I have recently returned from a trip around Europe, where I played a few gigs, and attended Womex and the Impakt! Festival. Check out my tour mix, and an interview and mix I did for Africanhiphop.com’s radio show in Amsterdam’s Red Light District.

This week I’m back in New York, and I’m not the only one returning. New York is in for a big week showcasing some of Africa’s most internationally popular genres. Read on for a little round up of fun upcoming shows.

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Sufi Plug Ins, currently on display at the Istanbul Design Biennial, are touching down at the Aicon Gallery in New York City! This Thursday is the opening for the ‘Fact|Fission’ group show and you are invited to come catch Bill Bowen & I performing a 25-minute drone (using our DRONE plug-in, naturally) as live soundtrack to a new video by artist Nitin Mukul. Come melt with us… If you can’t make it on Thursday, Sufi Plug Ins prints & ‘how-to videos’ will be on view for the duration of the show, and the drone audio will be incorporated into Nitin’s video piece. Info | FB invite

[originally posted at Mudd Up]

This Thursday, November 29th, I’m presenting SUFI PLUG INS at a special session of Wayne Marshall’s Harvard course on ‘Technomusicology‘. Taking this unusual sound-software-art project to Harvard University! Amazing – thanks to Wayne for the invitation.

I expect we’ll cover a lot of ground, from Morocco music research stories to interface politix to considerations of software-as-art and the relationship between non-western knowledge systems & creative expression in our digital era.

The two-hour afternoon event is free & open to the public, so come along and let your Boston/Cambridge art-sound-tech friends know. Check out Wayne’s post for background on the class, and head here to read more about (& download, for free!) Sufi Plug Ins.

[screenshot: Sufi Plug Ins Bayati synthesizer]

Music 190r: Technomusicology presents… SUFI PLUG INS a conversation with Jace Clayton (DJ /Rupture) Arts @ 29 Garden (corner of Garden and Chauncy Streets) Harvard University Thurs, Nov 29, 3-5 pm.

I’ve been keeping this under my hat for a while so it’s a great pleasure to finally announce the first single for my new album: La Vida Loca feat. Troy Ave. It’s quite a departure from stuff of the last stuff you may have heard me do, I’ve been returning to my hiphop roots and incorporating some of the crazy southern rap sounds that are in the air. I linked up with Troy Ave to do this after hearing him on Mr. Motherfuckin Exquire’s mixtape and being impressed by his flow and panache. I’m really happy with how the song came out and hope you will enjoy it too.

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[youtube width=”525″ height=”360″]http://www.youtube.com/watch?v=ESj164wKc6I[/youtube]

Super excited about this new event, BomBeat, that I am launching with my crew Cumba Mela, and Nickodemus from Turntables on the Hudson.  Its all going down this Saturday, November 24th at Le Poisson Rouge, in Manhattan. Expect to hear a wide range of global bass music: cumbia, dancehall, kuduro, house, moombahton, reggaeton….

We have Jeremy Sole coming from LA, repping KCRW, TheLift, and Afro Funke.

We are going to try our best to get a free EP for ever event. Be sure to check out the first one bellow!

BomBeat EP1 November 24, 2012 @ LPR NYC by BomBeat

[crossing la frontera in a van, all photos from my Instagram]

We drove into Mexico at the San Diego/Tijuana border last night. We’re in TJ for Norte Sonoro, a weeklong musical event that I’ve curated this year.

The idea behind Norte Sonoro: bring a half-dozen international producers to Mexico to work with several regional musicians, culminating in a free fiesta and keeping the energy afloat by releasing a free EP of the collaborative works a few months later. Getting an on-the-ground sense of contemporary Tijuana, and of the contexts that gave rise to the sounds we’re working with is key (and includes a strict dietary regimen of only delicious food).

[weathered musicians, Playas]

Who’s here? Poirier, Sun Araw, Venus X, Cardopusher, Psilosamples… Norte Sonoro’s bilingual website has full information; the project is run by Monterrey’s NRMAL, and Los Macuanos are producing it. Friday’s party has a Facebook page — it’s free (come on down, L.A.!) but RSVP is mandatory.

This is the 2nd edition of Norte Sonoro — I participated in the first version, which was held in Monterrey last year. You can read my writeup + download the 2011 EP.

I’ve written a fair amount on Mexico, this complicated land I love. A good place to begin is this recent essay for Frieze on the music of Javier Estrada as it relates to Aztec-inspired ideas of cyclical time or this account of tribal guarachero (3Ball MTY) from 2010 for The Fader.

Last but not least, I can’t stop listening to Ofrenda Al Mictlán, an incredible (& free) 2010 album from Mexicali’s Juan Cirerol. Guitar, lyrics, voice.

Whole thing is stellar, pulsing with a dark & hopped up lifeforce. Here’s a song:

[audio:http://negrophonic.com/mp3/13 Juan Cirerol – Mi Rostro.mp3]

Juan Cirerol – Mi Rostro

“it’s so easy to believe yourself blind in order not to look… the storm’s a perfect time to take a stroll”

le1f dark york artwork

This is the instrumental for my contribution to Le1f’s mixtape Dark York earlier this year. A few people were asking me for it and so I thought I’d make it available.  It’s 128bpm so a bit slower than a lot of the ‘trap’ music popping on the net right now.  My homie Dead O from clouds gave me a huge stack of underground Memphis rap CDs several years ago when I played in Helsinki with him and the hypnotic darkness really made an impact.  This is my love letter to those beats.  A big shoutout to Le1f for using it for his tape, as a lifelong New York Rap Guy I’m happy to be included in this new generation of weird rap that’s oozing out of NY right now.  I’m calling the genre for this one Emotional Grease.

Okaypayer writes:

Brooklyn-based producers Old Money and Lamin Fofana continue their collaboration with Ethiopia/Nāga, the first in a series of three joint releases. The duo themselves describe the audio experience as “an examination of mysteries as articulated through fresh and distinct African Caribbean lenses” — which is dead on. These journeys, which I refuse to just call tracks, sound like solutions of different colored inks. “Ethiopia” is a nostalgia-inducing fusion of Afro-Caribbean drumming, electronic melody, and a Gregorian-type bass. It flows into “Nāga,” which feels like Chicago/London house music meets a Naeto C flow from “10 Over 10.” Buy the release, out now on Dutty Artz, and stream it below.

Old Money & Lamin Fofana – “Ethiopia” b/w “Nāga” by Dutty Artz

 

Members of the Dutty Artz tribe are long familiar with Jahdan Blakkamoore through his work with myself and DJ /Rupture over the years.  For his new single World Keeps Spinning he’s teamed up with new Manhattan based producer Robzilla, making his production debut.  I’d been hearing Rob’s music for a minute and when he asked me to introduce him to Jahdan I thought that they would sound great together. The results are here, including a remix by yours truly and one from London funky sensation Footsteps.  You can get the release on iTunes and where all fine digital music is sold.

 

 

 

Truly blessed to have electricity, heat, and a home. I have never seen such a storm affect New York City, and man I got to say, stay strong NYC; our hearts and minds go out to those who have been dramatically impacted by the storm.

There are many ways to help out, and sometimes dancing, sweating, and drinking can actually be a way to truly donate some serious funds to Bembe’s Rockaway Benefit. Think about it.

Check link for alternative ways to donate

Serious line up too: UPROOT ANDY// 2MELO, // NAPPY G // WHO AM I // STEFANDE // MIKO // GRINGO

Last week me and Atropolis played at the launch party for the new Dub Stuy record label and their home built reggae sound system.  Playing on this system was really really fun.  Physical sound vibrations, great bass and a great vibe. Big shoutout to the Dub Stuy team for having the vision to put this together.  We need more people thinking big like this in our underground scene in Brooklyn.

[vimeo]http://vimeo.com/51964571[/vimeo]

Flyer from the first Backdoor, August 2009

Way back in the summer of 2009, a bunch of us in DC wanted to try an experiment — take the energy of the house parties we were throwing and DJing and try to transfer it onto the dancefloor at a club. We formed a new entity — the Anthology of Booty — with a preliminary mission:

committed to resisting negative forces such as racism, misogyny, and homophobia in social spaces like dances, clubs, and bars. We create spaces for dancing, enjoyment, relaxation, and art with an emphasis on inclusion and respect. As DJs, we play all kinds of music reflecting our different communities and passions.

You know, basically stuff that is discussed here all the time. Our vehicle to achieve this lofty goal of consensual fanny-bumping was the party Backdoor — paying homage to and carrying the tradition of so many communities forced to use the backdoor, sidedoor, separate entrance, and to the clandestine places where they/we partied anyway. It was also a play on the venue where we threw Backdoor — the basement of the 9:30 Club, called Backbar. We kept it on the downlow, advertised by word of mouth, and soon had ourselves a sweaty, sultry underground party.

It didn’t take long to outgrow the space, unfortunately, and so we set off in search of another venue for Backdoor, which proved to be challenging. Backdoor became nomadic, and even went on hiatus at times as we returned to our roots with some warehouse/studio events. Yet we still yearned for the days of a regular, monthly space where our blend of global booty beats and dancefloor politics could be counted on amidst all the other nightlife options. So its quite exciting to be having the first Backdoor party in quite some time, with the hopes that it will be the first of many. What’s more, it’s back in a basement!

I Want to Believe in Backdoor

If you’re in DC, stop through. If not, let’s see how we can get you here for the next one. Believe — we can throw banging parties and think about things at the same time…

[graffiti in Hamra, Beirut DJ Rupture]

I’m pleased to announce that the special guest on tomorrow’s radio show is James Bridle, in town from London, full of provocative ideas & playful manifestations of our current digital-IRL moment, where the very definitions of memory, visibility, tangibility, etc are glitching out/fraying together in fascinating ways then physicalizing in fashion, advertising, interface design, architecture…. (When I saw the above piece of pixelated grief-graf in Beirut a few days ago, I instantly thought of James Bridle’s New Aesthetic.)

So. On Wednesday October 17th from 8-9pm EST we’ll be talking about the role of sound in all that with James sharing an ear-opening audio selection.

[from Paul Hagon’s Flickr]

In case you don’t know, James’ work made the internet explode last April when Bruce Sterling wrote a WIRED essay on The New Aesthetic as a kind of new art movement/weltanscshauung with James as “the master of the salon… the guru there.” Because of how the internet works, within days Sterling’s article had sparked roughly 1,000 other articles debating and reflecting on ‘The New Aesthetic’ — most of them written by people who didn’t really have an idea what was going on but felt excited to meme-dive and bend the discussion to whatever they were already thinking about. So, noise aside, Bridle is zeitgeisty in a good, contagious way, and this show is not to be missed.