicians are rocking WFMU stickers! A wise band with excellent taste.

Associated Press / February 21, 2011

DUTTY ARTZ spent New York Fashion Week under a self-imposed cone of silence, refusing to talk to the news media. Yet somehow, the crew became a spectacle: their every move was chronicled by a cloud of bloggers, Twitter users, fashion reporters and paparazzi. Here’s how Dutty spent the week, starting on Feb. 10.

Image

[Rainbow Sloth and Vanessa Hudgens Wednesday at Jeremy Scott.]

DAY 1 – Dutty Artz begins Fashion Week at GQ’s Best New Menswear Designer show at the Ace Hotel.

La Montra lays down the media embargo to a party reporter from Women’s Wear Daily. “I can’t really… no questions,” Rita Indiana says, at the sight of a tape recorder. “Yo no te voy a da na.” Security detail enforces edict.

Matt Shadetek lingers at the show, making small talk with fashion executives and mildly excited fans. Afterward, he decamps to the Mercer Hotel where, as The New York Post reported that morning, he is recording an album with Jay-Z.

DAY 2DJ Rupture’s a no-show at the day’s fashion shows, according to the collective wisdom of the fashion media. Instead, shows up at the Roots of Auto-Tune concert at Madison Square Garden, wearing a pair of red-and-black Air Jordans and a gray djellaba. Fashion crowd approves. Also sitting in the front row is Thomas Wesley Pentz, who is largely ignored by the “beer-and-shot” crowd, according to The New York Daily News.

DAY 3Geko Jones skips Grammy Awards for Fashion Week. Attends Tory Burch at Lincoln Center, dressed in stonewashed cut-off jeans, black leather bomber, see-through mesh shirt and a purple pair of sunglasses. While still at Lincoln Center, swings by Diet Pepsi event, unveiling a slimmer can. Later that evening, while Uproot Andy performs at the Grammys, he signs onto Twitter (where he’s been quiet) and posts: “Uproot Andy is crazy fresh!!! #OCSWAG” (the abbreviation for “original Canadian swagger”).

Image

[Chief Boima’s personal shopper, mid-way through Fashion Week]

DAY 4Chief Boima hits the shows. First stop: Alexander Wang at Pier 94, wearing a red gold and green Clan des Indigenes Accables nylon jacket, leather jeans, sunglasses and big gold-encrusted Business iPhone. Seated next to the model Erin Wasson. As lights dim, yells “Aiiight,” according to Refinery29’s Twitter feed. At night, Taliesin is spotted at the Standard hotel for AARP magazine’s customary Fashion Week party. Hemmed in corner, behind security, for most of the evening. “No press, no stress,” his female bodyguard says.

DAY 5 – Valentine’s Day. WWD Style puts Rainbow Sloth on its cover. “Seacrest Cheadle may be ducking interviews and trying to avoid photos, but he’s certainly been no stranger to animals that can smell time,” it reads.

DAY 6 – A chair marked “Lamin Fofana” sits empty at Rodarte, as Sofia Coppola, Kirsten Dunst and array of fashion editors wait. Mr. Fofana arrives and show starts seconds later. Continues to spurn reporters, but gives Amy Odell, fashion blogger for New York magazine, a hug. “Aw, you look so sad,” he says, after rebuffing the reporter’s questions. Poses with Bryanboy, the outré fashion blogger, outside.

A little before 11 p.m., the Dutty Artz family arrives at intimate party for Gold Coast’s new boutique in SoHo. Yawns while waiting for Lauryn Hill to perform. Ends night at Mondrian hotel, where they are the guest of honor for the tripartite British Petrol, Hooters, and V Man magazine’s party. Cover features Mr. Shadetek with bills stuffed in his mouth, shot by Karla Lagerfeld. Dollar bills, real and fake, rain down on crowd. DJ Rupture seen in corner eating KFC.

DAY 7 – By the seventh day of Fashion Week, it was pretty obvious that Dutty Artz crew hadn’t slept yet. Although the crew had stayed awake and energetic for a hundred hours straight, aberrations of judgment and perception snowballed after the third day, until in extremis the most bizarre hallucinations were taken at face value, and a person could fidget for hours deciding what to have for breakfast. Taliesin looks in the mirror, framed by a blue cloud of sensemilla smoke. Stimtabs litter the countertop. His arms look surprisingly human, except that they are too long and undermuscled. There are too many fingers on his hands. No Anna Sui gloves, then. Shoulderless, neckless. Let’s call Day 7 a Breakfast Day.

Dutty Artz’s trail goes sloth as Fashion Week draws to a close. Come back in September.

[youtube width=”525″ height=”393″]http://www.youtube.com/watch?v=7aWN6NYbOzg[/youtube]

Heavy one from Dutty compadre Timeblind!

your cel phone and portable electronics probably have minerals mined in the Congo and illegally trafficked. watch the other related videos if you are unaware of this.

please support legislation to keep mining transparent and stop thugs in the congo from profiting from the misery of their fellow countrymen. DRC should be known for its amazing musicians, not for more misery like this.

I’ve listened to some of Filastine’s upcoming album and it’s his best work yet! Grey is one of those people who believe that “log” is a better word for online journal than “blog.” Here is his log.

You can catch him live in Brooklyn at the Cove, tonight Feb 17th. Boosted shopping cart, wub-bass, rhythmic archival footage of riots & money, Accolades From The People of France, grit, etc.

filastinenyc

where: The Cove, 106 N 6th St, Brooklyn, NY
when: Thursday Feb 17, Filastine live set @ 1am
how much: $5

if Zuckerberg and the FBI don’t know you’re going, who will?

& back @ SONAR 2009

Last week a link started floating around to DL the entirety of Lil B’s myspace tracks. Notoriously, B made over 100 profiles and filled them each with a few based freestyles. The 2.5 GB, 676 track, multipart collection (and 20 page tracklist)wasn’t compiled by the based god himself though- it is the work of an obsessive completist and digital archivist named Andrew Dickson. I found Dickson on twitter and quickly realized that his myspace collection wasn’t the first, or even the most ambitious of his archival projects. What drives fandom like this? Why share with the world a prized collection that any Master Chef would be proud of? I hit him with some questions to find out.

T: What other completist type zip folders have you created/curated and posted?

D: I’ve made quite a few and the majority of them are collections of compilation & remix tracks. The only time I ever thought someone would be interested, however, was for my first Hip Hop-related one (a Jay Electronica compilation). The first one ever made was for Aphex Twin, but I’ve done them for (as you said) Lil Wayne, Animal Collective, The Velvet Underground and a few others.

T: Why do this sort of work? How do you understand this sort of archive – when obviously anyone could spend hours dling and parsing through the internet. part of the joy for master chefs seems to be chasing down and completing things themselves, ie spending a lot of time on hulkshare and maybe even arguing numbers re: releases/unreleased leaked whatever based tracks.

D: The initial reasoning is always because I want to complete my own personal collection for whatever artist happens to be the focus. I have quite an organized, lengthy collection of music, and the primary focus in acquiring music has always been ‘the studio album’. As I get more into a band, I want to really hear everything they put out, and I normally spend some time searching and researching just where their material has all gone – normally there are loads of studio tracks that were never officially released on an album. Rather than just downloading a bunch of separate .mp3s, I try to compile and organize them where-ever possible. The idea of sharing them with the internet came from the idea that I’m pretty sure most fans wouldn’t mind one, well-sourced download for, say, all of Lil B’s rare myspace tracks. I completely understand the joy that comes with ‘searching’ for secret tracks, but I also understand that in the future, many of these will be lost. Thinking on it now, I guess you could say future fans of an artist would benefit the most from a time like this. Look at Harry Smith’s collection – after the depression, all this old folk music was lost and the only reference any one had was his collection of 78” records.

Hit the jump for a grip of DL links and the rest of the interview
(more…)

heartfog

Last night’s radio show felt its way through hearts and fog which is what we all do, really.

tracklist:

Yussef Sheta Ya Helu Ya Asmar Egypt
Bayta Aicha Music From Saharan Cellphones, v. 2 SahelSounds
Forest Swords Glory Gongs Dagger Paths EP
James Blake Sparing The Horse Diplo Presents Blow Your Head Mad Decent
Stagga & Doshy Hornets unreleased unreleased
Ø Heijastuva Heijastuva Sähkö Recordings
Sepalcure Fleur Fleur EP Hot Flush
Deaf Center Time Spent Owl Splinters Type
Shaykh Ahmad Barrayan Layali Egypt Virgin France
Deaf Center Animal Sacrifice Owl Splinters Type
Seefeel Airless Seefeel Warp
Natural Snow Buildings Drift The Water Soul Waves Of The Random Sea Blackest Rainbow
Abdu Dagher Al Nil Al-Qadim Egypt Virgin France

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