This just in from our Abidjan point man, GREEN DOG:
YES O
NEW MANUSA VIDEO !!!!!!
“BABI “
aka ABIDJAN city
in this track Manusa spit about his luv for ABIDJAN
“ABI MOI J AIME ABIDJAN “
is like “My homie me luv Abidjan “
Surrounded by crazy from CIAFRICA family, this generous LP got some hidden jewels and dancefloor time bombs (dis-moi, black prez) to hit any listener 2.0.
Last night’s radio show was a special 2-hour session, with some live DJing (something I rarely do in radiospace) in the latter half. Bump!
Also, we’ve received a lot of great feedback from last week’s edition with DJ and legal scholar Larisa Mann aka Ripley. Many fascinating topics entered the discussion, beginning with copyright in Jamaica and expanding outward.
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meanwhile, in Tel Aviv, Sabbo has cooked up a lovely remix of Jahdan Blakkamoore’s “Come With Me”, a revealing song about leaving his native Guyana to enter America when he was a little boy. #ImmigrationReform
off to Knoxville’s Big Ears festival! It sports an action-packed lineup (The Ex, The xx, jj, GGD, Nico M, Joanna N, et al). I’ll be performing three times, in fairly different contexts:
a late-night dance set on Friday (with Ben Frost opening).
a Saturday afternoon set in a theater. w/ Dirty Projectors and William Basinski! Remember: a seated audience is a captive audience.
and finally, Saturday night The Ex’s guitarist, Andy Moor & I will do our improv duo performance. Here’s a nice preview writeup of my hyperactive weekend.
Sometimes Andy & I go way out. Sometimes, like here, I’ll let a beat play for awhile and we gather corners together until it feels like a song.
[audio:http://negrophonic.com/mp3/05 The Sheep Look Up.mp3]
“Nothing lasts forever” writes Cesar Aira, “something else always happens.” Needless to say, it sounds – is – much better in Spanish.
A side-effect of Andy playing with me is that he gets confused even more frequently with the popular British trance DJ of the same name. Eventually we’re gonna accidentally get booked to play with Tiesto, I know it.
This snippet is from a show in Orleans, France. Photos by Andy.
and this audio is from a gig we did in Holland last summer, here overlaid with an anonymous Iranian video on the eve of election protests (remember those green twitter jpgs? ah, slacktivism! ah 2009!):
TONITE NEW YORK. Fresh from shaking up Austin with the rest of the Dutty Artz crew, esta noche Que Bajo nos presenta:
Uproot Andy (Zizek, Bersa Discos)
Geko Jones (Dutty Artz)
Santos Party House (Basement)
96 Lafayette St.
NYC
$10; $5 w/ RSVP
RSVP at quebajoparty@gmail.com
On my radio show tonight: special guest from Oakland – Larisa Mann AKA DJ Ripley! She’ll start by sharing some Jamaican ‘answer tunes’ which flow into a larger discussion of music as a dynamic social practice (and not simply a collection of objects/recordings). As a legal scholar and formidable DJ, we couldn’t ask for a better person to come in and touch on everything from the social implications of intellectual property laws to, as she put it in our email exchange:
“the many ways that physical property, access to and control of material spaces, are still a prerequisite for music to happen – from control of servers that host files, to temporary or permanent control of streets and warehouses, zoning, etc., to the problem of providing bass, which still requires physically bigger systems than other kinds of sounds..”
In other words: expect heavy tunes and insightful talk tonight, 7-8pm EST, WFMU. For warm-up, Larisa offers a selection of mixes on her blog, like this recent live set.
Dutty Artz podcast series brings some springtime treats deep from the Peruvian Amazon via the digger par-excellance, Sonido Martines, who spends incredible amounts of time & energy in obscure corners of Latin America searching out mindblowing music. Brother is far offline. So it’s great to hear that he’s gonna chime in over at La Congona regularly and will be selling some of his cumbia 45s soon…
This mix is a collection of vinyl rips: pure Amazonian cumbia! “El Sonambulo Orientalista (the Sleepwalking Orientalist)†includes songs from the gold and silver age of Peruvian cumbia, with groups from cities like Pucallpa, Tarapoto, Iquitos. Times when the western Peruvians wanted to present themselves via the modernity of amplified guitar strings, folkloric dress, and petro-dollar fantasies…
Nowadays the region’s tropical sound is different: other searches, other standards, the same business… but let’s save that for another post. Enjoy!
[display_podcast]
(This is part of our DUTTY ARTZ podcast series. You can subscribe via regular ‘podcatchers’ or iTunes.)
Sonido’s photos (below) show the works of Ashuco. “His paintings can be seen in bars, brothels, hotels, and various other spots around the city of Iquitos.”
On the radio tonight, I’ll be hosting Austin’s DJ Orion, performing live in studio! He’s extending the great Texan tradition of keeping cumbia crunk with his latest release, Carajo Colombia. After his DJ set we’ll find time for a quick interview and ticket giveaways to his Que Bajo show @ Santos on Thursday.
Here’s a taste of ‘Carajo Colombia’, you can buy it – setting your own price! – here
In support of his 2009 album, Dirty Bomb (amazon|itunes), Filastine circled the earth twice in a 100-stop tour that began at a squat in Jakarta, Indonesia, tore up Europe’s most respected festivals (Sonar, Transmediale, etc.), and ended in a cloud of tear-gas outside the Climate Summit in Copenhagen. For real. Brother is hardcore.
In a swirl of emotion and sheer exhaustion following the Copenhagen clash, Filastine lost his laptop & made this DJ mix on borrowed equipment while recovering in his Barcelona home base. We’re pleased to debut this mix, especially as it contains a heap of unreleased material from upcoming EP ‘Extra Dirty Bomb’.
Filastine doesn’t do DJ mixes very often – preferring to perform live with various bits of electronics, percussion (including shopping kart), and vocalist Nova (your favorite Indonesian rapper). That said, this is my fav Filastine mix to date. Nimble percussion, dark brass, bleeps, intense vocals, non-dull dubstep, grit. Also: French people like him.
Infernal Noise Brigade- live in Mexico at street protest
Jazzsteppa- ??
Filastine/Cardopusher – Discontinuities (Singularities remixed- from the EP Extra Dirty Bomb)
Fnaire- Lalla Mennana
Filastine/Jahcoozi- Opium Den (Desordenador remixed- from the EP Extra Dirty Bomb)
Beats Antique- Oriental Uno (feat. Fanafara Kalashikov)
Oro 11- El Cangrejo
Arena & Etian acapella- Voces RebeldesXXXXX
Filastine/Ill Gates- Pharma Sutra (Fitnah remixed- from the EP Extra Dirty Bomb)
Filastine/Maga Bo- Batalha Cotidiana (B’talla remixed- from the EP Extra Dirty Bomb)
Chancha Via Circuito- Calzada
Foxdye- Foxdyechek Collision
Frikstailers- Sudaka Invasor
Tego Calderon- Diento de Oro cameo
Sonik Omi- Ye Jawani Hai Mera Jaan
Simbad- Airport Beat 1008
Jahdan Blakkamoore- Dem A Idiot (instrumental – prod. by Matt Shadetek & Modeselektor)
Amir Sulaiman- Danger
Sunship feat. Warrior Queen/ Sinden(remix)- Quits
Filastine/Deep Throat X- Con Las Manos En La Masa (remix, from the EP Extra Dirty Bomb)
Madera Limpia- La Lenta (Schlachthofbronx remix)
Bassnectar- Cozza Frenzy
Venetian Snares- Sabbath Dubs
Kray Twinz feat. Twista- What We Do
Suckafish P. Jones- Caribbean Nightmare Agent
Dubchild- Can’t Keep Me Down
Caving- Slimthug
Dog Murras (feat. Propria Lixa)- Vai Levar Galheta
Brasil 96- Batucada
Lightning Bolt- On Fire
Rhythm Collision featuring- Indian Street Music #3 / Sein Sah Thin / Tabuh Winangun Marga / Venetian Snares / Filastine / Drumcorps
Filastine- Como Fugitivos (instrumental version)
with words lifted from:
UK newscasters
Carl Sagan dubbed into castilian spanish
ANC Radio Freedom Broadcast, South Africa, 1969
a US Military Commander
Waking Life
The Century of Self
Spectres of the Spectrum
Slavoj Zizek
and more sources of lost origin
ok, here’s a song more appropriate for Valentine’s Night. I don’t mean to be superdark; this a folk song. . . Something dredged up from our collective subconscious. And yes, M.J. is Mick Harris, of Napalm Death, Scorn, etc.
Masala got got, then restored, but the whole affair simply served to remind us that we need to communicate – to share sound & ideas – in spaces we control. Places where years of content community-building won’t be deleted by corporate whim.
Think globally, upload locally, tunnel downwards. Rig the submarines. Sink deep. In a post-search mediascape whose senses will we rely on?
YOU. Your content. Your grandma’s chain. Cycling off into the darkness… check it:
“web 3.0: the grand retreat back to our own servers”
El Hijo de la Cumbia has a new video out: La Mara Tomaza. This is a version of classic tune “La Negra Tomasa”, whose tropical mutations Sonido Martines blogs about here.
Bay Area DJ Disco Shawn was on my radio show this Monday, which he kicked off by playing H.D.C.’S Mara Tomaza (from Bersa Discos #1 as well as El Hijo’s debut album, Freestyle de Ritmos, published on Soot).
In addition to great tunes, Shawn shares consistently fascinating observations on cumbia, tribal, and what’s catching his ear from the UK: you can stream it here or grab the podcast (his show will be available as podcast next Monday).
A last-minute note to announce: I’m returning to WNYC’s Soundcheck program at 2pm today, for a live performance and interview with host John Schaefer.
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This Monday, Boston people can catch me doing an “experimental set” at Beat Research, alongside residents Wayne&Wax and DJ Flack. FREE. @ The Enormous Room in Central Square.
Simultaneously, I’ll be hosting my Mudd Up! radio show on WFMU, with special guest DISCO SHAWN!
Cumbia fans will know his as the innovator, along with Oro 11, of the Bersa Discos label and the Tormenta Tropical west coast club nights. A Bay Area native and former Buenos Aires resident, the Cuban-American DJ is coming to share tunes & discuss cumbia’s latest explorations into Remixlandia, what’s poppin over in the Bay, and more…
So. By now we should all know that MLK is beautiful and Auto-Tune is culturally complicated. A lot can be said about this video, from the elemental power of oratory to the ways in which technology can amplify or disperse political potential to the notion that rewiring history is an act aimed at future change.
But what keeps running through my head is a paraphrase from Reverend Martin Luther King Jr. here: I’m trying to tell America about a dream that I had.
me: i couldnt wait, got it off —-. itd been there since July or something. criminally slept on by us!
Lamin: yeah. the album had very little buzz, considering the fact that it was released by Def Jam and produced by The-Dream (& Tricky Stewart)! my sis mentioned it to me after she heard about it from a cousin in Maryland who’s 14 years old! so yeah, this is what 14 year old girls are listening to in the DMV.