I’ve really been enjoying the stuff that Dre Skull has been doing on his Mixpak label. He’s been covering a ton of the musical styles I enjoy including Dancehall, House and other forms of interesting beat music. We caught up when we played together at the Brooklyn Electronic Music Festival and he mentioned that he was doing a compilation of southern inspired hiphop beats by electronic producers. It turns out that that’s what I’d been working on as well and so I offered to contribute something. I’m really happy with how the comp has come out, there are some great contributions from the other producers and I’m happy to be a part of it. Here’s my track The Machines which I just added to my soundcloud. Below is a link to a playlist on the Mixpak Soundcloud with all the tracks available to stream. The compilation will be available on iTunes and all other fine digital retailers on September 25th, 2012.

 


Stream the full compilation here.

I wish Lamin had his own country, because he would make a great dictator. – Jace /rupture

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Artist: Lamin Fofana
Title: Africans Are Real
Label: Dutty Artz
Release: October 2nd, 2012
Artork: Photo of Oroma Elewa by Mike Brown | Layout by Talacha

Dutty Artz is proud to announce Africans Are Real the latest release from Lamin Fofana. It features remixes from SUB POP recording artist Spoek Mathambo, WIRE Magazine coverboy DJ /rupture, Afro-dashing Chief Boima, and a collaboration with King of Brooklyn Matt Shadetek.

Tracklisting:
1. UR
2. Africans Are Real (featuring Matt Shadetek)
3. Africans Are Real (DJ /rupture Enamel Remix)
4. Africans Are Real (Spoek Mathambo Par Express Remix)
5. Africans Are Real (Chief Boima Africans Are Myths Remix)

Stream “Africans Are Real”:
Africans Are Real (feat. Matt Shadetek) by lamin fofana

Stream/Download: Pleasure Mix
Pleasure Mix by lamin fofana

The impact which created the Caloris Basin was so powerful that its effects are seen on a global scale. It caused lava eruptions and left a concentric ring over 2 km tall surrounding the impact crater. At the antipode of the Caloris Basin lies a large region of unusual, hilly and furrowed terrain, sometimes called “Weird Terrain”.

Catch Señor Fofana live this Saturday at WEIRD TERRAIN alongside Teengirl Fantasy, Blondes, Huerco S., and Slava! (fbook)

Here’s something I put together recently and gave it to our friends over at WEIRD MAGIC. I forgot to post it here. It’s a bit obscure. It features John Cage, Nia Long, Hype Williams, Delany, Gianna, Friday, Freud, Macchi, and more.

“an obscure, psychedelic ride from the masterful lamin fofana, who’s consistently impressed me with his productions, djing, mixes, human presence, and now he’s about to begin playing live shows (and will be playing one of our brooklyn events next month, deets to come). safe to say, this man is the truth.” ~ WEIRD MAGIC

Pleasure by lamin fofana

CageHop- a month-long celebration of Cage’s work — and Cage-inspired work currently happening in NYC.

Raz Mesinai is a longtime homie of the Dutty Artz crew and is one of those crazy, iconoclastic and stubbornly original musicians that defy easy classification.  He’s been making spacy, sometimes terrifying, blunted bass music since before your mom ever started listening to Dubstep.  He posted this piece on his Tumblr the other day and I got a real kick out of it and thought I’d share it here.

MY WORK by Raz Mesinai

My work cleans up after itself as well as after the messes I make.

My work doesn’t want to be ‘current’, because that would mean that eventually it wouldn’t be.

My work picks up chicks for me, and then forces me to break up with them.

My work is not casual, nor is it relaxed.

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[DJ Javier Estrada, courtesy Reuben Torres]

An essay I wrote on “The Aztec imagery and digital soundworld of Mexican producer Javier Estrada” is available in the current issue of Frieze. In it I explore resonances between global genres in the internet age, Atomik Aztex (the novel), Oscar Zeta Acosta, Aztec-inspired notions of cyclical time and our favorite hummingbird god, plus a pragmatic approach to the issue of “aliens” coupled with advice on how to exit the category of speed. Javier’s work is generous, complicated, and inspires these sort of linkages.

You can find the article wherever fine magazines are sold and read it online right here.

Below, two songs that I discuss in the piece. Listen to the voice of Huitzilopochtli…


Los Cadetes de Linares – No Hay Novedad (DJ Javier Estrada remix)

[audio:http://negrophonic.com/mp3/Dj Javier Estrada – No Hay Novedad – Cadetes de linares (Javier Estrada Remix) .mp3]

DJ Javier Estrada – Pre-Hispanic Moombahton Gods
[audio:http://negrophonic.com/mp3/Dj Javier Estrada – Pre Hispanic Moombahton Gods .mp3]

I’m fairly sure by now some of you have heard of the mystical magical fun I have everytime I go down to Colombia and a lot of that has to do with our friends El Freaky in Bogota.

[youtube]http://www.youtube.com/watch?v=ktEPuU4ch-g[/youtube]

Considered by Uproot Andy as myself as an integral part of the network of tropical parties worldwide like Peligrosa, Muevete, Tormenta Tropical etc, these dudes throw down in a really fun 2DJ/1VJ format incorporating animations from the bizarre but genius mind of Fat Suggar Daddy. I’ve partied really hard longside these guys and I’m really happy to announce the premier of the remix to their single La Pongo. Kuduro collabo from none other than Dany F and Bleepolar, who’s recent remix for Subatomic Sound System featuring Jahdan and Anthony B, I’m really happy to add a lil español to the kuduro crate.

These guys Flatbush Zombies are dope. They kinda remind me of The Pharcyde meets The Gravediggaz but rapping about taking acid and yelling ‘Brains!’ a lot.  It’s pretty great.  I’m happy to hear the diversity of new talent popping up in NYC and especially in Brooklyn. You can download their recent mixtape DRUGS here or watch the video for their breakout single ‘Thug Waffle’ below.  I like the production on it a lot and something I like about them as a crew in general is that they have a producer in their group (Erick Arc Elliot) who makes most of the beats so it’s got a nice unified sound.  Nowadays everyone is so mercenary about beats things can get a little all over the place so this is a refreshing old school ‘2 MCs and a DJ’ sorta vibe.  I’m generally excited about hiphop again lately, which is weird after many many years of feeling kinda comatose about it all.

[youtube]http://www.youtube.com/watch?v=do9VLONS86Y[/youtube]

This sunday labor day weekend we’re closing down the NYC beach scene in style with a party at Caracas Arepa Bar on Far Rockaway Beach. The one DJ Ripley will be on decks celebrating her earthstrong and a PHD – Playa Hanging Degree. Chief Boima, DJ Ushka and myself represent for brown harder than a fleet of UPS trucks and DJ Shomi Noise from NYC’s Queer Latina Dance Party puts it down for our homegirl Ivette’s Queer of the Year award.

Beach, sand,  beer,  good eats, great music, no cover… you know what to do.

Beach 106 off the rockway shuttle train

 

[screenshot from Sufi Plug Ins’ clapping drum machine, PALMAS]

This Thursday evening, Bill Bowen & I will present SUFI PLUG INs at Public Enemy producer Hank Shocklee’s Advanced Ableton Users meetup in Manhattan. Free with RSVP, live streaming. 7:30-10pm.

& on Friday Lamin Fofana and I are heading up to perform at Boston’s Institute of Contemporary Art, where will be joined by DJ Rizzla for a night of ‘DJs on the Harbor’, throwing down at their lovely waterfront space. Come through!



Ever wonder why our records sound good? It’s because of a guy called Shawn Hatfield out in the Bay Area.  I first met Shawn years ago on the internet when I used to hang out on IRC in a chatroom with a bunch of other producers called #// (slash slash). He used to teach me crazy music science in MAX/MSP over a chat window just because he was a nice guy.  We kept in touch and when he opened his mastering business we started working together. He’s mastered my albums Flowers and Solar Life Raft as well as most Dutty Artz stuff in the past few years. He does a great job and is just a generally cool guy.  Recently he sent me an email with a link to an online fundraiser he is doing to help his father Jay Hatfield who is battling cancer.  If you are like me and most of the people I know and don’t have a square nine to five or work for the government you know how fucked up the health care system in this country is and how expensive it can be.  It’s not fair that someone should have to go through an incredibly draining battle fighting a disease and then have to go bankrupt afterwards to pay for their treatment.

Shawn has set up an online fundraising page to raise funds for his father’s treatment here.  He’s also a badass mastering engineer who you can hire to make your music sound awesome here.  In choosing to be musicians and work in this business we give up a lot of the stability and safety that people take for granted in normal life, things like health insurance. If you can relate maybe chip in a few bucks or hire Shawn to master some of your music.

 

Perhaps the biggest thing happening in Brooklyn this weekend is the AfroPunk festival. I don’t think any other musical lineup has got me more excited for awhile, but as I was telling Ripley last night, I’m kind of mad that it’s made me realize that I belong to a demographic ;)

Around the Ft. Greene-Bed-Stuy sphere of influence (black Williamsburg?), it seems that everything else is being advertised as an after-party for that, so come to ours!

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