[youtube]http://www.youtube.com/watch?v=h4d7UwaNrIQ[/youtube]

I had the beeps from this beat stuck in my head for a few months so I had to look it up on Youtube this morning. I heard it first in DJ Vlad’s Hyphymentary “Ghost Ride The Whip” which is worth checking. Too $hort STAYS on form, crazy.

Certainly, after “I Used To Get It In Ohio” Cam’ron was official back. He had everyone scratching their heads with the recession rap banger “I Hate My Job”–seriously, rapping from the perspective of the everyday workingwoman–long way from the pink chinchillas and lamborghinis. Check the video below.

Yesterday, this completely absurd track with Soulja Boy-style hook leaked. Welcome back, Killa!

[audio:http://nyc.duttyartz.com/mp3s/Camron-CookiesAppleJuice.mp3]

Cam’ron – Cookies & Apple Juice

$$$

Recession Rap Jams,  follow protocol

[youtube]http://www.youtube.com/watch?v=DWQWTZVWVZs[/youtube]

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[audio:http://nyc.duttyartz.com/mp3s/Pill-BackOutside.mp3]

Pill – Back Outside

Pill is a rising lyricist from ATL, and is one of Killa Mike‘s proteges in Grindtime Rap Gang. This joint if off his new tape 4180: The Prescription. Buyable here – if you have money, or if you’re into spending money at all, cop it!

It’s going down like a stock (computer) (?)
Or a job with union… (?)

Recession Rap Jams, jumping like a trout attached to a rabbit!(?)

Courtesy of Traps N Trunks

  I <3 synths! Like for real- I just fucking love them. (Is that like saying you love drums?)

Having spent countless hours soldering little bits of plastic and metal on bread boards and taking apart toys and keyboards.(and plugging away at a Serge like the one to the left).. I’m still amazed by how emotive a little bit of electricity can be.  Eternal love to Mr Gray for getting the whole thing started- but there are some new comers who are pushing the envelope and combining serious dance floor sensibility (or maybe sensitivity) with enough experimental flare to keep things interesting.

In Vienna last Saturday I stopped in at the nearly impossible to find Club U (as cute as it might seem- maybe dont name your venue the same thing as the five thousand signs for the subway that surround it) to hear from Glasgow’s Hudson Mohawke. Running a combo serato and ableton set up with some akai mpd controller action- dude properly destroyed the room with a much too short set. I’ve been checking Hudmo ever since his “Ooops” release of absolutely face melting hip-hop/rnb refixes. Seeing him live made me wonder if the term braindance might make a resurgance…but the music gods want something NEW to talk about….

If you squint a little music criticism starts to embody all the reasons that I hate (and find myself returning to) academic art history. Inbred pedanctic circle jerks aside- there’s something to be said for trying to come up with a critical apparatus for new works that have, in their unwieldy descent through the market, yet to find their historical/critical resting place. While creating/defending/destroying genre designations certainly is not the most important work of a critic- no one can avoid recycling and regurgitating the genre question when it comes to (cue Marsalis trumpets) the new era in BASS music that we may, are, ought to, have, havnt, possibly, can, enter did enter or passed through.

Saving my own didactic desires/nonsene- I’ll just share what to me are prime examples of……(wait for it)….. music that makes people dance in the club and makes me smile – even while enjoying my Hungarian subway stations multi-use  communal restroom, bakery and public transportation smell.  Both tracks have great synth work and even though they are bass heavy bangers- they both sound solid on laptop speakers.

[audio:http://nyc.duttyartz.com/mp3s/3-Let_Me_See_What_U_Workin_With_Rustie_Remix_.mp3]

Rod Lee – Let Me See What U Workin With (Rustie Remix)

Cop from Dress 2 $weat

[audio:http://nyc.duttyartz.com/mp3s/HudmoOoops.mp3]

Hud Mo- Ooops

Also- buyable

p.s. Can we talk about Tweet’s “Oops” as presaging the Recession Rap movement with her own libidinal credit crunch tale?

[audio:http://nyc.duttyartz.com/mp3s/AttitudeJackieChain-Money.mp3]

Attitude f/ Jackie Chain – Money

It will be a shame if “Money” does not appear on Attitude‘s upcoming release T.I.M. (Time Is Money) —although, I have to admit “Blow Ya Back Out”, the single his label is currently pushing is pretty tough.  On this track, Attitude recruit Jackie Chain to rap about the psychological and emotional scars and ills of not having/having money in these dire times over a poignant beat/sample (of which we can only guess is provided by the Alabama’s own, incredible Block Beataz.)

Money, money makes the world go ’round
Money, money make you change your sound,
If the price is right, if the price is right…

Recession Rap Jams, we’re gonna keep on rolling.

Props to BLVD ST

art by waɪ.ti

Rap music is better when the economy is in terrible shape. At the moment, the US economy is in the toilet. Questlove had a theory on general social depression/economic mess and great rap music/black art –

My theory is that nine times out of ten, if there’s a depression, more a social depression than anything, it brings out the best art in black people. The best example is, Reagan and Bush gave us the best years of hiphop. I think had Carter and then Mondale won, or if Jesse [Jackson] were President from ’84 to ’88, hiphop wouldn’t have been the same. Hiphop wouldn’t have existed. I think you would have more black Tom Waitses. Marsalis would be goin double platinum. There would be more black Joni Mitchells. [Gets impish grin.] The Roots would sell ten million.

The quote above is from an interview he did in 2003, and since then his band released two politically charged albums, Game Theory and Rising Down.  Obviously, Questo’s point is multi-layered and nuanced, and I’m not completely sure how strong his theory holds in the post-Bush and Obama era, with our Soulja Boy and ringtone rap phenomenon and recent technological advances.

I have gathered a series of tracks, recession rap jams that have been cropping up as the economy continue its decline.  For the next two weeks, I will be posting individual rap jams addressing the global economic crisis from realistic, pragmatic, and amusing levels, along with a brief description. The vast majority of the tracks came from blogs like BLVD ST, Nah Right, 2dopeboyz, and cocaine blunts, and a few from CDs and other sources.

So get ready – those of us with non-recession-proof pockets, those of us who have been living in an economic recession all our lives – Recession Rap Jams!

[audio:http://nyc.duttyartz.com/mp3s/YoungJeezy-Circulate.mp3]

Young Jeezy – Circulate

Hate to have to be the one that said I told you
Lord knows I can’t wait until this recession’s over
Gas higher than me, shit, I’m tryin to see
And whereever that they at that’s where I’m tryin to be
It was all good a week ago, Young, the big tipper
Grind it all, we can throw it all at the strippers
Got me looking at my stash, like where the fuck the rest at
Looking at my watch like its a bad investment
Speakin of investmens, we talking investments
My Re-Up money, Yeah im tryna invest it
Sell a nigga dream, Man tellin me its up
His folks got him on hold, still ain’t heard nothing

Sound like the countrys going broke
The industrys going up in smoke
Politicians talking crazy
Or they just bein to lazy
Is it all because of Watergate?

As far as I can tell, Young Jeezy forsaw the seriousness of the current global economic struggle in early 2008 and titled his album The Recession, probably the best mainstream rap release of last year— mainly because it features actual rapping. On “Circulate”, Jeezy and producer Don Cannon rework a Billy Paul/soul track from the 1970s dealing with issues ranging from the financial crisis, govt overspending, and stock market crash to unemployment, price of food and gas, and  environmental degradation.


My man Chief Boima did a nice little African House mix. If you’re in San Francisco be sure to check him out at his new monthly party, The High Life.

Afrocan House Mix – Chief Boima

Tracklisting:

1. Fuego-Dejalo Caer
2. Dj Furreta-Minha Mangole
3. Unathi-U R Devine
4. DJ Damost-Wa Ku Kuluka feat. Mr. Dino
5. DJ Jesus-The Thanks
6. Bob Sinclair-The Love Generation
7. Dj Furreta-Ola La Yeah
8. Dj Joca-Djokidos
9. Dj Cleo-Gabz to Mbabane w/Brickz
10. Black Runner-Pump It Up
11. Magic System-Zouglou Dance
12. Dj Killer-Revolucionário
13. Murder Cat-Blam Blam
14. Enur-Calabria Riddim
15. Ding Dong-Go Away
16. ?-?
17. Goapele-Closer (Remix)

Last night, at the Noble Society show I ran into a bredren I recorded for some grime dubs with and hosted at a couple shows a few years back. Melodic is one of those deejay/MC’s you have to respect for their hustle. Shortly after I met him I noticed how hard his myspace and performance game were and he’s consistantly come up on the radar at shows around the city. His reggae dips are in the vein of the hip hop-reggae hybrid that Noble Society is laying down.

Shortly after our dubs were recorded I came across a tune he did with Digital Primate, an australian producer I rate for his digi-ragga innovations and low ends. I found a blog post about Digital Primate here that does a better job on a bio and the tune he did with Melodic and Mark Shine here… On the Radio.

This is the video for Melodic’s new single ride one which I would like to submit under Lamin’s recession rap draft picks.

[youtube]http://www.youtube.com/watch?v=-vCEDWXXSrc[/youtube]

We’ve got a lot to give thanks for this week. The addition of Archer ‘Babytek’ Schell to the DA Fam. The forth coming family reunion this friday in Bed Stuy. and this….

Jahdan’s band Noble Society, winners of the I-tunes Reggae Album of the year are taking time off the grind to celebrate the release of their second full length, Take Charge.

OKAYPLAYER.COM had this to say…

“Noble Society is not your weed head uncle’s reggae band. Fronted by former Boot Camp Click affiliate, Jahdan, this Brooklyn outfit eschews the open, organic grooves of traditional roots music. Their ambitious debut, Take Charge is winter time reggae, world music for the new world order; a juxtaposition of the social and spiritual ruminations of vintage island music, the cold, claustrophobia of modern electronica, and the aggressive percussion of hip hop. When everything clicks, the urgency of the production adds heft to the fiery content that is characteristic of the genre, but often muted by the mellow bounce of the soundscapes. “

Just yesterday Shadetek & I were wondering about the sample Conquest uses in “Forever”. Veiled Gazette points out this post, which locates the source sample for that, as well as a few other dubsteppey tunes from Burial (Sizzla!), etc.

The roaring crowd noise made it obvious that Conquest sampled a live show — Jamaican soundclash/gig footage has provided a notorious wealth of samples and entire acappellas for the last 15 years or more. Turns out that it was Barrington Levy, riffing slack on the ‘Here I Come’ riddim!

clip

and Conquest’s version