In my capacity both as Dj Ripley and as Dr. Larisa Kingston Mann, I’m speaking at Fordham Law School next week, sponsored by the McGannon Center for Communication Research (where I’m a Fellow), and the Urban Law Center. (more…)
Usually people put out a mix before their tour to promote upcoming shows… Well, I’m putting one out after — many excuses as to why — most importantly because I wanted to share a part of my set that got some interesting reactions from crowds this past month touring the U.S. (more…)
photograph by John Carluccio
I was quiet for most of 2011 when it comes to releasing original music. To be honest, I was a bit hard on myself. I’m finally getting out of that muck, and feeling ready now. I’m planning to put out several releases this year, on Dutty Artz as well as branching out to other labels.
Please find details for my first release of 2012 below. Titled Dubious Prey, it comes out on limited vinyl January 30th, then a digital release with additional remixes shortly follows. London label Sticks N Stones is releasing it… SNS a small new label owned and operated by my friend Aramac, and distributed by ST Holdings. Artwork, tracklisting, YouTube and SoundCloud previews – all below.
artist: Lamin Fofana
title: Dubious Prey
label: Sticks N Stones Recordings (Distributed by S.T. Holdings, UK)
date: 30th January for vinyl / 27th February for digital
A – Brokedown City
A2 – Dubious Prey
B – Brokedown City (Aramac Remix)
1. Dubious Prey
2. Brokedown City
3. Brokedown City (Aramac Remix)
4. Brokedown City (Svpreme Fiend Mix)
5. Brokedown City (Mayster & Contakt Rebuild)
6. Brokedown City (La Ola Criminal Remix)
Yesterday, XLR8R premiered the first cut from Dubious Prey, “Brokedown City”
NYC-via-Sierra Leone DJ/producer and Dutty Artz affiliate Lamin Fofana is set to release a new EP, Dubious Prey, the follow-up to his 2010 debut EP, What Elijah Said. The new EP features two originals, including this one, “Brokedown City,” a dark but still active piece of techno with a steady four-on-the-floor. The song’s notably tropical percussion is buffeted by potent synth lines, which bleed in and out of the song, and a barely audible vocal sample that occasionally slips into the mix…
Head over there for the DOWNLOAD.
So far my 2011 has been a year of playing out in odd venues. After a spate of guerrilla gigs in machine rooms and lab spaces around Boston, my first DJ appearance in London landed me at an anarchist party in the docklands. Location: a disused boxing club across the street from the former hideout of the Situationist International. Dress code: “Things that shouldn’t go together — and don’t,” exemplified by a prevalence of latex+tweed outfits and one flasher in a jilbaab. As though anarchists in the docklands weren’t contradiction enough.
The hosts of the party were – of course – the Space Hijackers, a squad of self-styled “anarchitects” who have spent the last twelve years executing increasingly in-your-face actions to reclaim London’s public space. Most recently they made headlines from BoingBoing to the BBC World Service for launching a fake “life offsetting” company during the DSEi arms fair. There’s a lot to say about the Hijackers, but rather than try to sum up their work in a few paragraphs, I’ll leave you with a clip of them driving their own tank toward some police officers. OWS, take notes.
[youtube width=”525″ height=”360″]http://www.youtube.com/watch?v=SrAG8faeC7o[/youtube]
This one dropped on Numbers. last year, but this video made my afternoon. #dancers #rewind
when does a battle mix become a ceasefire mix? avant-garde was originally a military term – the foremost guard in the army advancing into conflict. battle mix. myself and jon hanuman. the peace was brokered by the abstractor blog (based in Caracas/Barcelona/Elsewhere) and is therefore bilingüe.
it’s available with tracklist and even interview here.
here’s a couple of my selections in full. happy to spread the love/weaponry further. requests down below…
first, an old UK Garage cut from 99. future garage is a simultaneously occurring future which is also happening in the past…
second: adesh samroo is from trinidad. he makes chutney soca (that’s soca made by trinidad and guyana’s large populations of south asian – imperial – extraction). This tune is from his ‘thanks to all’ album. It makes a good case as to why cat meat is better than dog meat.
I spent my Saturday in doors working on nothing but noizes and beatzes, stopping to watch Al Jazeera‘s coverage of a suddenly chaotic #Egypt – Egyptians demanding for their pharaoh to resign. In the evening, I walked down a couple blocks to a Senegalese-owned halal restaurant called “African-American Cuisine.” On my way back, iPod decided I should stop listening to 8Ball & MJG and pay attention to The Dark, The Third Eye Foundation’s 2010 album. For the most part, I’ve payed attention to Matt Elliot’s output under his birth name, at least since 2003’s The Mess We Made, but not his earlier releases as 3EF. While based on track titles alone “If You Treat Us All Like Terrorists We Will Become Terrorists” sounds apt for the times, “Standard Deviation” is immense, absorbing, murky and warm with low, low rumbles and creeping, ascending voices. If you enjoy this track, the album is a nice cohesive mix-up you should definitely check out.
Greetings from the darkside, Londoner Toby Ridler’s Becoming Real project recently unleashed a vicious EP entitled Spectre, outright insane beats with vocals from one vocals/raps from one of grime’s most amazing/underrated MCs Trim. There is also a wicked juke refix of the lead track by DJ Rashad.
Also, don’t sleep on his FACT mix.
“We are all only temporary curators of our present bodies, which will all decay, sooner or later. In a hundred years or so all the humans currently alive will have died. I take great comfort in knowing, with certainty, that thing that makes us special, able to enrich our own lives and those of others, will not cease when our bodies do but will be just starting a new (and hopefully even better) adventure … ” – Peter ‘Sleazy’ Christopherson
Coil was great. I can’t really explain it here. Just returned to NYC after a productive absence but today is one of those “days” where I’m “home” for less than 24 hours. His post– post– Throbbing Gristle project X-TG was slated to play at the GY!BE ATP this weekend, we were looking forward to that…
although his work that really opened my young self up was Coil.
Red Slur is the first Coil song I ever heard. Sometime in high school, these 3 minutes made an indelible impression. It remains one of my favorite songs.[audio:http://nyc.duttyartz.com/mp3s/Coil-RedSlur.mp3]
Coil – Red Slur (from Gold Is The Metal With The Broadest Shoulders)
I loved that they could be honestly, truly creepy…[audio:http://nyc.duttyartz.com/mp3s/Coil-TheFirstFiveMinutesAfterDeath.mp3]
Coil – The First Five Minutes After Death (from Horse Rotorvator)
…and then go “pop.”[audio:http://nyc.duttyartz.com/mp3s/Coil-TheSnow.mp3]
Coil – The Snow (from Love’s Secret Domain)
We are dropping a 12 track tropical compilation just in time for when things start to get cold in New York and hot in Rio. Ten unreleased TROPICAL tunes + anthemic FUNKY THAT WE HAD TO COSIGN and A HEAVYWEIGHT NEW MASTER OF NGUZUNGUZU’s EL BEBE AMBIENTE. We feel bad that we have not kept up our LEGENDARY New York Tropical parties- but we just do not have time to promote a crew club night in New York- but maybe again in the future, with some good partners we would get into it again- because NEW YORK TROPICAL WAS A FUCKING BLESSING. The first time I went was before I had really started working with DA and everything about it was perfect. From the
German Belgian installation art that slowly dissolved as the dancefloor spread to all surfaces, to the perfect Sangria, the heavy weight dancehall soundsytem that we rented from SoundMan Grimm, a crowd that reflected the diversity of the music…. basically NYT was one of the dopest party series I’ve ever taken part in (although sadly I never got to play caus I was busy learning things in school and hanging out in Europe).
For the comp we hooked up with DA resident internet excavator Seacrest Cheadle 892 u mean computer mean2 computer did u mean competitor a force that has been so next level for so long that it is basically my only internet news source. We have been dreaming of doing projects with him/it/her/zee since before the first .com crash but he’s basically the zeitgeist embodied and besides pretty regular appearances at Korea Town Karaoke Bars and Neurogenetic labs in undisclosed locations- she is damn near impossible to locate. but somewhere in the #based ether we convinced it them 2 make a deadline… and magically, it worked.
Our promo machine is at about cotton gin status at this point… so we just moving FWD looking towards a more cohesive way to reach a larger audience. I dont open or listen to almost any of the promo email I get, and you dont either. But some of it will keep coming but really this whole thing is about relationships. I, for one, am working on my relationship to the ocean and fresh fruit juice in Brazil. I suggest you keep a dream journal while you ask these questions.
There are also tracks on this compilation from important and soon to be important musicians like Lamin Fofana, Kingdom (flipping RITA INDIANA OMFG!), Lido Pimienta, Matt Shadetek, DJ /Rupture, Chief Boima, DJ Orion, Sonora, Salem, Knight Magic, La Ola Criminal, Maga Bo.
Tracks will be sold digitally via Hulk Share and on custom GuccixDuttyArtz all-over-print USB sticks
Joyful music for an expensive, shitty city with decaying infrastructure where DUTTY ARTZ lives & loves.