So in the last 48 hours: news was finally disseminated about Rupture, Brent Arnold and Shadetek’s collabo EP with Kalup Linzy and James Franco. I’ve had at least 36 cups of sweet Chinese gunpowder and mint tea at cafes across Casablanca. AND according to at least one rubric the Huffington Post has overtaken the New York Time’s in online traffic. BUT THE MORE THINGS CHANGE, THE MORE THEY STAY THE SAME. So tonight we are going in on Sweat Lodge tradition once again at The Cove. The party celebrates the release of our fresh-as-hell new line of gear with Emeka Alams and his killer designed Tee’s and Hats will be waiting for you.
[M’hamed Tijdity at Le Comptoir Marocain de Distribution de Disques, photo by John Francis Peters for The Fader]
Head over to The Fader to check out the first of my weekly Morocco updates for the month of June, accompanied by photos from John Francis Peters and, of course, music.
excerpt 1:
Forget Bogart. Casablanca is an utterly modern city, North Africa’s largest, with traffic-choked roadways and upscale neighborhoods and swaths of shantytowns whose residents have satellite dishes but no running water. While most tourists skip Casa to spend their dirhams in more scenic towns, the gritty magnet metropolis pulls in folks from all over the country looking for work, and powers Morocco’s music and art scenes. I’m here for a month with FADER photo editor John Francis Peters and an international crew of six others. Music brought us. . .
excerpt 2:
This next tune is a song halfway between traditional Berber songs from rural Morocco—popularized in the 1970s by Le Comptoir’s main artist, Mohammed Rouicha—and our Auto-Tuned, pixelated tomorrow. It’s by Adil El Miloudi. Adil performs across Europe and tells me that this summer he’ll be making appearances in to Florida and Boston, for the first time. His breakthrough song, “Nothing Nothingâ€, has well over a million YouTube views. Adil lives in Kenitra and performs regularly at a Tangier nightclub called the Morocco Palace (free entrance but they gouge you on shisha and drink prices).
The Palace has a light-up disco dance floor and really good subwoofers. Everything else is covered in intricate Islamic pattern woodcarvings, except the enormous flatscreen TV right above the stage, which is set to a music video channel and is never, ever turned off, even when live bands are performing underneath it. Adil rolls around town with a phalanx of young guys whose primary duty seems to be handing him various cellphones at the appropriate moment. I know this because, after calling several of those phones, I found myself, along with Maga Bo, at Adil’s house at four in the morning a month ago. “This is Tom,†he said, pointing at his manager. “And this is Jerry,†he said, pointing at his cat.
Sometimes you have to give a magazine a bunch of your products to give away for them to write about you. And sometimes those products are all the dopest things you didn’t know were missing in your life. Hit up XLR8R to enter for a chance to win gear from our recent collabo with Emeka Alams, a Dubbel Dutch white label 12″ and a copy of Atropolis’ self-titled debut on CD.
Radio from last Monday, Memorial Day in the States. Block by block, we make a wall. Take the wall to a hole, push it over, use the wall as a bridge to get to the other side. The other side of what? If you turn it up loud enough, we don’t have to listen.
you can subscribe to the Mudd Up! podcast for downloadable versions, issued a week after FM broadcast: , Mudd Up!RSS. Also useful: WFMU’s free iPhone app. We also have a version for Android (search for “WFMU” in the marketplace).
I’ve been traveling to Colombia at regular intervals to present a new sound fusing folkloric Afro-Colombian rhythms with modern day electronic music production techniques that harmonize into a synthetic club sound rooted in tradition. Via the internet, the birthplace of Cumbia has become a source of inspiration to a number producers worldwide. Recently, we invited some of the top names in the scene to a bandcamp in Colombia and a filmmaker to document it. We want to provide an insider view of the impact this music is having on the local scene and how a small network of globally minded producers are defying conventional standards of Latin club music.
We have a couple weeks to get this production costs for completing this project funded. To hear more about how you can help please visit http://www.indiegogo.com/Pico-de-Gallos
We’re dddddoing it again! Sweat Lodge for June will be on Friday the 10th and we’ll be celebrating the release of our collaborative collection of t-shirts and hats with Gold Coast Trading Company. We will have t-shirts and hats available for sale, along with our new and old CDs and 12″s.
This month’s installment will feature DJ Beto of the iBomba crew who have been doing some great stuff here in Brooklyn with their parties including with various members of the extended fam alongside myself, Atropolis and the big bad Geko Jones. The last few have been amazing and with the temperature rising outside we are not letting up.
INFO:
DUTTY ARTZ SWEAT LODGE
DA X GCTC RELEASE PARTY
w/ your hosts
Matt Shadetek
Geko Jones
Atropolis
AND Special Guest:
DJ Beto (iBomba)
The Cove, 108 N. 6th St. Brooklyn NY (Take L Train to Bedford)
Proper visual for the first single off HAVEN, the forthcoming debut album from Copenhagen-based producer, songwriter, multi-instrumentalist, and homie CHLLNGR. We’ve been looking forward to this for a while! Slow, unhurried rhythms, subs whirring beautifully, and smart, astral synth stabs slow danced in a magical forest hours outside the Danish kapital.
Filmed in a Danish forest two hours outside of Copenhagen, Ask for is the first single released for the debut album HAVEN due out in July on Green Owl. Bjorn Stig Hansen and Steven Jess Borth II had only one bright light and one camera to make this happen in a period of two summer nights.
In just a few days I leave New York City for a season. Beyond Digital in Casablanca, then shows in Poland, Denmark, Italy, and I think Croatia… But there’s one last event to shake things up in NYC before I go: a concert at 92Y Tribeca.
This Saturday will be Nettle’s last stateside show until our new album comes out this fall. (Details on the album soooon). We’ll be performing with Debo Band, an Ethiopian group based in Boston who I’d heard about via mutual friends for awhile; and Alsarah & the Nubatones, a Brooklyn-based Nubian soul crew. (Nubian like Ali Hassan Kuban, whose song is still up.) I’m excited!
Here’s a beautiful Alsarah tune, “Rennat”:
Saturday night should be special. KEYWORDS: pentatonic, love, darbouka, max/msp, soft-synth
Event info:
Saturday, May 28, 8pm doors, 9pm show
Debo Band / Nettle featuring DJ/rupture / Alsarah & The Nubatones / DJ E’s E of NYC Trust 92YTribeca, 200 Hudson (just south of Canal), NYC. $16
[Sorry Bamba] Last night’s radio show stretched time out proper, starting with a hypnotic track from Sorry Bamba’s upcoming album on Thrill Jockey, a real standout in a year thick with African reissues. This erroneous Guardian review by Rob Fitzpatrick claims that the song, “Yayoroba” (which Mr Fitzpatrick also misspelled), was “written to honor Bamba’s Dogon ancestors.” Actually, it’s an ode to ladies’ big behinds. THAT’S A SUBSTANTIAL DIFFERENCE. Anyhow, the music flows on, misunderstandings or no…
you can subscribe to the Mudd Up! podcast for downloadable versions, issued a week after FM broadcast: , Mudd Up!RSS. Also useful: WFMU’s free iPhone app. We also have a version for Android (search for “WFMU” in the marketplace).
To everyone who supported WFMU by pledging for my DJ Premium a few months back: good news, it will arrive shortly if it hasn’t already! 3.5 hours of choice Maghrebi sounds, After Tropical Comes Arid; your generosity was the only way to get it.
I don’t use Twitter and this is probably the only time I’ll mention it here, but: FRIENDS AROUND THE GLOBE WHO USE TWITTER. PLEASE SUPPORT #SPANISHREVOLUTION #ACAMPADASOL #ACAMPADABCN #ACAMPADAVALENCIA #ACAMPADAGRANADA #ACAMPADABILBAO #ACAMPADASEVILLA AND SO ON AND ON. <——That link will show you what’s happening at all camps, those in the Spanish State as well as the international camps which are growing rapidly and gathering strength in their own communities.
I can only speak to my own experience at acampadabcn. The only official voice of acampadabcn is the nightly general assembly. Anything I know about acampadasol is from what I’ve seen on the internet and reliable word-of-mouth. You can view their manifesto here and watch what they’re doing here. Pablo Simón provides thoughtful Spanish-language reflection. And oh, by the way, AnOps is on board. So it is on.
I just witnessed a five thousand person general assembly, with rapidly acquired knowledge of protocol and the appropriate gestures of agreement, moving on and so on. During the day today, there were even volunteers providing sign language interpreters at individual debates and assemblies and committees (such consideration for the handicapped is all too frequently absent at all levels of organizational information dissemination and decision-making). We have started our confrontation with a government and a political system that is openly corrupt, populated as it is by representatives who line their pockets with public money even as they attack us, the public (their bosses), with so-called ‘austerity measures’ aimed especially at those social institutions most intrinsically linked to our basic human rights (education, health, and justice). We have begun this confrontation by taking the moral high-ground, which we currently have a strong monopoly on, and claiming all public spaces, which are rightfully ours. We have done this peacefully. Madrid has announced that they are taking on the Electoral Law as a starting point through which to redefine the entire structure of our democracy. You are mistaken if you believe this will last only until the spectacle of the municipal elections is over. As you can see at any time of the day in our plazas, we are far beyond that point. Even their attempts to forbid protest are not enough to stop us, as we know (and the government has demonstrated) that legality and justice are not synonymous.
General Assembly, Day 4 (Photo taken by Juanfra Alvarez. Click image for Flickr.)
Folks in the U.S. may have read about this in NYT or WashingtonPost or CNN or whatever. You may have heard about this guy named Camps being like Berlusconi. He is, but the point is that a lot of people here are, and they are a very specific portion of the population (politicians, bankers and actual aristocrats with their thumbs in so many pies most folks wouldn’t even know what to call their “jobs”). And that NYT article is sugarcoating the situation to say the least (I mean they’re basically quoting from El Pais articles, the centrist-looking version of what is basically our only news group). For instance, they report that we are mostly young people, which is wrong and misleading. In truth, our demographics depend on what time of the day you come at (my reference to demographics is not bullshit. I am a critical demographer). Here is an example from Okupemlesones, our occupied digital cable channel.
And anyway, why wouldn’t you expect to see young people when youth unemployment (in a place where people in their thirties are still often considered youth) is at 43%? We noticed we had some time on our hands, so we decided to take it in our hands and wake our elders up (they had fallen asleep while watching TV). And we are waking them up every night at 9 with popular caceroladas (banging on pots, pans and whatever else we bring), because 9 PM on a weekday is very, very early in this part of the world.
Thursday night, I saw Filastine accompany a crowd of thousands of people from right at the very center of Plaza Catalunya armed with only a bass drum and our thousands and thousands of pots, pans, tupperware, water bottles, keys and voices, with shouts of NINGU, NINGU, NINGU ENS REPRESENTA (NONE OF THEM REPRESENT US) and NO HAY PAN PA TANTO CHORIZO (THERE’S NOT ENOUGH BREAD FOR ALL THIS CHORIZO<—this is the term we reserve for the sketchiest of characters). Here is some video that includes his arrival at the center after minute 6:00. I can tell you that it does not capture the energy. As holds true for all of the 15-M movement, you must go to the plaza yourself to know:
[youtube]http://www.youtube.com/watch?v=wvBxyU3KhMI[/youtube]
So please, we ask that you RT or spread the word as best you can. Help us online so we can be in the street. Some suggestions: Bombard sympathetic people who have tons of Twitter cache (Lady Gaga is as good a start as any) with requests that they support the #spanishrevolution. 4chan. Camp out with others at your local Spanish embassy. 4chan. Link to this post, or some other post on the #spanishrevolution that you are more sympathetic to, or anything else you may read about the 15-M movement or the individual camps, in Facebook. 4chan. Flood your local Indymedia center with information on the movement. 4chan. Or start your own camp in your own city.
Y por supuesto, si estáis por aquÃ, VENID A LA ACAMPADA QUE MÃS CERCA TIENES. #NOTENEMOSMIEDO.
Big up to all the folks who came out to support Dutty Artz and the release of my new album. If you haven’t checked out Dutty’s new line of fly merchandise, be sure to check it. For now, here are some photos from the event. Click here for more photos. And some music to listen to while browsing.
The idea is simple: every six weeks or so we gather somewhere for informal talk centered around a good muddy book, then go eat delicious food. We’ll have a live Ustream feed so Cousin Internet and Miss Larry Antitroll can participate.
Our selection: Maureen F. McHugh’s Nekropolis, a science fiction novel set in 22nd century Morocco involving biochemical slavery, immigration, genetic chimeras, and — last but not least — a new mode of sexuality. Keep reading this post…