Keeping with my contemporary Africa-Caribbean crossover obsession… [insert new genre name here? AfroBASS!? MOOMBAtlantic?] I thought I would point to a couple of the latest and very exciting developments in Caribbean and African artist collaboration… this time mostly centered on Jamaica: (more…)
(GIF via Art Becomes You)
Got some more Iswayski for ya! Today’s focus is Azonto beats.
The Ghana dance that’s been wildly popular for the past few years continues to result in a lot of good music. The beat that’s generally associated with it is a super dancey and effective pop formula blended with traditional Ga drumming. Who made the first beat is up for debate, but E.L‘s “U Go Kill Me” is what brought it to the masses.
I’m still surprised I don’t hear more of this in US club sets outside of African nights. It’s impossible not to move your body to, has high production standards, and a lot of the lyrics are even in English. Maybe it’s because so few Western artists are producing it? The UK has Fuse ODG bringing it to the Grime crowds and the whole Afrobeats thing is probably helping to spread it over there. But there’s not much of an American counterpart to any of that. Not that any of this matters as a symbol of the sound’s success, I just personally fuck with it and would like to hear more of it.
So let’s go over a few recent tracks that are doing pretty well that I like a lot: