This is pretty incredible. Â Shows what you can do nowadays with some creativity and relatively low budget and technology film making wise. Â If you are interested in uses for drones besides killing people this is a really good one. It’s a Czech skate video shot with a flying camera. I’d like to remix it with different music but the visuals are pretty stunning. Big up to the people who made this.
Tonight, Thursday September 20th, I am participating in a free event at Williamsburg’s Public Assembly. DRONEWORLD! is “a multimedia conversation” presented by Motherboard.tv & the ETC festival. Our drones switch on at 9pm.
The FB invite contains bios of the participants in this “late night chat about our robot past, present and future, with detours into Peruvian archeology, Marilyn Monroe, remote taco delivery and more. With surprise unmanned cameos and the whir of new software — all set to luscious drone tunes.” I will be talking Sufi Plug Ins, ‘playing the stock market’, audio drones’ relationship to architecture, & more. Coder-wizard / microphone handcrafter Bill Bowen will be on-hand to demo our ‘Drone’ Sufi Plug In.
I enjoy events that get different types of people talking & relating to each other — call it interdisciplinary, call it being bored by the same type of similarly open-minded music fans shouting at each other in the same old rooms. This should be a lively night. Plus it’s free!
To get amped up, here are some vids. The first comes courtesy of fellow panelist Rahel Aina, who tweeted “as gender+surveillance goes, there’s also cryptodrones in TLC’s ‘unpretty’ video, c 1999”. It’s incredible. I would say that this TLC video is more exciting than the entire internet in 2012 — much of whose DNA seems to come from it, especially Tumblr. Check it out:
Next is the Instructional Video for our Drone Sufi Plug In. I believe that all software should come with clear, concise directions as to its use:
And last but not least, a new hit from Pakistani singer Sitara Younis, whose viral success in our Anglophone media bubble is due to a translation of its chorus: My gaze is as fatal as a drone attack. As the Guardian reports,
Maas Khan Wesal, a Pashtu music veteran who wrote the accompanying music, said the drone reference had nothing to do with politics, but simply the fact that the “eyes of a beautiful dancing girl are so powerful they are like a drone, they can destroy men”.