Monday night me and Jahdan will be at Konkrete Jungle. For those of you that knew me 15 years ago (Human, what up!) you may remember seeing me in my visor and giant parachute pants sweating it out on Monday nights raving at Konkrete at Coney Island High (RIP). Well, things have come full circle and me and JD are gonna be there on Monday night, now at The Pyramid on Ave. A performing tunes from the We Are Raiders EP and the forthcoming album we’ve been working on with Rupture and Geko Jones called Buzzrock Warrior. Shouts to everyone else on the bill, whatever music I’m making I’m still a junglist at heart.

Where: The Pyramid, 101 Avenue A between 6th and 7th street
18 to enter

21 to drink

Reduced admission with flyer or guest list.
Click here for directions
Doors: 11 PM
Price: $10 / $8 w/ flyer or guestlist
$5 before 12AM with flyer or guestlist
Visit www.konkretejungle.com for more info!

I think that Republican’s and Democrats alike are having a similar moment today upon learning of John McCain’s vice-presidential announcement this morning. Who? What? Why? Her name is Sara Palin and she has been the governor of Alaska for a year and eight months. Before that she was mayor of a town of less than 10,000 which although she calls herself a ‘fiscal conservative’ (do these even exist anymore?) she left with $20 million in debt. McCain’s response to Obama’s wonderfully eloquent acceptance speech stomping him and the Repugnant-cans is to throw what’s being described by red and blue alike as a political hail-mary pass. But I ask: “At what? To where?” I think he just took the ball and threw it as long and far as he could down the field, in the wrong direction. While Republican’s were saying things like “Who?” and “I don’t know, I’ve never met her” this afternoon when asked for comment the rest of us were getting a crash course on a vice-presidential nominee we had never heard of.

Palin as Miss Wasilla, Alaska in 1984

The fact that nobody seemed to know anything about her, including those on her own side, seems like pretty strong evidence that McCain watched Barack Obama’s speech and convention last night, shit in his Depends, and desperately reached for the wildest wild card that he could play in order to first: draw attention away from a speech that pundits are calling masterful, brilliant, tough, confident and Republicans are comparing to Ronald Reagan (crazy, I know) and second: to frantically try to claim the mantle of change in an election where he is being portrayed as the incumbent in an environment deeply hostile to the current regime.

This leads me to ask: no, seriously, what was he thinking? Was he thinking that he would be able to swing some of the disgruntled Hillary supporters because his new running mate has a vagina? If this is the idea, not only will it not work but I can see it triggering a terrific backlash. First of all, Palin is the opposite of Clinton on policy positions. As someone who is pro-life, pro-gun, anti-environment (she’s against polar bears for god’s sake, didn’t she see those cute Coke commercials?) and vetoed solar, wind and coal initiatives as governor she is basically an evil anti-Clinton mirror twin from Bizarro World. Further she is a 44 year old former beauty queen political lightweight with zero, repeat, zero experience on the national scene. She is as far from Hillary as you can get and still be a female politician. The message I read from this from McCain to Hill’s supporters is: you’re women, she’s one of you, you’re all so blind and stupid that you won’t care that she’s diametrically opposed to everything Hillary fought for for years and years and endured terrible humiliation to get to, vote McCain. You might as well spray them with mace. Bonus negative million points: Hillary will be SO MAD about this that she is going to be back in this campaign spitting acid and SWINGING. So, way to go McCain. You did, I think, the only thing possible to motivate Clinton to campaign as hard as she possibly can for the man who beat her in the primaries.

Next: Age is officially on the table. The fact that McCain could, on his seventy second birthday, nominate a woman who is so deeply, clearly, dangerously unprepared to step in as commander in chief should he succumb to a fifth bout with cancer just illustrates to both sides how much McCain is willing to risk our national security and stop at nothing to win an election. And he accused Obama of being willing to lose a war to win an election? Are you kidding?

Lastly, McCain just picked up the experience stick he’s been beating Obama with all summer, really one of his few legitimate claims, no one can take away the fact that he’s been in Washington for 26 years, and broke it over his own head. By nominating a VP who is both younger, less experienced and also less known than Obama he’s effectively neutralized that argument for himself and his surrogates. The upside for him is that should he be elected he’s pulled an effective Bush-ist move in that absolutely no one will dare to assasinate him for fear that this woman will be running the country.

PS: to those of you are thinking: what is wrong with Matt Shadetek, why is he only talking about politics and writing these weird ranty essays and not talking about music? Well, sorry, this is what I’m thinking about right now and I’ll be damned if I can’t rant about in on my own blog. This is mainly because I feel so strongly that America needs to dump the Republicans and put Obama in the White House that I literally cannot shut up about it.

Oh and PPS: Fuck Daddy Yankee for endorsing McCain (another giant WTF?!?! with a biillion explanation points and question marks) and respect to Fat Joe for dissing him.  What a jackass!

I’m really hoping this is McCain’s “Macaca” moment. Interviewed and asked how many houses he owned: “I think — I’ll have my staff get to you,” McCain told Politico in Las Cruces, N.M. “It’s condominiums where — I’ll have them get to you.”

Mannnnn. I can tell you exactly how much I’ve got in the bank right now (not enough), and how many houses I own: none. I also don’t have a staff to keep track of these things for me, I just remember. For someone who’s supposed to be running the country and keeping track of a lot more information than that, this is not a good look for the McCain campaign. David Gergen has been quoted again and again as saying “Obama needs a game-changer” due to the fact that he is not further ahead in the polls. This might be it.

Obama’s hitting hard on it now, something I’m happy to see since a lot of Democrats have opted not to fight dirty in these kind of fights in the past and some would argue lost because of it (Kerry’s swift boating anyone?) and I personally want a candidate that is gonna take it to the Republicans with two fists and throw mud, rocks and whatever else is handy in order to WIN. Let’s hope Obama and his surrogate’s stay on message with this one and just keep beating McCain with this right up to November. I don’t really see a lot of outs for the McCain people either, aside from attacking back, which they’re trying, using the same elitist celebrity tactics they’ve been on but I really doubt they can get much traction against this. Oh, and the number did come out, it’s not “More than four” (wtf kind of answer is that?!?!) it’s actually SEVEN, including houses on both coasts and more places in between. If you live in a swing state like Ohio, Florida or Virginia be sure to let as many people as you can know about this one.

For the two videos click through to watch the Obama commercial and remarks.

Also, while I’m talking about the election, which I’ve been following avidly, I’d just like to point out how quickly Obama’s organization has responded to this. McCain slipped up yesterday, I got this ad in an email from the campaign today. Talk about rapid response. McCain can’t rapidly respond to a question about his own financial life. If you want evidence of who will be a better head of the executive branch of our government look at how Obama is executing strategy for his campaign. A short list: A) record number of small, non-special interest donations due to excellent internet fund-raising B) volunteers on the ground in fifty states opening fights in places McCain thought he was safe and bleeding his already poorly organized resources C) the rapid and pointed response to this opportunity. Contrast this to Hillary’s campaign which was top-down, rife with infighting and only stayed afloat due to her own cash injections which she’s now taking a huge loss on and (sorry Clintonites) but you see who is ready to lead on day one.

‘The Construction of the Tower of Babel’, by Hendrick III van Cleve, 16th Century, Kröller-Müller Museum, Otterlo. Click for bigger version, it’s a nice painting. Taken from Giornale Nuovo.

Hi everybody, I’ve been away off in real life (What a fucked up place to spend extended periods of time) but just wanted to stick my neck in and say a few words, and probably piss off a bunch of my friends. The goal of writing these polemical attack posts is to sort of kick the tires on our musical activities and cultural practices and to make sure that everyone is really thinking hard about why and how they’re doing what they’re doing. If you feel this as an attack on you or your music, I’d love to hear your response here in public so we can all learn something.

Gex recently posted up the Stereotyp affiliated Kubu mixtape which has some cool beats on it, below, I like the bass on the second track especially. Then Ty responded by saying “looks like Stereotyp… oh great, another Teutonic ‘barefoot baile’ advocate, what the world needs is more white european & american dudes “keeping it real” & getting sexy by going native.” And I LOLed and started writing a comment but decided to turn it into a post as it got longer and longer. Full disclosure: I am probably one of these sexy white guys that Ty is aiming at, not sure if my involvement in ukg and dancehall qualifies me but anywayyyy.

Here’s my point, more or less: I think it’s lame to use vocals in your music that are in a language you don’t really understand. That said, this is not a direct shot at Stereotyp, maybe he speaks Portuguese or whatever language the people are speaking on his mix, I actually don’t know. In vocal music, especially rap, the vibe and energy of a tune is SO MUCH about the lyrical content that putting vocals on tunes that you, or perhaps more importantly a major chunk of your audience don’t understand is just weird to me. I feel that you are using these people and their words as an idea, or a reference or a signifier in a way that’s totally disconnected from their artistic intentions.

If you, the producer can’t understand all the layers of what they’re saying and the audience can’t either then the words are just rhythmic or melodic noise, a kind of cultural texture. I feel like when it’s melodic singing then it makes a bit more sense because at least the people who don’t understand have some purely formal things to grab hold of, and melody is a kind of unconscious language of emotion and therefore there is some kind of non-verbal communication possible. But rap? Rap is words and rhythm, it’s word music.

As someone who listens to quite a lot of word music I’d argue that in the success of any given artist in any of these scenes (rap, dancehall, grime etc) the words they use, the things they say, their message, their attitude, their swagger, and their lyrical content is much more important than the formal qualities of flow or rhythm. In grime and dancehall the thing that will trigger a rewind is an artist saying something, something specific that has tremendous resonance with the audience. How they say it is important and necessary but WHAT they say is what gets them a forward. Especially in dancehall where a lot of it comes down to clashing and beefing the thing that will win a contest is some particularly clever well-timed and somehow true insult. The flow and pattern is necessary but secondary, it’s a vehicle for the message. So when the message is behind a language barrier the order is reversed – flow is in front and the message is behind, or gone.

A lot of fans will say, “Oh I don’t understand, I don’t care what they’re saying I’m just dancing along” but I actually think in taking that position you’re sort of marginalizing these people and their opportunity for artistic expression. It reduces them to being ‘the sexy and exotic other’ that we don’t understand, and don’t care to understand because we think “oh they’re probably just saying ‘dance, party, fuck’ or something like that, and that’s what we’re doing”. But what about when they’re not saying that? What about when Buju Banton is singing about shooting gays in the head over that nice easy party beat? And you’re dancing along obliviously, and because you and everyone else who doesn’t pay attention dances along then the DJ says “see look, that song always works, I’m gonna return to it” and that message gets repeated and repeated into the world. Whether you like to dance to ‘Boom Bye Bye’ or not (nastiness aside, it’s a good song) in this young new global underground dance whatever scene we’re in I think that we really need to make sure that if we’re gonna engage in a style that we’re doing it on all levels, not just formal (wow this beat pattern is great, I’m gonna put my euro synth bass on it and call it ‘global-fusion’) but on the levels of slang, culture, meaning, people, relationships, beef and history. And some may say: “But it’s too much work to learn all these languages, and I’m on the other side of the world and blee blah bleh” well then I’d say either make some friends who can teach you or maybe you should focus in on something that you can understand and try to develop some depth in it. Basically, not being a tourist is hard work but I think, worth it.

Jahdan Blakkamoore: We Are Raiders 12

Jahdan Blakkamoore: We Are Raiders, presented by Matt Shadetek and DJ /Rupture will be in your shops on July 7th. We’ve been labbed up and working hard to get this first taste into the world as quickly as possible while finishing the full length that these songs are taken from, and now: it’s here! Well, in a few days anyway. But trust me, unlike some of our past infinitely receding release dates, this one actually exists (camphone evidence by Geko Jones):

jd camphone art

It will be available in CD, digital and 12″, with instrumentals and a bonus tune on the CD and digital, vinyl is the four vocals only (CD cover pictured).

The CD EP tracklist is as follows:

1. Buss It Pon Dem (Produced by Chancha Via Circuito, Buenos Aires, Argentina)

2. Nice Green (Produced by me, Matt Shadetek, New York City, USA)

3. Go Round Payola (Matt Shadetek)

4. Pon Time (Produced by Stereotyp, Vienna, Austria)

5. Pure Riddim (Bonus Instrumental, Matt Shadetek)

6. Payola Riddim (Matt Shadetek)

7. Nice Green Riddim (Matt Shadetek)

8. Varela (Chancha Via Circuito)

Pre-order yours now (and hear samples) from Boomkat or Cargo, distribution by Cargo (UK & Europe) and Traffic (USA).

Jahdan and Rupture will be in the UK this month on tour promoting the release. Get dates and more info from Qujunktions.

Also get a sneak preview of Nice Green off the EP over at my myspace, along with Go Round Payola.

For t-shirts and other physical objects please visit our online store with our new mail order partner Blue Collar Distro.  They are taking payment and shipping all our orders for us from now on.

jahdan itunes banner2


Buy on U.S. iTunes

International people:: the Jah Dan EP digital version is ALSO available from a number of other mp3 stores, such as Juno (where you can buy 192, 320, or full WAV files) , Boomkat(320s or FLAC) , eMusic, and many others. If you can’t use those sites from your home country, let us know in the comments.
Jahdan Blakkamoore – We Are Raiders CD EP (With instrumentals and bonus Pure Riddim) from Dutty Shop, USD $8.00 plus shipping to wherever you are.

Track listing:
Jahdan CD Back

Allow me to remind you, this Friday, June 6th, it’s going down:

If you didn’t make it to the last one ask your friends who did. It was fun. This one threatens to be the same.

NEW YORK TROPICAL 2

Maga Bo, Matt Shadetek & Geko Jones

Dutty Artz Tropical Dance
Glasslands, Brooklyn NYC
289 Kent Ave, J to Marcy or L to Bedford
June 6th, 10PM
$4 b4 11PM, $7 after
2 sets each, sweet slow & heavy early, fast crazy & sweaty late

AND: We’re gonna be doing a special sale on the new Dutty Artz t-shirts, selling them for $15 all night.


77Klash is back with a bang. Check out his code for the streets EP (buyable on iTunes) with tunes produced by him, me and more. I’m partial to my tune Madagain with Johnny Osbourne on vocals but the whole thing is fiyaaaah. Check the title track especially. Released on his own label Klash City Records and blogged and hyped by the fader, diplo and the rest of the hipsterati Klash is one of the only people I know equally comfortable in whatever downtown  scene is about to be the next big thing or chilling in Kingston with local warlords and drug smugglers. It gives him a real unique perspective which he brings to bear on his own blend of rocky, hiphop, dancehall, electro-punk madness. Watch out for some new collabo tunes from he and I coming soon as well.

Check his myspace and RCRD LBL pages for more infos, contacts, bookings, etc.


In one of his first acts in office New York’s new blind, black Governor David Patterson (replacing hypocritical philanderer Elliot Spitzer after his scandalous flame-out) issued a full gubernatorial to Slick Rick to prevent him being deported away from his two teenage daughters back to England where he was born.  As a long-time Slick Rick fan and hater of both the US and UK immigration bureaucracies I personally am delighted.

Rabid Todd Edwards fans, don’t get mad if I leave something out, this is by no means a definitive or informed post. People who have no idea why I need to make that disclaimer? You’re in for a treat. Here are a few YouTube clips of music by Bloomfield, NJ based dance producer Todd Edwards. To my ears this guy is very responsible for a big fat slice of the main ideas in 2-step garage, speed garage, UKG or ‘old school garage’ as they now call it in England. Like Burial’s cut-up distorted vocal style? This guy created it. Akufen? Yup, another fan of Todd “The God” Edwards (as his obsessed fans call him). JME’s “Tropical” mixtape? This is the blueprint.

People have called his style “micro-sampling” which is pretty appropriate, displayed to excellent effect on the below clip, a mix by UK legend EZ (ask any DJ in grime now who inspired them to start mixing, it’s EZ). Listen to all those little dots and chirps of sound, many of them in different tempos, keys etc, woven together into a delirious, delicious whole.

EZ mixing older Todd tracks, recorded 2004:

[youtube]http://www.youtube.com/watch?v=YhVryO8L7I0[/youtube]

Shadetek fans surprised I like this stuff? I sort of am too, I was talking to Rupture about it this afternoon and he said “Everybody secretly or overtly loves house.” I replied “Secretly even from myself!” But actually I sort of grew up around New York House, being a teenager in the city in the nineties and although I hated it at the time (really hated it, as only a teenager can) somehow House was programmed into my mind and now when I return to it in my twenties I actually have a real soft-spot for it (the good bits anyway). Also the more music I make and the more I work with music the more I realize how stupid genre-tribalism is and how a good song is a good song is a good song. Music is a technical language of emotion and someone who can speak that language honestly and clearly can communicate across most borders. Todd is also a born-again Christian (and proud) and this may well have something to do with the unashamed, delirious happiness in his music. There is no posture of coolness or cynicism here (witness the Enya remix below), just someone taking a great deal of pure pleasure in sound which is one of the things I especially love about his music.

NEXT TO YOU

This is a very very weird video, apparently made by Todd himself. It has this weird digital apparition of Björk in it and it sounds like her on the track but she is referenced no where else besides in that clip. A below the radar collaboration in spite of label disapproval? That’s my guess. This is one of the more recent things available.

[youtube]http://www.youtube.com/watch?v=CU0jvscjtZo[/youtube]
ENYA REMIX:

Yes, there’s an Enya clip on Dutty Artz. And what? I love this remix, beautiful breathy stuttering. There’s also a REALLY funny argument between some trance DJ Enya fan and Todd’s fans in the comments to this.

[youtube]http://www.youtube.com/watch?v=r0NZg5nkfds[/youtube]

JUSTICE REMIX:

I sort of really don’t like Justice, much too big-beat cock-rocky for my taste, but strongly in spite of that this Todd remix is great, also an example of his more recent work.

[youtube]http://www.youtube.com/watch?v=-_zw3Jzwrvo[/youtube]

Here’s an interview that Matt Mason (former editor of RWD and all-around interesting writer posted on the Todd thread on Dissensus). He’s got some interesting stuff to say.

FROM RWD MAG MARCH, 2003:

So tell us about the new album?

It’s a collection of some of the singles I’ve put out since the last ‘Full On’, some of the ‘New Trends’ tracks and some fresh stuff with different elements coming through. I spend a lot of time on sampling, on average I spend about a week just gathering samples and a week or so building a tune. Even when it’s something like a remix I put my all into it and it can be very draining. I know I was blessed with a certain amount of talent. But it’s not just me. I’m doing it for God. I believe God is using me as an instrument to spread love, I’m not in control. I don’t want to force it down anyone’s throat, I try to keep the positivity out there and keep the message there, but it’s subliminal. It’s only there if you need it.

Was it always a conscious thing to put spiritual messages in your music?

Yeah pretty much from the start. From my mid twenties, when I was 27 I guess, I got bolder with it. I’m proud of who I am and my relationship with God. It’s not about preaching to people or making them follow rules, it’s about having hope, having a friend and someone to turn to. The messages I put in tunes like ‘Shut The Door’ are very religious, very personal, but you don’t need to hear that to enjoy the tune. I’m trying to put something positive back, there is so much hostility in the world, in the clubs, and what with the war building up…

Talking of clubs you were recently over here for EZ’s 4 by 4 event. How was that and what did you think of the scene in the UK?

4 by 4 was brilliant. It was very humbling. I was… beside myself. I knew I had a following in the UK, but being in New Jersey you don’t realise… I have friends in Jersey who like dance music but here I’m just Todd! It was very re-affirming. The garage scene in the UK is really interesting. There is definitely a power there, there is so much energy it borders on hostility. I went to a few clubs with EZ, and we saw some fights even break out. There are two types of energy, spiritual energy and hostile energy, I saw a bit of both in the UK but in both cases the DJ interaction was there.

Your music is so inspiring to so many. What music inspires you?

Recently it has been soundtrack music and orchestral music. I love sampling orchestra. Orchestra has chord changes that really change, that doesn’t happen so much in dance music. I don’t like doing the same thing. I’ve always said Mark Kitchen (better known as house producer MK) was a big inspiration, a lot of ’70s music, disco, pop, everything inspires me. I’m not sure what genre the music I make is, I don’t think it’s my place to say where I fit in. I don’t consider myself a house producer, even R&B and hip hop influence me, I don’t know if you could tell but the Beckon Call remix was influenced by stuff Timbaland and the Neptunes are doing.

You get bootlegged a lot. Does that bother you?

It kinda sucks that people are stealing, I work hard, it’s not all about the money but it’s not really fair. It’s also a form of praise though, if someone thinks my stuff is worth the risk of pressing up that’s good, when you stop getting bootlegged is when you’ve got a problem!

A lot of it is down to your stuff not getting an official release. Like the ‘Fully Loaded’ project and several mixes which have only come out in Japan etc. Why does that happen?

Fully Loaded just got really complicated, what with everyone having their own really tight schedules as individuals; I don’t think anything will be happening with that this year. With things like Bonnie Pink and M-Flo, who knows why people do what they do, just because you’re a record exec it doesn’t necessarily mean you know what the right thing to do is. But what are ya gonna do?

What is your favourite piece of studio kit?

The Akai S6000, it’s a quality sampler, it’s not without its bugs though… Also the Ensoniq EPS sampler which was the first one I ever used, it’s a keyboard sampler with a really good swing feature. I bought it for $1400 and built an entire studio with the money it made me!

What can we expect to see from you in the future?

I want to do some more singing like on Beckon Call 2003 and Face to Face (with Daft Punk). I have a whole bunch of tracks that need vocals, plus I have some very interesting remixes on the horizon. 2002 was a very inspiring year for me, I felt I made some really good tracks and I’m looking forward to DJing more after New years Day. It looks like it will be a really good year.

top photo from Stylus magazine, from their interview with Todd from last year.

Much respect to Benga for being open about how he makes his dubstep tunes. Some people are insecure about sharing their studio knowledge, but those that know know that its really not about process, technique or ‘secrets’ but as 77Klash says “Music is a combination of vibes and energy.” If you’re a producer quite a lot of this is stuff that you know, but I enjoyed it nonetheless, and if you’re young or aspiring you might get some real useful stuff from this. Big up to Future Music for filming this and putting it on Youtube. If you don’t know who Benga is he’s responsible for this past years HUGE dubstep anthem “Night” with Coki, also check for his album Diary of an Afro Warrior.

Part One

[youtube]http://www.youtube.com/watch?v=p_6RitUOONI[/youtube]

Part Two

[youtube]http://www.youtube.com/watch?v=ACSqPEYER_s&feature=related[/youtube]

Part Three

[youtube]http://www.youtube.com/watch?v=WuyIXZ4XthA&feature=related[/youtube]

I’ve been getting more and more into the whole youtube thing lately and I’ve noticed a lot of people are using it as a jukebox or a place to quickly find songs. We like that, so we decided to stick the tracks from our new EP Dutty Remix Zero by me and Cauto up on there. Here they are complete with my own public-access-esque graphic accompaniment. Wondering why there’s this amazing low-fi yet consistent graphic design aesthetic through all the DA visual branding? It’s because instead of trying to press-gang any of our friends who are actual graphic designers into doing art for no money and put up with our vague and annoying feedback and everything thereby taking forever we just decided to do it all in-house, specifically, my house. Witness my simple yet devastatingly powerful deployment of the black box, stock type-face and gradient tool. Dun know the photoshop skillz. For your listening, embedding, re-blogging pleasure.

MATT SHADETEK SIDE:

GIRLFRIEND REMIX:

[youtube]http://www.youtube.com/watch?v=TIxBoFg8zmI[/youtube]

CAN’T BREATHE REMIX:

[youtube]http://www.youtube.com/watch?v=asDfiV7IQbY[/youtube]

CAUTO SIDE:

OLD SCHOOL:

[youtube]http://www.youtube.com/watch?v=en5hO554GCk[/youtube]

BONA VIDA:

[youtube]http://www.youtube.com/watch?v=Du5NAT3YpAE[/youtube]

Check the Dutty Artz Youtube Channel for more stuff you might have missed.

Buyable only on vinyl from fine independent retailers everywhere or wholesale through Cargo distribution.

UK: Juno, Boomkat, Norman.

US: Turntable Lab.

Japan: Cisco.

Who says late-capitalism isn’t violent? Look what they’re doing to these women! Or at least their photos. When real just isn’t real enough, go on then, go on then draw for the Photoshop. Some of these are just snarky nerdery about clone tools and bad compositing but some are just… EEK. Like this one:

she's not smiling enough

How did that get past the many layers of corporate approval and get published into the world? The only conclusion I can draw is that these people are on drugs. This was another favorite of mine. Body issues anyone? Seriously, you just need to diet more, go to the gym instead of sleeping and get all of your internal organs removed by someone with a Wacom tablet.

she still looks fat

she still looks fat

And now that I think about it? What is she doing? Standing next to a couch tipped on its end? Sexxxxxxy. Many more at Photoshop Disasters.

Seeing as there’s been such a good run of either important biz promotional or thoughtful, conversation provoking posts on here I thought I’d just throw this in the mix and bring the level of discourse down a little. It’s a cat biting a theremin, making funny sounds.

[youtube]http://www.youtube.com/watch?v=0ONJfp95yoE[/youtube]

Shameless reblog from prancehall.com

It’s early and I’m still groggy but the internet is awake and buzzing. Go Round Payola, the ‘single’ from the EP, produced by me, (do EPs have singles? our’s does) is up on the DA Myspace, The Fader’s blog and JD’s myspace. Listen, skank out in your yard in your underwear, add it to your profile, tell your girl, whatever. Already I’m getting requests for the instro from people to do more versions so there’ll probably be another vocal or two before this is all done. However, remember when I said ” We’re calling it New York Tropical, before someone comes up with an even stupider name.”? Well, whoever’s blogging over at the Fader is trying to call it Trancehall. Yikes! Ouch! My dignity! They’re lumping us in with Ricky Blaze, which is great, I love Cut Dem Off but Trancehall? No. TROPICAL. Still, big up to them for the promo love. Also I stole their blog pic. I think it’s from when Jah D went to Africa with DJ Child last year.