My last full day in Mexico City in January 2012, I still hadn’t gone toÂ Tepito’s street market. In my readings on the so-called piracy of music and media, Tepito was the stuff of legend. (more…)
DJ Guaguis is Ali Gua Gua, the lead singer of the Kumbia Queers a powerful punk cumbia band out of Argentina and Mexico. With Kumbia Queers she as been spreading a unique brand of cumbia villera and sonidera sounds with a strong political message to new audiences across Europe and the Americas for years. As DJ Guaguis, she brings her Jarocho roots and globe trotting experience to the turntables.
Sheâ€™ll be performing at the Que Bajo Barrioteca Tropical May 9th at Verboten in Brooklyn. Get your ticketsÂ at http://nyc.redbullmusicacademy.com/que-bajo-barrioteca-tropical
Pablito Mix is the pioneer of Mexico Cityâ€™s new cumbiatÃ³n genre combining the long tradition of Mexicoâ€™s cumbia sonidera culture with the invading forces of reggaeton and dembow.
He is a among the most important DJs of Mexico Cityâ€™s urban music scene, and heâ€™ll be performing at the Que Bajo Barrioteca Tropical May 9th at Verboten in Brooklyn.
Get your pre-sale tickets nowÂ atÂ http://nyc.
It’s been a couple weeks since my bandmates and I got back from our first tour through Mexico and El Salvador. I’m finally catching my breath to reflect on all the amazing music we heard and terrific crews we connected with. We stormed through an almost non-stop week of shows, press showcases, and TV appearances, but still managed to fit in some pyramids, beaches, and volcano climbs along the way. Pretty surreal.
[youtube width=”525″ height=”360″]http://www.youtube.com/watch?v=ESj164wKc6I[/youtube]
Super excited about this new event, BomBeat, that I am launching with my crew Cumba Mela, and Nickodemus from Turntables on the Hudson.Â Its all going down this Saturday, November 24th at Le Poisson Rouge, in Manhattan. Expect to hear a wide range of global bass music: cumbia, dancehall, kuduro, house, moombahton, reggaeton….
We are going to try our best to get a free EP for ever event. Be sure to check out the first one bellow!
[crossing la frontera in a van, all photos from my Instagram]
We drove into Mexico at the San Diego/Tijuana border last night. We’re in TJ for Norte Sonoro, a weeklong musical event that I’ve curated this year.
The idea behind Norte Sonoro: bring a half-dozen international producers to Mexico to work with several regional musicians, culminating in a free fiesta and keeping the energy afloat by releasing a free EP of the collaborative works a few months later. Getting an on-the-ground sense of contemporary Tijuana, and of the contexts that gave rise to the sounds we’re working with is key (and includes a strict dietary regimen of only delicious food).
Who’s here? Poirier, Sun Araw, Venus X, Cardopusher, Psilosamples… Norte Sonoro’s bilingual website has full information; the project is run by Monterrey’s NRMAL, and Los Macuanos are producing it. Friday’s party has a Facebook page — it’s free (come on down, L.A.!) but RSVP is mandatory.
This is the 2nd edition of Norte Sonoro — I participated in the first version, which was held in Monterrey last year. You can read my writeup + download the 2011 EP.
I’ve written a fair amount on Mexico, this complicated land I love. A good place to begin is this recent essay for Frieze on the music of Javier Estrada as it relates to Aztec-inspired ideas of cyclical time or this account of tribal guarachero (3Ball MTY) from 2010 for The Fader.
Last but not least, I can’t stop listening to Ofrenda Al MictlÃ¡n, an incredible (& free) 2010 album from Mexicali’s Juan Cirerol. Guitar, lyrics, voice.
Whole thing is stellar, pulsing with a dark & hopped up lifeforce. Here’s a song:[audio:http://negrophonic.com/mp3/13 Juan Cirerol – Mi Rostro.mp3]
“it’s so easy to believe yourself blind in order not to look… the storm’s a perfect time to take a stroll”
Wednesday’s radio show with special guest DJ Javier Estrada is now streaming! El programa de este miercoles con la participaciÃ³n especial de Dj Javier Estrada ahora streaming!
We go in deep, with Javier explaining why he made 430 songs in the last three years & gave them all away for free; an introduction to the legacy of cumbia in his hometown of Monterrey Mexico and how that manifests itself in his remixes, making crowd-pleasing norteno aliens, talk of indigenous gods, and lots more. Bilingual to boot.
Vamos en profundidad, con Javier explicÃ¡ndonos por quÃ© produjo 430 canciones en los Ãºltimos tres aÃ±os y las ofrecio gratis; dÃ¡ndonos una introducciÃ³n al legado de la cumbia en su ciudad Monterrey MÃ©xico y enlazÃ¡ndolo con sus remixes, norteÃ±os que comunican con los aliens, beats que hablan de dioses indÃgenas y mucho mÃ¡s. BilingÃ¼e hasta la mÃ©dula.
The evening ended with a fantastic LES rooftop hangout: Rotterdam’s Munchi, Javier, Bass Squad, and myself — incredibly, it was the first time that Munchi and Javier had met IRL! And Munchi and I finally had our breakcore conversation…
Last week’s radio show, In Praise of the Airhorn, is now streaming:
And I’m pleased to announce that prolific Mexican producer DJ Javier Estrada will be my special guest on tomorrow’s radio show. The young powerhouse from Monterrey is one of the most interesting beatmakers around right now, and I’ve got a coupla thousand of words-in-progress on why… Coming soon.
Until then — tune in tomorrow to catch DJ Javier Estrada live from 8-9pm EST, on WFMU! We’ll be talkin in Spanish with simultaneous translation by Talacha so all you monolingual gorillas can enjoy.
The radio show comes on the eve of Estrada’s NYC debut. We’ll have some tix to giveaway for his Thursday event with A Tribe Called Red.
[originally posted at Mudd Up!]
Back in November the buena gente of Nrmal invited several international producers to Monterrey, Mexico, to collaborate with living legend old-school musicians from the area. Over the course of an intense, well-fed week, we worked out of jefe Toy Selectah’s studio. Norte Sonoro culminated in a free outdoor festival. There’s so much incredible music coming out of Mexico right now — Monterrey, Tijuana, DF, y mÃ¡s — it was an honor to participate in a project like this.
Who was involved? Along with Toy and the Nrmal crew, there was AlgodÃ³n Egipcio (Venezuela), Chancha VÃa Circuito (Argentina), myself, DJ Rupture (US), Helado Negro (Ecuador/US), Mumdance (UK)and White Rainbow (US). The Mexican artists were Javier Villarreal (Bronco guitarist!, they just played in NYC), Los Cardencheros de Sapioriz, Grupo Esencias and Osvaldo Lizcano con Enlace Vallenato. Today Nrmal released the free EP featuring tracks by all us internationals in conjunction with the various local groups.
We had an all around amazing time there — muy buena onda especially considering that most of the folks involved were meeting each other for the first time. My favorite track from the EP is from Caracas’ soundboy AlgodÃ³n Egipcio (“Egyptian Cotton”!), who applies his sweet & experimental indie aesthetic to the time-damaged roots vocals of Los Cantantes Cardenches, a trio of septuagenarian cowboys who sing hypnotically heavy acapella songs about stuff like hangovers and dying out in the desert.
There’s more information on Nrmal’s blog – English version and Spanish version, and here’s an earlier post with behind-the-scenes photos. Below you’ll find a snapshot of Enlace Vallenato and I rehearsing, and a bilingual text I wrote about my participation:
For the Norte Sonoro project, I was invited to Monterrey for several days, to work with several regional musicians, leading up to a free public concert. I paired up with Enlace Vallenato â€“ we decided that for the concert, they would play a short set, then I’d join them for three songs, adding beats, sound FX and scratches, and doing a little live dubbing on the lead accordion. It was a slow crossfade between their bouncy cumbia jams to my solo DJ set. We rehearsed in Toy Selectah’s studio. Labbing up with Enlace Vallenato, was great â€“ the ‘blind date’ awkwardness quickly melted away and we set about listening, learning how to twist together our various musical idioms into something strong. Eduardo Galeano calls music â€œa language where all languages meet,â€ and he’s right. Towards the end of the rehearsal, Enlace Vallenato hit on a low-slung groove that really worked. We’d already figured out the shape of the concert, and Toy was like: â€œlet’s record this! Right now.â€ So we did. It was amazing to see Toy in action. First off, his studio is magnificent. People talk a lot about how with a cracked copy of FruityLoops you can make incredible music (and it’s true), but seeing Toy at work, recording and directing Enlace Vallenato floored me, reminding me of how important real-world brick & mortar spaces of shared creation are. Toy’s a consummate producer– coaching the musicians, adjusting the recording setup for maximum quality, all the while keeping the vibes right. Later that night he & I returned to do some editing on the session files, and I took those back with me to Brooklyn for the remix. The main collaboration between Enlace Vallenato and I happened en vivo at the Norte Sonoro party, so I felt that this remix should flip things and offer a serious departure from their original. I asked Ben Lee aka Baby Copperhead, to add live banjo. I sped things up, brought in several synths playing new melodies developed with Ben. I left in some of the original accordion, and build a new synthed up soundworld around their rock-solid percussion.
â€œPara el proyecto de Norte Sonoro, me invitaron a Monterrey varios dÃas a trabajar con mÃºsicos regionales y a dar un concierto pÃºblico gratuito. Me emparejÃ© con Enlace Vallenato â€“decidimos que para el concierto tocarÃan un set breve, y luego yo me les unirÃa en el escenario para aÃ±adir beats, efectos y escracheos a su set, y tambiÃ©n hacer algo de dubbing en vivo sobre el acordeÃ³n principal. Fue un buen crossfade entre su fiesta cumbianchera y mi set de DJ. Ensayamos en el estudio de Toy Selectah. Trabajar con Enlace Vallenato fue fantÃ¡stico â€“la dificultad de la â€œprimera citaâ€ se desvaneciÃ³ rÃ¡pidamente y nos dedicamos a escuchar y a decidir como Ãbamos a enredar nuestros idiomas musicales para crear algo sÃ³lido. Eduardo Galeano dice que la mÃºsica es â€˜un idioma en donde todos los lenguajes se reÃºnenâ€™ y tiene toda la razÃ³n. Hacia el fin del ensayo, Enlace Vallenato encontrÃ³ un ritmo lento que funcionÃ³ perfectamente. Ya habÃamos determinado la forma del concierto, y Toy dijo: â€˜Vamos a grabar esto! Ahora mismo!.â€™ Y eso hicimos. Es sorprendente ver a Toy en acciÃ³n. Primero que nada, su estudio es magnÃfico. La gente habla mucho de cÃ³mo con una copia pirata de FruityLoops puedes hacer mÃºsica increÃble (y tienen razÃ³n), pero ver a Toy trabajar, grabando y dirigiendo a Enlace Vallenato, me volÃ³ la cabeza, y me recordÃ³ lo importante que son los espacios creativos fÃsicos hechos de ladrillo y mortero. Toy es un productor consumado- coachea a los mÃºsicos, ajusta su equipo para obtener la mÃ¡xima calidad posible, y siempre tiene buena vibra. MÃ¡s tarde esa noche Ã©l y yo regresamos a editar los archivos de la sesiÃ³n, y me los llevÃ© a Brooklyn para hacer mi remix. La colaboraciÃ³n principal entre Enlace Vallenato y yo sucediÃ³ en vivo en la fiesta de Norte Sonoro, asÃ que sentÃ que este remix deberÃa de darle un giro de 180 grados y alejarse de la original. Le pedÃ a Ben Lee, tambiÃ©n conocido como Baby Copperhead, que le agregara algo de banjo en vivo. AcelerÃ© todo y metÃ varios sintetizadores con melodÃas que desarrollÃ© con Ben. DejÃ© algo del acordeÃ³n original, y construÃ un mundo de sonido sintetizado alrededor de sus percusiones impecables.â€ ?DJ Rupture
Last week’s radio show with USC professor Josh Kun was a real treat – and it’s now streaming. An hour of real talk on the current state of narcocorridos – Mexican drug ballads – prefaced by two new heaters from Tijuana’s blooming indie scene. Listen close:
WFMU is in the middle of its yearly fundraising marathon! Our independent, advertising-free FM radio station is almost entirely listener supported (which is incredible, in today’s rapidly consolidating and corporatizing mediascape), all on-air DJs are 100% volunteer (aka I don’t get paid), and now’s the time when we asking for your help… For more reasons on what this fundraiser is all about, you can listen back to my show this week with co-host Therese, or simply tune in to WFMU 91.1FM NYC.
Or go straight into altruism mode by donating and telling your peoples what’s what:
As always, thanks for listening. FILE UNDER: Generosity.
First off, friends at El Proyecto Sonidero have just released a free book on Mexican ‘sonidero’ sound system culture. Go get it!
This Wednesday at 8pm on WFMU, USC professor Josh Kun will join me on Mudd Up!, to discuss the current wave of hyperviolent Mexican drug ballads (largely produced in L.A., it turns out) and to examine the question ‘why aren’t other songs being sung?’ Kun is a rare academic who manages to do inspirational work both in & out of the academy — such as TED-talking with Ozomatli, curating the Grammy Museum’s current exhibition Trouble in Paradise: Music and Los Angeles 1945-1975, and doing smart, passionate writing about Tijuana & the complex membrane that is the US-Mexico border. His knowledge of Mexican music goes deep… So tune in! Wednesday night, 8-9pm WFMU 91.1FM, streaming at wfmu.org.
If you are unfamiliar with contemporary Mexican corridos in light of the drug war, Kun’s recent essay on what he’s termed ‘necrocorridos,’ is a good place to start. As is this video from Movimiento Alterado, where catchy and lush horn production sparkles alongside bejeweled bulletproof vests as the ‘Sanguinarios del M1’ sing from the assassin’s bloody viewpoint and proudly name the narcos they work for.
And check out the first few minutes of the Kun-Ozomatli “Edge of Urban Identity” TED talk jam! Josh on the mic, talking about the new gospel of the monkey (“One of the 20 figures on the ancient ritual Mexican calendar, the monkey sported an ear-ring and wore a crew cut. He was a shapeshifter, a transformer, a changeling…”) It’s great:
Â¿What? – DJ Rupture, Mumdance, Chancha Via Circuito and more are meeting up in Monterrey, Mexico to work with living legend old-school musicians from around Monterrey, and it’s all being curated by el jefe Toy Selectah and Nrmal?!
The project is called Norte Sonoro y esta bien chido.
“Norte Sonoro is a festival and a musical residency. Via musical experimentation, this project seeks to establish a dialog between norteÃ±o sounds and international artists. Using the sounds of north Mexico as materia prima, 6 invited artists will create new works that bring together these norteÃ±o elements with their own styles, and it’ll all be made available for free. . . To top things off, all the artists will join forces for a free live show in Monterrey, sharing the stage with local musicians and DJs” (local like the chicos of 3ball MTY? Let’s hope so.)
Norte Sonoro is doing a Fondeadora to help make it happen and spread the word (Fondeadora is like Kickstarter for Mexico. Note that prices are in pesos, not dollars. They’re offering some great rewards). Here’s the Spanish-language video:
Norte Sonoro es un festival y un programa de residencias musicales.
A travÃ©s de la experimentaciÃ³n musical, este proyecto busca establecer un diÃ¡logo entre sonidos norteÃ±os y artistas internacionales. Utilizando los sonidos del norte como materia prima, seis artistas invitados realizarÃ¡n piezas musicales completamente nuevas que fusionan estos elementos con sus propios estilos, y que se distribuirÃ¡n de manera gratuita en esta pÃ¡gina.
Los artistas invitados viajarÃ¡n a la ciudad de Monterrey en noviembre para realizar una mini-residencia de una semana. Estas residencias culminarÃ¡n con una fiesta en la que se presentarÃ¡ el resultado de su trabajo.