If you already know (you know) Mariana “Meteoro” Camberos art, it’s likely through her work for ZZK. She  is one of the artist’s responsible for codyfing the visual vocabulary of Zizek/ZZK branding; which is how I first became familiar with her. But that’s just one mirror-facet of her diverse output, or as she put’s it, “someone once said my work was very Zizek…. but I said, Im not zizek… zizek is all the artists.”

Meteoro Painting

Her neuva-tropical psychedelic day-glo works and styling jobs are right on the palm frond edge of the tropical communities (does that exist… maybe it does.)  collective unconscious. Seriously fresh-2-death designs evoking modern day icons like Carrie Mundane, early MIA styling,  NYstreet  style Keith Harring/ Basquit iconography pushing up against sacred ayuwasca geometries and jungle fractals. Her custom hand painted tees, hoodies, and zapatos are being rocked by some of the dopest kids outs (check the aviary shirt she did for Uproot Andy next time you see him), and her styling and 2-d work is equally stunning. Over a couple days of endless tea, empanadas, and tasty chino delight- we discussed inane visa regulations, liminal space,  our shared love of cumbia sung by little girls and a party called drum&boxx that put young contenders (rocking her custom fur-lined robes) boxing on the floor in a ring made of jungle-stepping ravers. (The interview that followz is the first of a series I’ll be upping and posting, along with photos, flipcam and musings- while I travel as a Watson fellow… it took  me a while to finish this post- im now in Rio)

Fresh Shipment of Meteoro's shoes ready to go to Paris

T: Your palette is focusing alot on day-glo/neon vibes- ur using all of these crazy brazillian fabric paints…. but day-glo has been moving onto clothes since the 1930’s– so what exactly is there left to say using this palette?

M: PUES ES FLUORECENTE Y FLUORESCENTE SIGNIFICA ILUMINADO POR DENTRO ESTO YA ME LLAMA MUCHO LA ATENCION
LA COSA DE BRILLAR CON LUZ NEGRA Y EN MEXICO SE DICEN QUE SON COLORES QUE CHINGAN  (JODEN) LA PUPILA Y AMO ESO

T: you push a psychadelic vibe- but from a distinctly latin american approach…. im seeing these sorts of fractal designs all over your apartment- but with none of the new agey shit that kills alot of western hippy psychadelic stuff- where do you see the convergence of european /american and latin approaches to these forms.

M: MMM ES INTUITIVO Y NO ES ALGO QUE VEA SALE SIMPLEMENTE SON LAS COSAS QUE ME LLAMAN LA ATENCION Y ADENTRO HAGO UNA SINTESIS, SON COSAS EN LAS QUE CREO Y OTRAS QUE ME VIENEN SOLAS COMO MUSAS.

T: youve been in Argentina for 5 years- what has it done for your work- why here- what wasnt working for you in mexicO- or why did you have to come here.

M:DESDE SIEMPRE QUISE ESTUDIARR FUERA DE MI PAIS PARA TENER OTRA PERSPECTIVA Y COMO PRETEXTO DE VIAJE, Y ARGENTINA POR QUE ALGUIEN ME CONVENCIO QUE ERA UNA BUENA OPCION Y MUY AJUSTABLE A MI PRESUPUESTO
Y ASI LO HICE.. ME DEJE LLEVAR .. AL PRINCIPIO SEGUIA SIN ENTENDER POR QUE ACA PERO LAS COSAS Y LA GENTE QUE HE CONOCIDO ME CONFIRMAN QUE ASI DEBIA SER.

T: what does tropical mean to you?

M:TOPICAL SIGNIFICA BUENA VIDA YO VIVI EN UN LUGAR TROPICAL Y ERA PURA ABUNDANCIA SOL FRUTAS MUSICA MAR ESO ES LO QUE LLEVO DENTRO Y LO QUE ME MUEVET

T:where do you see the visual intersecting with music? whats to be gained by understanding this relationship

M: POR QUE LA MUSICA NO SOLO ES UN DJ ES SU IMAGEN, LOS VISUALES EL STAGE Y LA ESCENA EN GRAL. ASI QUE UN  BUEN VESTUARIO ES INDISPENSABLE PARA TERMINAR DE CONCRETAR LA IDEA  DE LO QUE SE ESTA MOSTRANDO LO QUE SE QUIERE DECIR Y EXPRESAR. ES LLEVAR ESE RITMO A TODOS LOS NIVELES ESTETICOS Y ESCENICOS

Fresh Tour Shirt(s) for Cumbia Duo Frikstailers

T: your selling these dope handpainted shoes- but i know you really want a whole fashion and arts line/house….is there a master plan at all?

M: YEAH DO ALOT OF METEORO LUCHY CHARMS STUF LIKE OBJECTS TOYS CLOTHES,.. MORE KIND OF SHOES.. UN MURAL QUIZAS  Y COSAS PARA GENTE QUE LO NECESITA

T: ok- top literature influences, top musical influences, top artist influences, top designer influences…

M: KANDINSKY, CHARLES BUKOWSKI, JODOROVSKY, cLOUDDEAD, M.I.A, BRAZILIAN GIRLS, ALL CUMBIA, YMA SUMAC, matt w moore, AJ Fosik, HIHO AOSHIMA, YOSHITOMO NARA, MOTOMICHI, walter van beirendonck, TSUMORI CHISATO, Vivienne Westwood.

T: i know you love chocolate, can you recomend any of your favorite chocolates?

M:CARDUBY DE YOGURTH, Y UNOS COLOMBIANOS QUE TIENEN TUCANES EN EL EMPAQUE, Y.. UNOS ALEMANES QUE TIENEN MEZCLA DE FRUTAS TROPICLAES CON PICANTE ESOS SON INCREIBLES!

T: anyything else u want a bunch of  blog readers to know about?

M: SERIA QUE HAY QUE PONER MAS ATENCION A LA FUSION ENTRE MUSICOS Y DESE;ADORES POR JUNTOS PODEMOS DAR UN GRAN MESAJE
NO SUBESTIMAR LO QUE LLEVAS PUESTO YA QUE POR MAS SIMPLE QUE SEA ESTA DICIENDO ALGO Y QUIERES QUE DIGA LO QUE SEA  O PONERLE TU TU PROPIO MENSAJE DE BUENA ONDA

[audio:http://nyc.duttyartz.com/mp3s/PharoaheMonch-Rape.mp3]
Pharoahe Monch – Rape
Internal Affairs (1999, Rawkus)

Slice the rhythm…disfigure the face of the groove
For any fader that flies or knobs or button that moves…

To hell with 1980 remixes, fuck disco
Turned on the 3000, stuck my dick where the disc go
… ? … sex the MPC 60, buying a ticket to hell
Verbally dicking the 12 down, sound shitty…

Yeah yeah, this happened last year. But I didn’t blog about it. And since today is 9/02/10…

Here’s what Tripwire said:

Last night on 90210, when explaining why he and his girlfriend are made for each other, the character played by Tristan Wilds (the dude from the fourth season of The Wire) says, “WE BOTH LIKE DJ /RUPTURE.” WHATTT! Either the screenwriter was consulting Wilds as to what DJs he’s into, or the screenwriter was like “OH YEAH DUH, PRIVILEGED BEVERLY HILLS TEENS ARE TOTALLY, TOTALLY INTO GUARACHERO AND CUMBIA!” Maybe they have better taste than we thought? We’re pulling for a guest appearance next. We’ve already written the plot: So the girl he’s dating finds out that he’s still in high school (she’s an older woman) and dumps him because, ew. But then they GO to a DJ /Rupture gig (one where he’s DJing all obscure dancehall maybe), they meet him and he gives them sagely advice about how age ain’t nothin but a number, and they get back together. COME ON! Watch the show after the jump… the moment comes at about 12:40 in a beach scene.

Dutty Artz will release Lamin Fofana‘s debut EP What Elijah Said on September 21. Lamin has been steadily working on beats for the past few years, and he’s about to make a public birth.

When we asked him to describe the music, Lamin sent us this sentence: “Yet, he would refer to the Mother Plane, a mysterious space ship with superior beings, giant black gods or something like that, that patrolled the universe, keeping an eye on the devil and ready to rescue Black Muslims from Armageddon.” Sounds like sci-fi, but turns out it’s from the New York Times 1975 obituary (!) for Nation of Islam founder Elijah Muhammad.

Everything is not what it seems, and this music’s mark of greatness is the way it so effortlessly calls for repeat listens.

What Elijah Said EP:

01 Happy 2010 // Dark Days Are Coming
02 “I will admonish you and give you absolution”
03 What Elijah Said // Eye on the Devil
04 Dance In Yr Blood

Artwork: Boy holding fluorescent bulb,  photo by Brendan Bannon, Dandora Dumpsite, Nairobi. 8/29/2006.   Hundreds of trash pickers scavenge the dump for food, plastic, glass, and metal. Areas of the dump smolder from a slow burn of plastics and detritus just under the surface. Local activist have attempted to close the site due to pollution concerns.

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Lamin Fofana  was born in the West African country of Guinea. When the political situation got bumpy, he moved to Freetown, Sierra Leone, where his routine involved listening to Goodie Mob and Organized Konfusion as well as attending Quranic schools/mosques. In 1997 Lamin’s family had to flee worsening conditions in Sierra Leone – losing friends, belongings, documents, a home. They spent several days crossing roads and bridges destroyed by rebels to prevent people from escaping. At the end of the year, Fofana found a new home in Harlem, New York, where he lives today.

originally posted on Rupture’s blog, Land o’ Mudd

 

Yesterday’s guest mix & interview by The Sick Girl(s) was excellent thumping late-summer fun, and I’m pleased to announce that on Monday September 13th, I’ll have South African boy wonder Spoek Mathambo live in-studio on WFMU 91.1 FM! Us black internationals gonna throw an on-air Tea Party.

I first encountered Spoek as part of Sweat X, his duo project that I wrote about for Fader’s Africa issue [PDF] two years back. That piece involved a lively interview and allowed me to get the following sentence into print: “Spoek Mathambo is a slippery post-Apartheid glam-rap prince from Soweto who is descended from distant African royalty, or Jewish, or both.”

Since then Spoek has been making steady moves for world domination, rapping, singing, sending me emails about mythical dinosaurs that can stop the flow of a river (and concept band/videos based on same), generally manifesting polyglot amazingness in all sorts of places (Johannesburg, Stockholm, Mrs Internet, Paris, Twitter), and, finally, AMERIKKKA, the country with the best hamburgers & weapons. Although I do love the gun-fetish object on Mshini Wam’s cover:

spoek-mshini wam cover

So. We welcome him to our strange land with open arms. Fader is streaming his album for the rest of today, and we can watch these 2 videos to get some angles into Mr Mathambo’s complex musical visions… (HINT: the damaged Joy Division cover I’ve been playing out since Pitchfork festival last summer is 100% Spoek…. he’s lost control…)

cross-posted to Mudd Uppity

sickgirls

[The Sick Girls: A & J, pic by Push It]

Last I heard, the cost of living in Berlin was 1/4th that of New York City. Let’s think about that. You stop working in New York, buy a plane ticket, and can go there and stretch out your life for an entire season – spending roughly the equivalent of one NYC-month. True, the 1/4th thing was back when the euro was higher, but still…. Berlin exists as an alternate universe, where, despite the influx of cool tourists, the price of everything from coal-heated apartments to MDMA (so they tell me) remains very affordable. Plus it’s deliciously leafy and quiet and healthy, wide avenues and canals, if you want that. (Also: Turkish music! Let’s save that for another post.)

“Techno” famously rules within this alternate universe – one of my friends wakes up at 10am on Sundays to go dancing at one of those parties which hasn’t stopped since Friday night: she treats it as surreal morning exercise – so by playing crunked-up (non-techno) fantastic music and throwing a zuper party called Revolution no. 5 the Sick Girls are like rulers of an utopia moment within an alternate universe, which makes them superheros in our vaguely real world (and among its crowds of virtual doppelgängers). Which they are visiting tonight…

This is a roundabout way of saying: Jay-Oh, 1/2 of The Sick Girls, will be my special guest on today’s radio show. Berlin’s finest!

jay-oh

[Jay-Oh and someone’s sneaker]

Jay-Oh will do a live mix and talk about Berlin’s musical climate, the upcoming Sick Girls compilation album, testosterone’s impact on club microgenres, promoting events versus producing beats, and, if we’re nice, we’ll get to hear some unreleased tunes from them…

Key Phrases: sick tricks, urban bass, scented revolution.

Note: the Sick Girl’s compilation will be released this fall on BBE Records, which is the same label putting out Fader coverboy Spoek Mathambo’s debut album. ‘Post-Apartheid post-hiphop posterboy’ Spoek will be my next WFMU guest, joining us live in-studio on September 13th.

So. Mark yr calendars, subscribe to the podcast (regular XML | iTunes), and tune in tonight, live 7-8pm, on WFMU 91.1FM. Nouveau Yorque, the city with the biggest rats.

SickGirls Cover 600

Banksy Smiley Face Grim Reaper

“creativity was the ability to bring to life an image or idea regardless of resources”

– Chief Boima, Interviewed by Eddie Stats

Eddie Stats has a great interview with Dutty Artz familia Chief Boima and Vamanos from Ghetto Bassquake over at his blog Ghetto Palms for the Fader (linked below).  In it came the above quote which Boima mentions in the context of film theory.

I love this idea and it brings me back to a concept that I try to bash my friends and students over the head with all the time.

Creativity is what happens IN SPITE of things like equipment, time and resources.  A lot of people I know cling to the idea that as soon as they get this next plug-in, keyboard, piece of software, money, time or whatever it is that they don’t currently have that they’ll be able to accomplish their creative goals.

I am sorry to report that this is absolutely not the case.

Finish reading this post over at mattshadetek.com

CIAfrica is a heavy crew. They have their own thing going on in Babi, Cote d’ivoire and run the sort of international basss weight productions that we live for- along with spitfire lyrics that jump between local concerns and international awareness. Basically they are dope as fuck. It is a huge honor and pleasure to finally see their DA debut up at all the usual spots and getting love from some serious heavyweight DJs, producers and friends.

Various tracks are being loaded to blogs of varying readership- but if you want a little somethin’ somethin’ straight from the elephants mouth….

Head over to bandcamp to DL a copy of the perfectly titled “Epikstar Riddim” from Babylon Residence. This is our first shot with bandcamp- and once we have your email address we’ll hit you with more free music and the occasional update.

DA007 DJ /rupture presents CIAfrica by Dutty Artz

COP THE ALBUM HERE, physical CDs in stores soon

AmAZON

Turntable Lab

Boomkat

There was a meta-data error at itunes- but it should be up ASAP

Next Friday, August 27th, come catch myself and Tanlines in a pay-what-you-want party at The Whitney Museum.

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[some guitar band at the Whitney]

James Franco was trying to get on the bill with a new indie garage cumbia electro project he’s working on, but the Whitney people had to tell him no. Which is just as good, because with Tanlines, myself, and you, together we are well-equipped to build a DANCE PARTY, possibly the Last Fun Party of the Summer, and let me repeat: it’s FREE. 6-9pm = pay-what-you-wish for museum admission. Grapes will not be served, despite internet rumors stating otherwise.

grapes

This is a crosspost from my blog at mattshadetek.com

J. BIEBZ – U SMILE 800% SLOWER by Shamantis

Some guy on Soundcloud called Shamantis took Justin Bieber and slowed him down %800. And it sounds great! Apparently taking strange pubescent elvis-ian boy pop divas and slowing them down produces glacially beautiful digital sludge. Who needs drugs?

He was gracious enough to put up a tutorial on how he did it too, which is a nice gesture. Expect to hear a lot more of these.

Now as great as this may be it cannot compete, in my mind with the original slowed down codeinated epics of people like DJ Screw, Michael Watts and the whole Houston screwed and chopped movement. Stuff like this:

[youtube]http://www.youtube.com/watch?v=-5z_Iswjiqs[/youtube]

Learn more about DJ Screw in this short YouTube documentary:

[youtube]http://www.youtube.com/watch?v=0elQjRozdWk[/youtube]

Yes, today is my birthday! I survived last year (barely). Hugs, large bills, mp3s, and gift certificates to the crematorium all accepted…

nttl 002

big birthday post over at MuddUp! includes an old Rupture mix excerpt, chopped & screwed Nicki Minaj, free software for turning Biebz into Hopelandic ambience, 16 minutes of Algerian chaabi, GIFT OPTIONS, and, as always more.

Eat, drink and consume media, for tomorrow we get deleted.

Or maybe not deleted. Maybe just replaced with squid pictures.

squids