Tony Allen – Ole (Moritz Von Oswald Remix)
There is a lot going on here – a world shrinking and expanding, traditional Yoruba ceremonial drums and chants being laced with spacious/spacey (digital?) synth-pads, you can feel the continents drifting closer and apart as the sounds unfold, combine, and mingle, the relationship between Africa and Europe in the 21st century.
I started listening to Rhythm & Sound and Basic Channel around 2004. They, Moritz Von Oswald and Mark Ernestus, struck me as complex, disciplined, sophisticated musicians. In the video below from sometime late last year, Moritz answers questions, explains his/their history, economic philosophy, work ethic, etc., at length as the audience and the interviewer sip Red Bull and doze off, and vibe to the music. It’s great to hear/see him talk, but you have to brave the aggressive marketing overkill for Red Bull. I would like to read or watch an extensive interview with him conducted in a different environment, but this one is alright for now, I guess –it’s relaxed, and he appears to be comfortable.
As I listened to Moritz’s German accent, I thought about one of Rupture’s point in an interview with Plan B magazine – “the internet contributes to the spread of English-language hegemony.” I also thought about my African/Sierra Leonean accent, which is not very strong but it’s there –a constant reminder that I am speaking other peoples’ language rather than my own. What if the interview was done in German and translated or transcribed for English and other speakers? That would be too much trouble, an unnecessary struggle, right? Red Bull Music Academy is an annual international affair hosted in cities around the world, features guest lecturers and participants, and almost everyone who spoke, had some form of accent (including British.)
