Through my travels in the internet I read this article on the NYtimes site. It’s an article about a budding sub-culture of American Islamic punk bands, criticizing both American imperialism and Islamic fundamentalism which arose in response to a novel. The novel is Michael Muhammad Knight’s ‘The Taqwacores’. From the blurb for Knight’s forthcoming memoir, via his Wikipedia page:

“Impossible Man follows a boy’s struggle in coming to terms with his father—a paranoid schizophrenic and white supremacist who had threatened to decapitate Michael when he was a baby—and his father’s place in his own identity. It is also the story of a teenager’s troubled path to maturity and the influences that steady him along the way. Knight’s encounter with Malcolm X’s autobiography transforms him from a disturbed teenager engaged in correspondence with Charles Manson to a zealous Muslim convert who travels to Pakistan and studies in a madrassa. Later disillusioned by radical religion, he again faces the crisis of self-definition. For all its extremes, Impossible Man describes a universal journey: a wounded boy in search of a working model of manhood, going to outrageous lengths to find it.”

Here’s an interview with him where he talks about progressive islam, wrestling and the Five Percenters.

Not quite sure what to say about this more than I think it’s interesting to see that there are people out there rebelling against, wrestling with and writing sincerely about the big questions. That kind of passionate engagement seemed like something my generation had lost in the haze of cynicism, non-position taking coolness and infinite consumer choice. As someone else as well who felt that reading Malcolm X’s autobiography was an important event but felt unsure how to respond to it I thought this guy’s response was interesting if a little extreme (move to Pakistan and attend a Madrassa). As a lover of books in general I also love the idea that a novel could generate this kind of response and create this kind of cultural space.

I don’t know what part of the map you are, and I have no idea what Mohammed Issa Matona (and his backup singers) are singing about on the closing track of Maga Bo‘s Archipelagoes, but I can listen to it for days. It is truly something sublime, something to heat our spirits in this cold, cold wintery blast. Six minutes is really not enough, but it’s all we get & we appreciate it.

Maga Bo – Beni (featuring Mohammed Issa Matona)

Look for Maga Bo dates in Australia and Europe this December and January, one extra special date with his Sonar Calibrado partner Filastine @ Peats  Ridge Festival in New South Wales, Aus.

PS – For those of us lacking knowledge in East African music, Sir Ruptcha recommends this – & a quick historical look at Tanzanian music from Afropop.

Pirates hijacking large shipping vessels on the Somali coast and in the Gulf of Aden is a top news item this year, especially after the takeover of Saudi-owned Sirius Star which was carrying two million barrels of oil bound for the U.S.   Most recently, the news has been about combating and taking steps to “crack down” and “curb” this problem of piracy, which has been going on since the early ’90s, at the start of the country’s civil war.

There is always two or more sides to a story.  From what I understand, the region the Chinese are planning to control is so incredibly vast that military action will, without a doubt, prove ineffective.  Depressing economic situation and a lack of a central government are only two of the forces pushing young men in “cash-strapped, hungry Somalia” to piracy. What happens when life on land becomes unlivable, chaotic, poverty-stricken, when there is no work, no income?  Desperate people look towards the sea…

Check the new video from Mogadishu born, Ontario based emcee, K’naan, who recorded his entire album in Kingston, JA, thanks to his friends Stephen and Damian Marley who granted him access to their late father’s recording studio>>>

[youtube]http://www.youtube.com/watch?v=7lCPXEARpE8[/youtube]

spoek-healer

Spoek Mathambo, our favorite fashion genius / faith healer / rapper, just sent me some heat from Jo’burg.

“mr jace-o-matic…i am really getting into djing now…playing house from south africa…finding gems…thought i should spread some cheer…”

NYC is covered in snow now which is pretty but will soon be gray sludge, plus 3 friends of mine have all been laid off in the last 4 weeks. Life sucks! Although I expect the party scene will improve as crazed desperation spreads.

so here’s some nu house jams from South Africa, where it is SUMMER, thnx 2 Spoek, aka half of Sweat X and half of Playdoe. We played together in Paris and the Playdoe set was a definite highlight of 2008, it was LIVE.

[audio:http://negrophonic.com/mp3/05 Track 5 6.mp3]

track 5 from somewhere

[audio:http://negrophonic.com/mp3/Weakness in me-mix.mp3]

Weakness in Me

Petrona Martinez, controlling.

Uproot Andy in deep concentration.

Andy has some ill new tracks on the new Bersas Discos 12″ (buyable here)

One of the tracks La Vida Vale La Pena, sampling a classic from Petrona Martinez, is available for download via DiscoBelle. I LOVE this tune and pretty much everything Andy has been coming with lately. He’s one of my favorite producers in NYC right now. When I say “New York Tropical” and you wonder what that is, listen to this dude:

Download La Vida Vale La Pena mp3.

Also, Andy’s mixtape Guacharaca Migrations I know we’ve been plugging it again and again but it’s just that good (especially cuz it’s got two of my tunes on it).

Catch Andy at Geko’s and his party Tuesdays in NYC, Que Bajo @ Rose Live, Williamsburg.

Chris Sattinger, aka Timeblind has made his mix I posted about recently, which is now titled “Flora Mix”, downloadable here. The title makes me think it’s intended as a compliment to his previous Fauna Mix.

He’s also re-designed his home on the web, crucial-systems.com. From our conversations when he was recently in New York I am hoping we can expect a whole raft of new tunes from him soon. Lord knows he has them. Let’s hope his insanely high standards can allow a few to escape from his Berlin studio.

His Ghostification EP may or may not still be available thanks to the friendly folks at Soot Records.

[youtube]http://www.youtube.com/watch?v=duLds-TZMGw[/youtube]

This made my day.

“This is a farewell kiss, you dog!”

Man what I would have paid to see one of those size tens connect… Respect to Muntazer al-Zaidi for his guts, creativity, and accuracy with a thrown shoe. Did he plan it? Was it a spontaneous expression of disgust? Apparently this is one of the most insulting, not to mention hilarious, things you can do in the Arab world.

19. The Spectacle is heir to all the weakness of the project of Western Philosophy… So far from realizing philosophy, the spectacle philosophizes reality, and turns the material life of everyone into a universe of speculation.

A platform is a context, medium or venue for the presentation of people, events, objects or information. An art gallery is a platform, as is a radio show, as is a TV variety show, as is a magazine, as is a certain kind of website (YouTube, Flickr, MySpace). One who invents a platform and works actively with it as a medium for the presentation of others is a “platformist.” The platformist is a kind of artist—an artist at presenting others. This presentation of others—of all the world’s variety, whether it’s people or objects—is the territory of the producer, the impresario and the collector. Platforming as a conscious pursuit is a fairly recent development in our evolution. We look to P. T. Barnum for its roots.

If in the 16th century “printing… helped to fix the vernacular languages and encouraged the development of national literatures”- then is the fear of a homogenizing effect on thought and culture not be feared as a result of the internet?…One fact must not be lost sight of: the printer and the bookseller worked above all and from the beginning for profit.

VII. For the critic, his colleagues are the higher authority. Not the public. Still less, posterity.///The survival of artworks should be represented from the standpoint of their struggle for existence.///[youtube]http://www.youtube.com/watch?v=3VrogNec03Y&feature=channel_page[/youtube] ///I sense (false?) that my internet consumption is somehow constituting myself. Maybe this is because the data flow that defines my consumption is so easily tracked and knowable. Meaning there is a specific history and cache that I can look to that says that in the last tracking period, I have visited XYZ and in most cases anyone else with an internet connection could take that list and exactly follow my path. The imperative of societies of control is data accumulation, and manipulation. The dark paradox is that increasingly, users submit this data themselves. When we talk of the ideology of late stage capitalism and its tendency towards reducing people to things, and causing individuals to also perform this reduction, we should look to digital representation as the strongest evidence yet in proving these tendencies. What users often don’t seem to realize is that “submitting data,” making yourself traceable, reducible, a most importantly predictable isn’t just about representation that mirrors offline ways of knowing. Posting photos of yourself, or submitting your interests and sending your friends youtube links is really only the visible aspect of systems of total control and dominance that underpin that vast consumptive possibilities of the internet.///I don’t think the internet reinvents cultural production. More likely it has merely hypertrophied some aspects, while allowing other to wither.

Space + Place Overcome- but if you havn’t gone a/post-spatial yet
and find yourself somewhere around NYC (copy/paste)

Tuesday, December 16th, 6:30 pm EFA Project Space
Jeff Stark leads a conversation with Graffiti Research Lab’s James Powderly, the Mare Liberum collective, Jeanine Oleson, and Cḥen Tamir, exploring the rationale, responsibilities, risks and benefits of forms of artistic expression that occur outside of the boundaries of the conventional art world, and how these creative forms—such as interference, prank, and viral culture—serve to continually redefine those boundaries. -The lecture is called DIY law breaking- but in some sense i wonder if all law breaking is DIY- but maybe not

Binyavanga Wainaina is one of the strongest voices among a new generation African writers.   Here he is (on American Public Media’s Speaking of Faith) offering some personal and critical views on the efforts, approach and  nature of Western aid, the push to end poverty, and the damaging consequences it is having on the Kontinent.

Friend of Dutty Artz and always fascinating Timeblind has a new dubstep mix up on Samurai FM.

Dubstep, dub reggae, sheets of noise, 4×4 beats and… stuff

As with everything he does, it is deeeeeeeeeeeeeep. I recommend.

Dive in.

(scroll to bottom of that page to stream the mix, no direct link)

GIF at top is from Timeblinds myspace, I have no idea either.

[youtube]http://www.youtube.com/watch?v=jIwu49rAVsE&e[/youtube]

Rupture will be back in NY soon but for those who miss him, check out this ‘mini-documentary’ from the industrious and praiseworthy Maga Bo. Jace talking about life in NYC, Sunset Park, Brooklyn where much of the DA crew lives, how NY has “no quality of life” (true), music, cultural density and about always being late. Short and sweet Bo has done a bunch of these, on his YouTube page. Worth checking out.

The first sub-Saharan African country to get independence in the 1950s head to the polls today to vote for a new president and parliament.  Well, if you’re sick of the Obama-Memorabilia overkill, readjust your binoculars and take a look at this; Two young men with bodies painted in striking campaigning colors were spotted in the streets of Accra entertaining commuters and raising personal funds.  Pictures of men with their bodies painted with party colors, it seems, is a top visual choice for many internet news sites.

&

[audio:https://duttyartz.com/wp-content/uploads/2008/12/willie-isz-in-the-red.mp3]

Willie Isz – In The Red

Big props to Noz, not simply because I am flagrantly swiping this song from Cocaine Blunts, but also for being an insightful and reliable blogger.

Willie Isz is Khujo Goodie and Jneiro Jarel, the most appealing (genuine and soulful) group to come out of the Dungeon Family collective in recent years. Khujo Goodie was/is a member of one of the rawrest Southern hiphop groups, Goodie Mob- a group which also possessed (perhaps even fundamentally, I must stress) a positive and uplifting spirit. Jneiro Jarel is also/partly responsible for a very open and progressive hiphop album, one of the best underground hiphop albums in recent memory.

Starvation, American politics, fear, unfairness, home foreclosures, a life of crime, being a son, and remaining optimistic and thankful in a world that is bleeding —are just a few of the things that this song is touching on. Jneiro Jarel’s production here harkens back to a time when DF and Organize Noized was at their most excellent, prompting Noz to note “Dude is on some serious Dungeonize shit,” and I cannot agree more.

Back then the early 90’s/
Where they at, where they at, get the gat, get the gat was a popular phrase/
Bally animals and rugbys was a popular craze/
This the vivid memoirs of a obnoxious slave/
I pave ways like Nat and Harriet/
I blast on Judas’ Scariot/
and peel off in a chariot…

*

Lames get they plane shot down like John McCain

[audio:https://duttyartz.com/wp-content/uploads/2008/11/jay-electronica-exhibit-a-transformations.mp3]
Jay Electronica – Exhibit A (Transformations) (Prod. by Just Blaze)

~PS – Happy Turkey Day! Get stuffed!

[youtube]http://www.youtube.com/watch?v=yazG1hKuCww[/youtube]If you live in a major metropolitan area, you’ve probably seen these shirts, with the big STOP SNITCHING graphic on them. In the video above, taken from the Criminals Gone Wild DVD series, we hear a masked self-professed criminal commenting on Dipset rapper Cam’ron’s interview with Anderson Cooper where they discuss the subject of police cooperation and whether Cam would snitch on a serial killer next door. Saying he would move and not tell anyone Cam seems to be taking the whole stop snitching ethos to a ridiculous extreme.

The moral code of not snitching arose as a response to the divide and conquer techniques of white slave holders. By rewarding slaves for snitching on one another the masters were able to ensure that slaves remained divided from one another and would never be able to trust one another enough to organize and revolt. If you can’t tell your fellow oppressed people about your plan to overthrow the bosses for fear that they’ll tell on you then you will never be able to build a group insurrection to overthrow them or take revenge.

Katt William’s in a fairly recent comedy routine decried Lil’ Kim’s going to prison for as he says “NOT snitching, something your MAMA ALWAYS TOLD YOU TO DO!” The fact that a culture of not-informing arose in response to a coordinated program of divide and conquer, setting the oppressed against one another is completely un-surprising and makes perfect sense.

That that would be incorporated into a criminal code also makes very obvious sense. Criminals do not have recourse to the law to settle their disputes and therefore often need to police themselves and those around them, often through violence. Indeed, as the masked man in the video points out, if you are not going to snitch on the serial killer then you have a moral responsibility to as he says “get your boys and go deal with him”. But as he also points out, if you are not a criminal, this shit does not apply to you.

Taken to the furthest extremes, basically, of never cooperating with the police for any reason, as Cam’ron seems to propose with his serial killer comments, reflects a completely amoral view, basically that none of us have any responsibility to anyone but ourselves. In truth, this is not at all surprising considering Cam’ron is one of the major proponents of crack rap, a genre that unrepentantly glamorizes selling drugs in your community and basically reflects a sociopathic and completely self-involved ‘everyone for himself’ attitude. The fact that Cam’ron is being given a lesson on ethics by a masked, self-professed violent criminal on a DVD that advertises among it’s features “assaults, shootings, drivebys, rape, getaways, carjackings, setups, drug spot robberies, home invasions, deadly retaliations, interviews, and more!!!” (from their youtube description) should give all his fans and knee-jerk “stop snitching” advocates something to think about.