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BD1982 has been one of my favorite producers for a minute. I’ve been including his tracks on mixes and dropping them when I play for about two years now. His Spaceboots EP on Seclusiasis was one of the most banging EPs of the last 12 months- and he now has a full length out entitled “Lets Talk Math.” He laced DA with a lengthy interview, an exclusive mix for the podcast- as well as an Erykah Badu vocal version of  “Subtract”.

BD1982 – Soldier (Subtract) 320[audio:http://nyc.duttyartz.com/mp3s/Soldier_%28Subtract%29.mp3]

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tracklist after the jump

T: So- we’ve been in touch for at least two years now- I first became familiar with your production through your monstrous “Water-Faucet” riddim, which shows up here as the instrumental for the gun man tune “Shotta Pon da Corner.” Lets maybe begin there. How did you come to work with Two Seven? Were you always planning on getting a vocal on that instrumental? What about “Fresh Air Ft. Syntonics” (one of my absolute favorites on the album) and “Chased by The Rain”- where the vocals take on a more instrument like role. How do you conceptualize the role of a vocalist in mainly instrumental genres? When your djing out are you playing primarily instrumental tracks as well?

B: I had been a fan of 77klash since hearing “Brooklyn Anthem” and sent a message through Myspace to see if he’d be interested in voicing a tune and luckily he was up for it! I hadn’t really planned on trying to get an original vocal for “Water Faucet” intially, maybe just because the “Blueberry Afghani” bootleg remix was making some rounds, but I’m still incredibly happy at how dope “Shotta Pon De Corner” ended up .

More Interview Under the Hood (more…)

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the Dutty Artz digital familia grows! Sisters and brothers let’s welcome Carlos! Like Cauto, Carlos is based in Barcelona, a city he calls home alongside Houston, TX. Carlos and I first vibed out over chopped & screwed Houston rap gems like S.L.A.B. but we quickly discovered shared affinities for drone/noise, flamenco, and I’m happy to say I introduced Carlos to the wonder of Bcn’s Moroccan music shops… He starts off in style with a post about flamenco. – /rupture

Flamenco is a famously conservative style of music. The voice, the guitar, clapping, stamping and jaleo (literally ‘ruckus’) are the key ingredients, and new additions to the mix are often met with some skepticism. This is less true now than it was before 1979, when Camaron de la Isla‘s album La Leyenda del Tiempo pulled sitars, rumba, jazz, and electric guitar into the music, but to this day, most flamenco acts willing to open their palettes to new colors do so tentatively, ultimately sounding like polite, virtuosic jazz fusion music.

This makes Enrique Morente‘s artistic path all the more remarkable. A veteran and patriarch (see: daughter Estrella Morente) of the flamenco game, he’s brought out the duende in its traditional form:

[youtube]http://www.youtube.com/watch?v=yZr4YfVopH8[/youtube]

But in recent years, he’s been more interested in seeing what other shapes the duende can take, often through collaborations with surprising artists. Take this duet, with Rebel of Rai Cheb Khaled, where he gives proponents of the Flamenco is the Arabian Blues Declaration a reason to salivate, in appropriately regal settings (the Alhambra, which I used to live right next to). What I like most about this tune is how relaxed it sounds, when a meeting of two giants so often tends to be an overblown affar:

[youtube]http://www.youtube.com/watch?v=DM2wC7sv6xU[/youtube]

But for freaky noiseniks like me, perhaps the most mind-blowing project(and definitely the riskiest, in terms of flamenco cred) was his collaboration with Sonic Youth. They played several concerts together, but to me the gem is the performance below with just Lee Ranaldo, Steve Shelley and Morente’s “family”. Here Morente takes a more subdued role, clapping and wailing and staying in the background and Lee Ranaldo does his thing (the video’s out of sync with the audio and you can’t see Morente, but it’s the only uncut video of the whole thing):

[youtube]http://www.youtube.com/watch?v=y-SSBK9rNrw[/youtube]

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Quik & Kurupt’s Blaqkout is shaping up to be a dope collaboration.  A few weeks ago, they dropped “Whatcha Wan Do” and now this.  The beat and the image presented are somewhat reminiscent of Clipse “Grindin'”, but there’s something about the sample here- chopped, disembodied female/R&B voice (something we don’t seem to get enough of)  gets trampled by heavy booms & bap, not to mentioned Kurupt’s bugged out raps.  Storms, hurricanes, typhoons, radiated mushrooms, delusions, bananas, baboons, etc. all squeezed in, in less than a few seconds.  It all reminded me of a DOOM line, “don’t know what he saying, but the words be funny.”

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This episode of “Gangland” is a crazy documentary about gangs in the Third Ward of New Orleans which get’s even crazier when Katrina hits. It’s definitely pretty sensational but also a compelling and candid portrait of a place and a group of people on the edges of society in a dark moment. It’s 45 minutes, stream it when you’ve got some time.