This is the instrumental for my contribution to Le1f’s mixtape Dark York earlier this year. A few people were asking me for it and so I thought I’d make it available. Â It’s 128bpm so a bit slower than a lot of the ‘trap’ music popping on the net right now. Â My homie Dead O from clouds gave me a huge stack of underground Memphis rap CDs several years ago when I played in Helsinki with him and the hypnotic darkness really made an impact. Â This is my love letter to those beats. Â A big shoutout to Le1f for using it for his tape, as a lifelong New York Rap Guy I’m happy to be included in this new generation of weird rap that’s oozing out of NY right now. Â I’m calling the genre for this one Emotional Grease.
Blog (2008-2018)
Old Money & Lamin Fofana “Ethiopia” b/w “NÄga” – new single out now!
Okaypayer writes:
Brooklyn-based producers Old Money and Lamin Fofana continue their collaboration with Ethiopia/NÄga, the first in a series of three joint releases. The duo themselves describe the audio experience as “an examination of mysteries as articulated through fresh and distinct African Caribbean lenses†— which is dead on. These journeys, which I refuse to just call tracks, sound like solutions of different colored inks. “Ethiopia†is a nostalgia-inducing fusion of Afro-Caribbean drumming, electronic melody, and a Gregorian-type bass. It flows into “NÄga,†which feels like Chicago/London house music meets a Naeto C flow from “10 Over 10.â€Â Buy the release, out now on Dutty Artz, and stream it below.
Old Money & Lamin Fofana – “Ethiopia” b/w “NÄga” by Dutty Artz
JAHDAN & ROBZILLA ON DUTTY ARTZ
Members of the Dutty Artz tribe are long familiar with Jahdan Blakkamoore through his work with myself and DJ /Rupture over the years. Â For his new single World Keeps Spinning he’s teamed up with new Manhattan based producer Robzilla, making his production debut. Â I’d been hearing Rob’s music for a minute and when he asked me to introduce him to Jahdan I thought that they would sound great together. The results are here, including a remix by yours truly and one from London funky sensation Footsteps. Â You can get the release on iTunes and where all fine digital music is sold.
Bembe Rockaway Benefit MONDAY NOVEMBER 5th 2012
Truly blessed to have electricity, heat, and a home. I have never seen such a storm affect New York City, and man I got to say, stay strong NYC; our hearts and minds go out to those who have been dramatically impacted by the storm.
There are many ways to help out, and sometimes dancing, sweating, and drinking can actually be a way to truly donate some serious funds to Bembe’s Rockaway Benefit. Think about it.
Check link for alternative ways to donate
Serious line up too: UPROOT ANDY// 2MELO, // NAPPY G // WHO AM I // STEFANDE // MIKO // GRINGO
GRILLED OCTOPUS ANYONE?
DUB STUY LAUNCH VIDEO RECAP
Last week me and Atropolis played at the launch party for the new Dub Stuy record label and their home built reggae sound system. Â Playing on this system was really really fun. Â Physical sound vibrations, great bass and a great vibe. Big shoutout to the Dub Stuy team for having the vision to put this together. Â We need more people thinking big like this in our underground scene in Brooklyn.
[vimeo]http://vimeo.com/51964571[/vimeo]
Return of the Backdoor

Way back in the summer of 2009, a bunch of us in DC wanted to try an experiment — take the energy of the house parties we were throwing and DJing and try to transfer it onto the dancefloor at a club. We formed a new entity — the Anthology of Booty — with a preliminary mission:
committed to resisting negative forces such as racism, misogyny, and homophobia in social spaces like dances, clubs, and bars. We create spaces for dancing, enjoyment, relaxation, and art with an emphasis on inclusion and respect. As DJs, we play all kinds of music reflecting our different communities and passions.
You know, basically stuff that is discussed here all the time. Our vehicle to achieve this lofty goal of consensual fanny-bumping was the party Backdoor — paying homage to and carrying the tradition of so many communities forced to use the backdoor, sidedoor, separate entrance, and to the clandestine places where they/we partied anyway. It was also a play on the venue where we threw Backdoor — the basement of the 9:30 Club, called Backbar. We kept it on the downlow, advertised by word of mouth, and soon had ourselves a sweaty, sultry underground party.
It didn’t take long to outgrow the space, unfortunately, and so we set off in search of another venue for Backdoor, which proved to be challenging. Backdoor became nomadic, and even went on hiatus at times as we returned to our roots with some warehouse/studio events. Yet we still yearned for the days of a regular, monthly space where our blend of global booty beats and dancefloor politics could be counted on amidst all the other nightlife options. So its quite exciting to be having the first Backdoor party in quite some time, with the hopes that it will be the first of many. What’s more, it’s back in a basement!

If you’re in DC, stop through. If not, let’s see how we can get you here for the next one. Believe — we can throw banging parties and think about things at the same time…
TUNE IN 2 DA NEW AESTHETIC
[graffiti in Hamra, Beirut DJ Rupture]
I’m pleased to announce that the special guest on tomorrow’s radio show is James Bridle, in town from London, full of provocative ideas & playful manifestations of our current digital-IRL moment, where the very definitions of memory, visibility, tangibility, etc are glitching out/fraying together in fascinating ways then physicalizing in fashion, advertising, interface design, architecture…. (When I saw the above piece of pixelated grief-graf in Beirut a few days ago, I instantly thought of James Bridle’s New Aesthetic.)
So. On Wednesday October 17th from 8-9pm EST we’ll be talking about the role of sound in all that with James sharing an ear-opening audio selection.
[from Paul Hagon’s Flickr]
In case you don’t know, James’ work made the internet explode last April when Bruce Sterling wrote a WIRED essay on The New Aesthetic as a kind of new art movement/weltanscshauung with James as “the master of the salon… the guru there.” Because of how the internet works, within days Sterling’s article had sparked roughly 1,000 other articles debating and reflecting on ‘The New Aesthetic’ — most of them written by people who didn’t really have an idea what was going on but felt excited to meme-dive and bend the discussion to whatever they were already thinking about. So, noise aside, Bridle is zeitgeisty in a good, contagious way, and this show is not to be missed.
Change The Mood Even More
It has been declared by decree that the Changing of The Mood from this point forth will be an event held quarterly unless otherwise decided upon by the powers that be. For the first incarnation of said gathering of revelers, we were able to raise a bushel of American monetary units and throw a (beyond the) block party that found itself in the Park of the Sunset in the year 2012 of the Christian God. The follow up manifestation will make sure the world knows that Africans are indeed real, by pulling them out of the realm of myths, and pushing them deep into your ear canals, penetrating the furthest stretches of your ancestral souls.
Excitingly, the lineup for said gathering features: a Kenyan superstar scribe making his way down from the upper reaches of the Hudson river, a DJ from Africa of the South who in the current era is able to sell 30,000 physical units of House mix CDs from out the back of his carriage, four Salone borbors including a village chief, a blind genius virtuoso musician, a house music maestro, and His Imperial Majesty Lamin Fofana I. Also appearing in the pageant will be wordsmiths Old Money and beatsmith Matt Shadetek whom both represent the colony once belonging to a great people of the North, but at the current juncture remains under the reign of Emperor Bloomberg of York (the new one).
Join us on Saturday to Change The Mood!
October 13th at Public Assembly, Brooklyn. 21+. $10. 9pm.
tickets available:Â http://
for more information, contact: family@duttyartz.com
Dutty Artz x Practice Sessions
Every Tuesday night Sam Hilmer aka The Diamond Terrifier from the Band Z’s holds a session he calls Practice at Zebulon in Williamsburg, Brooklyn. This month he asked Dutty Artz to help him curate the night, so we have put in our suggestions. The results are above.
Practice is a space to push the boundaries and hone performances in a relaxed atmosphere, with a crowd often made up of other artists. It was kind of fun to come up with a list of artists who we thought would add to the space.
Come check us out for an exciting one tonight!
Poirier and Lido Pimienta at iBomba Tonight! (Monday- 10/8)
We keep it fresh at iBomba and tonight we’re bringing you some guests up from Canada to get you winding. Don’t miss our guest DJ tonight from Montreal, Poirier! AND added bonus, Colombian-Toronto darling, Lido Pimienta will be doing a set, so if you missed her at Que Bajo?! last week, this is your second chance.
More on our guests:
Ghislain Poirier has become recognized as one of the world’s leading tropical bass DJs, using electro, hip-hop, soca, U.K. funky, and dancehall beats along with vocalists and rappers comfortable with his mesh of those genres. You can download his new Kidnap Riddim for free here.
Lido Pimienta, a visual artist and musician from Toronto reppin’ hard for Colombia jumps back and forth from electronic music to afro colombian music with ease. I watched her skillfully blend folkoric Colombian music with electronica at her performance at Que Bajo?! last Thursday, with lyrics steeped in political undertones. A must see.
We welcome both of them to the iBomba family to join myself (DJ Ushka) and DJ Beto keep the vibe right all night.
When: Monday, October 8th; 10pm – 4am
Where: Bembe, 81 South 6th St
FREE FREE FREEÂ
For deets on facebook, click here.
Sound Liberation Presents: Dub-Stuy Records Launch Party
I have been anticipating this event since Sound Liberation reached out to Dutty Artz to participate in their event. I cannot wait to play on there beautiful sound system. This Friday, October 12th, 2012, from 9 AM to 3AM, several music communities will collide into a rich array of sound. So come to the Paper Box, on 17 Meadow Street, Brooklyn, NY 11206 to check it out. For more details click here.
The organizations and artists behind this event:
Sound Liberation Front, part of the team behind the acclaimed Dub Invasion Festival in 2011, presents a launch party for Dub-Stuy Records, a new Brooklyn-based record label dedicated to promoting progressive bass music and sound system culture in NYC and beyond. The launch party welcomes back the London-based MC Brother Culture to debut a new musical project called Tour de Force. Supporting will be some of the top names from the NYC progressive bass music scene ranging from reggae dub to dubstep and tropical bass with Joe Nice (Dub War), True Nature (Reconstrvct), Matt Shadetek (Dutty Artz), Atropolis (Dutty Artz), and Dave Hahn (Dub is a Weapon). The event will also feature the highly anticipated debut of the “Tower of Soundâ€, an iconic 10,000 watt sound system custom-built and engineered specifically for bass music.
Tour de Force aka TDF Sound System is a Brooklyn-based live electronic dub group formed by producer Double Tiger and DJ Q-Mastah. TDF’s sound blends traditional dub reggae with elements of dubstep, hip-hop and other bass heavy genres. They are currently working on a debut EP to be released on Dub-Stuy Records, featuring established artists such as reggae legend Luciano and veteran MC Brother Culture, who has collaborated with the Prodigy, Adrian Sherwood and Mungo’s Hifi.
Creator of the infamous Dub War parties in NYC, Joe Nice is universally recognized as the ambassador of the dubstep sound in North America and has been instrumental in the global growth and success of dubstep for over a decade. Sharing a residency with Joe Nice at Reconstrvct, True Nature is one of the bearers of the NYC dubstep scene and has held his own as a DJ alongside dubstep stalwarts.
AFRICANS ARE REAL! New @LAMINFOFANA EP Out Today!
[youtube width=”525″ height=”355″]http://www.youtube.com/watch?v=UhHjVVyvXmQ[/youtube]
AFRICANS ARE HERE
http://itunes.apple.com/us/album/africans-are-real-ep/id559939751
http://www.amazon.com/Africans-Are-Real-EP/dp/B009ER6L1W/ref=sr_1_8?ie=UTF8
http://boomkat.com/downloads/573508-lamin-fofana-africans-are-real-ep
“Africans Are Real” Art Dance Video by Cybrarian Tufani
[youtube width=”525″ height=”355″]http://www.youtube.com/watch?v=UHyE7CZ6Yl8[/youtube]
A/V mash-up featuring music by Lamin Fofana with art dance and video production by Cybrarian Tufani. https://www.facebook.com/laminfofana – Captured Live on Ustream at http://www.ustream.tv/channel/ambientempowerments
Lamin Fofana‘s Africans Are Real is in shops on Tuesday, October 2nd! LISTEN TO A RECENT LIVE MIX FROM FOFANA ON RED BULL MUSIC ACADEMY RADIO: Lamin Fofana – Live At ICA
BEYOND THE BLOCK: recap #1 & a cumbia mix
[originally posted at Mudd Up!]
This weekend we gave away physical copies of my latest mix CD. Today I’m offering it online. The mix is directly inspired by transnational Mexican sonidero culture, and uses its format to air the voices and stories of a group of dedicated rent strikers out here in Sunset Park, Brooklyn. Here’s a download of the mix and the story of how it came to be–
This past Saturday, friends & I threw a community-minded block party at Rainbow Park in the Sunset Park neighborhood of Brooklyn. The basic idea was to air live music that reflects the population here (Latino, Chinese, Arab…), to bring folks together into a space with great sound as community groups offer info and services.
It takes much painstaking organization, discussion, and collaboration to create an open-ended space, any inclusive moment wide with margins of possibility. I think we managed to do it. Hundreds showed up, listened, participated.
[BTB – kids at Nuria Montiel’s print vinyl station, photo by Sound Liberation Front]
Planning for ‘Beyond The Block’ began in late spring and continued — with weekly meetings! — until this Saturday. Our we grew over time, expanding to include people from Beyond Digital, Dutty Artz, The Arab American Association of New York, CAAAV, La Unión, La Casita Comunal de Sunset Park, Sound Liberation Front, and various local artists and community members. Manhattan electronic music school Dubspot donated a grip of top-quality gear. On the day of the event, dozens of volunteers came to help everything flow.
[Undocumented youth activists. Ty Ushka’s instagram.]
We made posters for Beyond The Block in four languages: Spanish, Mandarin, English, Arabic. Musicians/DJs held extended conversations with community organizers working towards social justice. Various worlds shrank. We focused on local, person-to-person outreach — that’s why you didn’t see mention of this event on any blogs for example. Our digital hype/ “social networking” skills were put towards helping our partner organizations located in Sunset Park and Bay Ridge activate & amplify the word through their networks.
[Beyond The Block flyers by Talacha]
If the dominant mode of musical experience in 2012 is a web-sped diet of consume and move on, then Beyond The Block is interested in learning about the slow social manifestations of all this music that moves us, and asking how our excitement over these sounds can contribute, in a direct way, to the communities where its heartbeat comes from. And besides, I’ve lived in Sunset Park ever since I moved back to the US in 2006.
As we wrote in the mission statement:
Can a hype block party double as an opportunity to spread information about stop & frisk, immigrant rights, police surveillance, and housing? We say yes. As the championing of diversity, a global outlook, and a celebration of the local become increasingly common in today’s dance music scenes, we see an ideal opportunity to use the energy & open-ended vibe of a great party to connect musical ideas to their real-world analogs — to create a space where we can talk about – and dance to – an incredible musical selection while sharing useful information for our communities that are impacted by issues pertaining to undocumented workers’ rights, transnational identity, health care, police violence, housing and more.
How did it go? Fine late summer sun shone on nonstop music performances across a variety of styles and languages — including teen rappers from around the block, Omnia Hegazy’s English-Arabic guitar songs, Los Skarroneros’ Marxist ska-punk, Uproot Andy DJing, and a perfectly-pitched closing ceremony by Cetiliztli Nauhcampa Quetzalcoatl in Ixachitlan. (This last group had me wishing that DJ Javier Estrada was there, indigenous time rise up).
[photo by Neha Gautam]
In addition to the music were things like: a handball court transformed into a realtime street art gallery, Nuria Montiel’s incredible pushcart art station that let kids transform vinyl records in printing devices, a dozen or so community groups sharing info, $1 spicy grilled octopus from the Chinese food cart…
As fellow organizer Larisa Mann/DJ Ripley wrote, “the face-painting and mural-painting folks were total troopers mobbed by excited kids all day, the community organizations & folks at the tables were full of useful information and good humor and the basketball and handball NEVER STOPPED.” When Ashland Total Freedom came walking up I had to pinch myself. As it turned out, everything really did happen. We’re working on a website but until then you’ll have to peer into the soul-sucking abyss of the Zuckerborg to see it.
[painting produced on the day, Ty Ushka’s instagram]
The point is not to brag about this event. The point is to remind ourselves: this is possible. A few dedicated individuals can leverage a lot. Music can start & sustain conversations. You can throw a block party like this wherever you live, too. Getting the permits and such wasn’t that hard (despite NYC’s somnambulant bureaucracy); sharing the workload made everything easier; post-meeting tacos & micheladas formed their own satisfying world.
But about this new mixtape…
As the planning went on, I started thinking about ways to extend the outburst of energy that comes – then goes! – with putting on a party. Something that could spread slowly, perhaps in online worlds, after we tended to the here-and-now on one exquisite September day.
[Beyond The Block flyers by Talacha]
In helping to make this block party happen, I ended up working closely with people involved in the rent strike on 46th St. The mixtape idea clicked into place all at once: I would select made-in-the-USA cumbia instrumentals, and have those sounds serve as a backing track to the rent strikers explaining, in their own words, what is happening, why they are struggling. Most of the three rent striking buildings’ residents are Latino immigrants, many from Mexico. I mentioned my idea at a meeting — people were into it. Pues… ¡Vámonos!
[photos taken by rent strikers]
Noelle Theard introduced me to some of the principal rent strikers, then she and Dennis Flores, who had already been working closely with the strikers, conducted incredible interviews. As the Spanish-speakers among us will hear, one of the other great things about these interviews is how very different each person’s perspective on the rent strike is. It ranges from deeply personal accounts — say, of dirty water dripping on Eulogia’s stovetop — to broad political analysis examining the banks’ roles, to philosophical reflections on rights and dignity and how a just struggle can empower. If you don’t understand the Spanish then hopefully the deep cumbias will communicate.
The ‘Sunset Park Rent Strike Speakout Mix’ was directly inspired by Mexican sonideros. Sonideros (DJs/sound-people) talk on the mic and select tunes, narrating the party and activating the music, cracking jokes, taking requests to dedicate shoutouts to (often-distant) friends, family, lovers. They literally speak community into existence. Dozens of sonidero parties rock NYC each month, from private weddings to all-nighters in inconspicuous venues under the BQE. (Here’s an introductory article on cumbia sonidera in the New York Times from 2003, and an excellent Spanish language e-book published by friends over at El Proyecto Sonidero.)
Another nice thing about the voices gathered here is how they reflect the high level of women involved in the struggle for housing justice in Sunset Park. (With notable exceptions like DF’s Lupita de la Cigarita, sonidero culture skews heavily towards men on the mic).
But I’ve said enough. Here you go:
DOWNLOAD : Sunset Park Rent Strike Speakout Mix [25 minutes, 61MB] (mixed by DJ Rupture, produced by Noelle Theard & Dennis Flores)