WFMU’s annual fundraising Marathon event kicked off earlier this week. It runs through March 4th! Pledge your support and win some prizes and help keep fun, freeform independent community radio alive! I host a weekly radio show on Wednesdays 7pm, right before Jace/Rupture’s Mudd Up!
First off, friends at El Proyecto Sonidero have just released a free book on Mexican ‘sonidero’ sound system culture. Go get it!
This Wednesday at 8pm on WFMU, USC professor Josh Kun will join me on Mudd Up!, to discuss the current wave of hyperviolent Mexican drug ballads (largely produced in L.A., it turns out) and to examine the question ‘why aren’t other songs being sung?’ Kun is a rare academic who manages to do inspirational work both in & out of the academy — such as TED-talking with Ozomatli, curating the Grammy Museum’s current exhibition Trouble in Paradise: Music and Los Angeles 1945-1975, and doing smart, passionate writing about Tijuana & the complex membrane that is the US-Mexico border. His knowledge of Mexican music goes deep… So tune in! Wednesday night, 8-9pm WFMU 91.1FM, streaming at wfmu.org.
If you are unfamiliar with contemporary Mexican corridos in light of the drug war, Kun’s recent essay on what he’s termed ‘necrocorridos,’ is a good place to start. As is this video from Movimiento Alterado, where catchy and lush horn production sparkles alongside bejeweled bulletproof vests as the ‘Sanguinarios del M1’ sing from the assassin’s bloody viewpoint and proudly name the narcos they work for.
And check out the first few minutes of the Kun-Ozomatli “Edge of Urban Identity” TED talk jam! Josh on the mic, talking about the new gospel of the monkey (“One of the 20 figures on the ancient ritual Mexican calendar, the monkey sported an ear-ring and wore a crew cut. He was a shapeshifter, a transformer, a changeling…”) It’s great:
Spank Rock, Hypnotic Brass, Hudson Mohawk, Novalima, Aidonia, Jahdan Blakkamoore, Popcaan, STS, Scuba, Brenmar, new Shabazz, Astral Social Club, and more – leading up to the voice I can’t get out of my head, Horace Andy. In other words: we went in deep during last night’s Mudd Up! radio.
And we’ll get even deeper next week with guest Josh Kun – more on that in a minute. Until then:
tracklist after the jump
Originally posted on Mudd Up
This Wednesday, with the all-volunteer help of Spectacle Theater’s Akiva, Cassie D, and Zoe S, and WFMU’s Mike A, Bill B, and Dave E, we were able to continue our strange and occasionally bumpy journey down the path of live radio built from video clips & staged before an audience.
It’s an uncanny performance mode, talking to a roomful of bodies seated before Spectacle’s screen but knowing that many many more are listening at home, and attempting to create a path that works for both. Feels ‘experimental’ in the word’s basic sense: something for which the process and its possible outcomes aren’t yet established.
And this Wednesday, on the first day of Black Mystery Month, I teamed up with Lamin Fofana, Chief Boima, and Old Money to host AFRO-SPECTACLE, two hours of live radio constructed entirely from DVDs & VCDs purchased in African-run stores in New York City, followed by a screening of Nollywood-NYC film God’s Own Country.
You can stream the broadcast portion of the evening here. Kola nuts, beer, and a crowd of friends are recommended to help recreate the in-room experience at Spectacle:
Are here are two selections from the evening: a jam Lamin & I have been into forever, a perfect song basically, based on an international collaboration between Sékouba Bambino & Kandia Kouyaté.(Lamin’s Brooklyn-purchased video version had much higher quality that this youtubery, alas.)
And my contribution to AFRO-SPECTACLE, a Don Cornelius homage in the form of David Bowie performing ‘Fame’ on Soul Train.
Last night’s radio show provided a particularly serpentine path through the fields of decentertainment, although sometimes things feel stranger than they actually are. Maybe always. End of show went elegy for Greek director Theo Angeloupolos, airing several selections from his long-time collaborator, Eleni Karaindrou. Streaming now:
+ + +
Brian DeGraw generously took the time to listen back and reconstruct his set list from the January 18th show. GGD’s BGD was really working with the mixer and FX (I brought my Pioneer DJM-800 for the occasion); here are the raw ingredients:
the KLF- Dream Time in Lake Jackson
Luciano- Los Ninos de Fuera
Lift Boys- Anarchy Village
Ku-Bo- Dingo Riddim
Joker- U Been Beta(demo version)
D Double E- Streetfighter Riddim
Javier Estrada- Crazy Indian
Nyamwezi (tribe)- Manyanga 2
Sonny Sharrock- Black Woman
Paper Route Gangstaz- Woodgrain
Zomby- Digital Fauna
Debruit- Nigeria What?
Onipa Nua- I Feel Alright
the KLF- Dream Time in Lake Jackson
We are kicking off (B)Lack History Month in style:
On Wednesday February 1st, at 7pm, DJ Rupture and Lamin Fofana will host a special 2-hour live radio show from south Williambsburg’s Spectacle Theater, with Chief Boima (new jams on the way!), Old Money, and a our favorite African video shopowner.
Following the live WFMU broadcast — built primarily from African music videos purchased in the cornerstores of NYC — we will screen God’s Own Country by director Femi Agbayewa. GOC presents the story of a young Nigeria lawyer who immigrates to NYC to discover that life in America is not like he hoped… As Boima explains, “It’s firmly in the Nollywood tradition. The story line is a New York story, and I think it’s the perfect context for the non-Nollywood initiated to get introduced to the industry. . . it is also referencing the tradition of the American hood gangster flick like Belly. Almost an amalgamation of the two.”
Palm wine and kola nuts are included with the $5 admission. Space is limited, so come early!
This Wednesday, Gang Gang Dance’s Brian DeGraw stopped by my WFMU show to drop a deep hourlong DJ set. Brian does electronics in GGD and is deadly on the decks, too. Open ears will be rewarded. Now only that, but during the interview we learn that lately Brian has been feeling the tribal guarachero from Mexico! The radio show is now streaming:
Be sure to check out Brian’s visual art as well; he thinks across stylistic & formal boundaries, with consistently fresh results.
I was orbiting in a space station above Las Vegas a few days ago, so I was unable to get on the mic during last Wednesday’s radio show. But fire is fire. And no voice means more music, which speaks for itself. You can stream it here. Highlights include an exclusive debut of the new Los Rakas single, ‘Pimpin Smokin Dro featuring E-40’. Cue airhorn:
& for next week’s show, January 18th 8-9pm, I’ll have Brian DeGraw from Gang Gang Dance on-air! We’ve successfully rescheduled and got him all the gear needed to do a DJ set live in-studio. Muddy gifts never stop.
A trio of visionary DJ/producers from Chicago graced Mudd Up radio on WFMU last night: we had DJ Rashad, DJ Manny, and OG Traxman. They did back-to-back mixing, everyone playing unreleased original productions — a true glimpse of what’s to come!
Footwork spread in 2011, speeding up and weirding out dancefloors in NYC and beyond, so it was a real treat to have these guys come through to share the new.
STREAMING NOW: DJ Rupture’s Mudd Up January 4th show feat. DJ Rashad, Traxman, DJ Manny.
Radio last night was lively, with large exclusives from Traxman and DJ Matabaya, upcoming soca power from Poirier, the overlooked Luciano remix of a Salif Keita & Cesaria Evora song, and an overall energized future lean like Jay Electronica’s crushingly expansive Eternal Sunshine (The Pledge). Lets’s get open! Here’s lookin’ at you, two thousand one two! Streaming:
7PM TONIGHT! I’m starting a new radio hour on WFMU 91.1 FM in New York and 90.1 in the Hudson Valley! As Jace mentioned on Monday, I have a slot on WFMU’s Winter 2012 schedule. My show is right before Jace/Rupture’s Mudd Up which means you’ll have 2 HOURS OF DUTTY, & etc!
WFMU is a wonderful institution. The longest running freeform, independent community radio station in the United States! I’m excited and very much looking forward to doing this once a week this winter! We’ll staying true to WFMU’s commitment to unstructured-format broadcasting, and we’re going everywhere all the time. Listen in.
We’ll do our best to give you good apocalypse in 2012. Our ice cream comes in 5 flavors: regular black, mudd, noir noir, soft bop, and dust bowl.
The first show in Mudd Up Radio’s new Wednesday night time slot is now streaming! SOAP BLEACH SOFTENERS. Gentle beginnings. New music from Cauto, Vladislav Delay, Ghanain gospel, Erothug, and, yes, Lana del Rey:
WFMU’s Winter 2012 schedule shuffle means that, starting this week, Lamin Fofana will host a show right before me on Wednesdays! We’ll do our best to give you good apocalypse in 2012. Our ice cream comes in 5 flavors: regular black, mudd, noir noir, soft bop, and dust bowl.
December 7, 2011, Mudd Up! w/ DJ Rupture on WFMU – tracklist:
The audio from Monday’s live broadcast @ Spectacle Theater was lost to a database glitch, so that show will live on in our hearts and minds — but not as digitized stream of endlessly repeatable sound.
And because the belly of the web is always hungry, here’s a 7-minute excerpt from my 2007 mix, Secret Google Cheat Codes (available on split CD with Filastine, “Shotgun Wedding Volume Six”). Drawing that line from Neko Case to Sister Nancy to Caroline Bergvall to Carolee Schneemann to a little bit of Kat from The Ex singing in Hungarian. Also Yung Joc.[audio:http://negrophonic.com/mp3/DJRupture-SecretGoogleCheatCodes-Excerpt.mp3]
During last night’s radio show I said –
Whoeover wants to hear David Lynch singing through a vocoder for seven minutes, please raise you hand.
– and then complied with the raised hands I couldn’t see.
This happened after I had played many other songs, all of which you can stream:
Listen out for a debut of Venezuelan indie act Algodón Egipcio’s incredible remix of Cardencheros de Sapioriz / Cantos Cardenches, which I got to witness him create over the course of several amazing days in Monterrey, Mexico, with the Norte Sonoro project. When the Cardenches heard Algodón’s live version, they were visibly moved, saying “nuestra música va a vivir para siempre”! So great when “remixed” and “remixer” can listen together and rock the same stage.