Dutty Artz is immensely proud to announce the new album from Matt Shadetek The Empire Never Ended, his second solo effort. The album will be out March 26th 2013 via Dutty Artz. The record is a mix of instrumental and vocal tracks which fuse Shadetek’s love for new sounds with the street knock of Rap and R&B. Guesting on the record are Riff Raff, Troy Ave, Chan Dizzy, Aku Orraca Teteh and Jahdan Blakkamoore. “After I moved back to NYC after living in Berlin I wanted to make something more local” Shadetek says “I grew up on rap music but there was a moment where things just got really boring and my interest went elsewhere. Lately things are getting interesting again.” You can listen to Madness from The Empire Never Ended over at Pitchfork.
I’ve really been enjoying the stuff that Dre Skull has been doing on his Mixpak label. He’s been covering a ton of the musical styles I enjoy including Dancehall, House and other forms of interesting beat music. We caught up when we played together at the Brooklyn Electronic Music Festival and he mentioned that he was doing a compilation of southern inspired hiphop beats by electronic producers. It turns out that that’s what I’d been working on as well and so I offered to contribute something. I’m really happy with how the comp has come out, there are some great contributions from the other producers and I’m happy to be a part of it. Here’s my track The Machines which I just added to my soundcloud. Below is a link to a playlist on the Mixpak Soundcloud with all the tracks available to stream. The compilation will be available on iTunes and all other fine digital retailers on September 25th, 2012.
So there’s another entry to add to the post-Screw canon: Expressway Yo-Yo Dietin. And, despite his wildly different sound (which sets him apart from the more accessible witch-house/drag scene and closer to the toxic sound of Houston’s small but sturdy noise scene), the methodology isn’t the wildest departure from DJ Screw’s lazy foray into the avant-garde. I may be wrong here but, advanced digital fuckery and ripped rap vocals aside, the thread that holds Expressway Yo-Yo Dietin’s Bubblethug together seems to be a simple delay. It actually sounds quite a bit like the default setting on Ableton’s Simple Delay effect, a nifty trick that gives rhythmic ‘umph’ to a lot of the weird excursions into various noise and drone territories that you’ll find on the album. So the results end up sounding like a Boredoms, Screw, Vibracathedral Orchestra and Sunroof! fan ingesting something nasty with 12 other people in an empty building of the warehouse district of your nearest industrial graveyard. The following track is my personal favorite, a dark dirge with nearly intelligible vocals that gains power from the track sequencing when listened to as part of the album’s messy whole.
[audio:http://nyc.duttyartz.com/mp3s/05 Bubblethug 5.mp3]
Expressway Yo Yo Dietin’ – Bubblethug 5
It’s gonna be good: DAS RACIST has put together an amazing playlist of music from South Asia & diaspora for today’s special edition of MuddUp with DJ Rupture on WFMU 91.1fm. It starts with Queen! So tonight’s show is already next-level. Tune in live from 7-8pm EST, streaming worldwide via wfmu.org. (if this DR reminder is news to you, check this post).
And I’m very pleased to announce that my next radio guest wil be the always-inspiring writer / editor / superhero JULIANNE ESCOBEDO SHEPHERD (with a 78% chance of Dapwell)! She’ll be joining us on Monday November 8th. Keywords: DANCE MUSIC.
(I’m blogging this on a phone on BoltBus. Now I’m bus-sick. Dedication vs stupidity).
Normally I get a lot of stupid shit in the form of press releases but today I actually got one with something cool in it. Publicists, just because I’m blogging about something I got in a release doesn’t mean you should send more! I hate them! What does this say about how we should all be promoting our music? I don’t know.
Anyway, Pursuit Grooves is a female producer/singer/rapper from BK who I’ve never heard of but has a new record out on dubstep label Tectonic although it’s not dubstep. I like what I’ve heard. Also, dubstep labels take note: you need more female energy. You are all turning (have turned) your genre into a big macho dick grabbing testosterone fest and it’s turning me off. As rising dancehall artist Professor says in one of my recent favorite songs:
“Nuff Bwaaaaaay / a gwan like dem nuh wan roll wit de gyal dem… Some bwaaaaay would rather roll out wit one bagga man fren… my yout it no look good.”
– Professor, Roll With The Gal Dem
And here’s the Professor tune I was quoting. Big tune on Don Corleon’s new Gala Riddim.
Jahdan’s album Buzzrock Warrior drops in September. In the meantime, we’re setting the Summer on fire with Jahdan’s Bazooka Shot mixtape, which is coming sooner than you think. The night this freestyle was done, I think the guys (Jahdan, Klash, and Matt) recorded five other tracks, and this was the last one. It was pure fun. I gave the instrumental to Matt, he edited/re-shaped it in less than two minutes, Jahdan & Klash went in. Jahdan was alredy familiar with the hit song by Toronto’s own Drake, and was singing it the minute he heard the beat. I had never heard this song by choice. Klash wasn’t familiar with it, so he start singing Radiohead’s “Climbing the Walls,” and I was like yeah! Anyway, the vibe at Casa de la Jones (Geko Jones’ home-studio, where it all goes down) was great, and everyone was having a good time. We’re doing it again next week, putting the finishing touches on the Bazooka Shot tape. Jahdan and Klash are going in again, and they might be remixing, freestyling, covering whatever tune they feel like again.
DUDES AND GIRLS I JUST WANNA GIVE A QUICK PREVIEW OF THE LAST CHAIN ULL EVER LIKE. IM SHUTTIN IT DOWN.
I told everybody I’m not playing no more anybody wanna try to out do me then we goin at it like next door neighbors. Believe dat
10lbs. 197kts. Very very real I don’t know what fake feel like.$410,000. Hola señor recession proof. – T-Pain
Spotted @ RapRader
Wiley is still there at the top, even if grime is floating in some kind of mysterious zone, he is captain of the iceberg. Bless Beats blessing the beats, bad tune.
Lil Wayne announced the official release date and title of his next album: Rebirth is due April 7 — and his publicist has confirmed that it will be a rock album. Of course, Wayne has been rocking with a guitar for some time now.The first single is called “Prom Queen” and will debut on the Internet right after a live stream of his concert in San Diego on January 27. The show will be available for stream on MySpace.com.
There, for those of us who have been waiting for the next likkle wayne nooz. You can thank The NMC for this pretty little leak – you don’t have to wait one more day for the song to debut, here it is
loaded with tags and all, autotune-rock from New Orleans own & the best rapper alive –