Fractals1Fractals4

Fractals3 Fractals2

frac·tal // noun, Mathematics, Physics // a geometrical or physical structure having an irregular or fragmented shape at all scales of measurement between a greatest and smallest scale… [^]

This came up at the most recent Mudd Up! Book Club, which led me to looking up this, which led me to the video below. Don’t like the way dude says “singing and dancing” near the end, and a couple other small things (and the way he looks at me) but otherwise fux wit it.

[youtube]http://www.youtube.com/watch?v=7n36qV4Lk94[/youtube]

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HELLO MY NAME IS DJ RUPTURE and if you like my music, you are in luck: This week I’m recording a new album with an incredible team including musicians David Friend, Emily Manzo, and Arooj Aftab. Think pianos. But before we get to that, I decided to give away a dozen of my mixtapes for free.

Yes.

The incoming year is all about radical optimism and revolutionary love. OK? OK! Let’s get it.

9+ hours of my mixes… From 2001’s highly influential Gold Teeth Thief to hard-to-find ones like the Bidoun Sessions and Porque Soy Sonidero Y Voy A Muchos Lugares.

Head here for the heat. And a note to all you lazy DJs out there: try harder.

distritocosmico

What are your stereotypes about Washington, DC? A place to go for protests? Full of suits and wonks? Epicenter of evil? Totally boring?

We residents of the District call bullshit. Sure, there is some truth to be found in those assumptions, but the reality is so much more than that. We’re a place of people fighting on the front lines against gentrification and for social justice, a place with many stories of amazing music, dance and creative cultures. Not enough people talk about this. These aspects are lost not only on most people from elsewhere, but even on some in the area.

Thursday’s release of ‘Distrito Cósmico’ hopefully will help change that. “It’s a song inspired by the Maracuyeah community — music elevating and uniting people beyond the mundane in collective and collaborative experiences that celebrate culture, community and fun,” says Lucy Pacheco AKA La Yorona, who wrote and sings this DC cumbia original (G-Flux composed the music and Luis Torrealva weighs in on chorus).

She’s talking of course of local DJ and booking collective Maracuyeah! (in which I’m something of a sub-comandante to comandantes rAt and Mafe) which has been expanding the dance and party universe in our city for over a year. “Maracuyeah has a role as a creative forcefield in this release,” says rAt, describing how she and Mafe helped the song come to fruition. The various players were all doing their own thing until they came together in Maracuyeah space. “La Yorona and G-Flux have been collaborators with us,” says Mafe. “They met each other at a Maracuyeah gathering and decided to work together. We’ve been part of the process through creative input and media outreach and are very excited to present this new single.”

Maracuyeah siempre sabrosa
Fiesta tropical — travesura
Fiesta tropical — baile duro
Fiesta tropical con mi gente nocturna

Says La Yorona:

“Synchronicity connected me with Mafe, rAt, G-Flux and Luis Torrealva and ‘Distrito Cósmico’ just seemed like a fitting representation of this collaborative representation of DC’s tropicalismo. My approach to MCing is based on playfulness, fun and encouraging others to let loose and enjoy themselves, to notice the inspiring spaces and experiences we are all creating together. The song is a representation of playfulness; I love it. I love that it’s DC artists meeting and creating together through music.”

Global sonidos turnin’ up the heat
Booty beats all up in the street
Cuz we takin’ over like a tropical boom
Tropical monsoon, tropical typhoon

Maracuyeah, like sister collective Anthology of Booty and several other projects, is part of a new wave of music and party innovation that has a long history in our city. “We have created a space for collaboration of people interested in exploring alternative tropical sounds,” says Mafe. “This single reflects the coming together of individuals who have been in the DC music scene for a while, collaborating with individuals who are newer to the scene.”

At Maracuyeah’s one year anniversary in April, the incredible local cumbia band Los Tribaldis played, along with Dutty Artz wunderkind Chief Boima plus rAt, Mafe and other local DJs. It represented the dual efforts of Maracuyeah — highlighting amazing DC talent as well as bringing folks to the city who otherwise wouldn’t come here, like Chancha via Circuito, Zuzuka Poderosa or Pernett.

“We are excited about the vibrant community that keeps growing and mutating and producing exciting experiments like ‘Distrito Cósmico,’” says rAt. “We are excited to see what comes next. I love to see creative people criss-crossing ‘flavor lines’ and expanding the concepts of self-interest and solidarity, in meaningful, long-lasting ways.”

The download for ‘Distrito Cósmico’ will be available on Friday — the release party is Thursday night at Tropicalia on U Street. Birthed in transitional 2012, La Yorona says she’s “gonna keep creating and collaborating and dancing.” Same goes for Maracuyeah… and DC.

A good friend of mine, Brooklyn Shanti has been rocking the mic since he was  12. Over the past year  Shanti has been doing a great amount of work in India.  Two of his most recent projects involve, Rani Rani, which was picked up by a Bollywood film, From Sydney with Love; and Bengla Bass, an original production that was a part of a music documentary show called The Dewarist.

[youtube width=”525″ height=”355″]http://www.youtube.com/watch?v=L1irkofrajI[/youtube]

“The Dewarists is a part music documentary, part travelogue which takes independent musicians to diverse locations across the world, to collaborate and inspire as they create wholly original works of art — that stand the test of time and orthodox.”

[youtube width=”525″ height=”355″]http://www.youtube.com/watch?v=M7Ldd2cT1T4[/youtube]

“In this episode Brooklyn Shanti and Mou Sultana come to their home town Kolkata. Nucleya joins them to create a track about their relationship with the city. The song has two distinct parts, one featuring a bass-heavy dance beat and the other a mellow bengali rap. Watch as they talk about their beginnings and make ‘Bangla Bass'”

Make sure to also keep an eye out for his  collaboration with Jah Dan Blackkamoore

 

 

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For the past two summers I’ve traveled to Detroit for the Allied Media Conference, now coming up on its 15th year. This incredible happening pulls together a phenomenal array of folks from networks across the country (and a few internationally) working on technology, media, community organizing, art, music, and more. Several of my compañeras in DC have been going for much longer and established deep roots with the conference and Detroit – roots I have been happy to slip into. There are so many amazing things about the Allied Media Conference that it is hard to explain, but I’ll make an effort to do so, briefly.

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My friend Asumaya has been actively collaborating with Ghanaian musicians and producers for the past few years, and I recently re-mixed one of these collaborations (cop it below). Here is the background in Asumaya’s words:

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I first met Awuni “Judicious” Bismark back in 2003, when I was a Peace Corps volunteer and he was a student at Zebilla Secondary Technical School in the far Northeastern corner of Ghana.  I had come to West Africa with ears accustomed to Smithsonian Folkways recordings, old highlife, and the Nonesuch Explorer Series and expected to arrive in the pulsing birthplace of polyrhythm.  Instead I washed up on the shore of a musical landscape dominated by Celine Dion bootlegs and a homegrown style known as hiplife.

As the name implies, hiplife is a fusion of hip-hop and modern Ghanaian highlife, and Judicious was the first person I met who took his love of the genre beyond the realm of listening.  He wrote lyrics constantly, and wherever he went he carried with him a book of songs waiting to be born.  The book kept getting fuller, but I never got a chance to hear a finished track before I left.

In the years following Peace Corps I returned to Ghana twice to teach for short intervals, and work with traditional musicians around Zebilla on putting together a group called Bawku West Collective.  While I didn’t see Judicious on either of these trips, the word got around that he was living in the capitol, Accra, and recording music.  It wasn’t until he summer of 2012 that we were finally able meet up again.  Hiplife had grown up considerably in the four years since my last visit, and it had just spawned the Azonto dance-craze that spread its appeal arguably farther than ever before.  This time in Ghana it was clear that Judicious was the teacher and I was definitely the student.  He introduced me to the producer Mad Beat Z in Ashaiman (just outside Accra) and I watched as the talent of the neighborhood drifted into his Phayaworks studio at all hours of the morning, afternoon and night, day after day.  It was there that I met BB and Reeload, two other Ashaiman musicians Mad Beat Z and Judicious had collaborated with in the past.

The track “This is Africa” was originally built around a Bawku West Collective recording of a traditional musician named Alalba Awin from the Northern town of Binaba.  BB, Judicious and Reeload tossed around lyrical ideas for the better part of June and July while I was there.  I didn’t get to hear the final track until I was back in the States again in August.  I passed it along to Chants and now you can hear the result.

-        Luke Bassuener (Asumaya)

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Bonus video:

 

This is pretty incredible.  Shows what you can do nowadays with some creativity and relatively low budget and technology film making wise.  If you are interested in uses for drones besides killing people this is a really good one. It’s a Czech skate video shot with a flying camera. I’d like to remix it with different music but the visuals are pretty stunning. Big up to the people who made this.

[vimeo]http://vimeo.com/55094977[/vimeo]

*co-written by Boima Tucker and Thanu Yakupitiyage


Created with Admarket’s flickrSLiDR.
Photos in this series were taken by Sabelo Narasimhan (daytime photos) and Neha Gautam (evening photos).

On September 18th, 2012, Dutty Artz, Beyond Digital, La Casita Comunal de Sunset Park, La Union, CAAAV-NY, and the Arab American Association of New York presented the first edition of Beyond the Block at Rainbow Playground in the Sunset Park neighborhood of Brooklyn. Beyond the Block was a day-long music, arts, and community festival that took place in the crossroads between several major immigrant communities in New York. We had performances and participants from various communities in the South Brooklyn area, and invited musicians, artists, and organizers from outside the neighborhood in order to connect them. As we attempt to improve upon our efforts with future incarnations, we present the story of this festival with the hope that it can serve as an example of the merging of arts activism In-Real-Life with the ideals of a ‘globalized society’.

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Big shout out to Jahdan Blakkamoore writing and singing the chorus on this new Snoop Lion joint.

via Prefix mag

“The latest Snoop Lion track featuring Mavado and Popcaan might be his best yet since replacing the Dogg moniker. The song is one of the genre bending tracks that have become prevelant in 2012 and it’s held together by excellent production from Dre Skull and Major Lazer. We guarantee you’ll be singing the chorus by the end of the five minute track. “Put your lighters up / Get high with me / Fly me / Ain’t no dividing us.”

“Lighters Up” will be officially released on Dec. 18.”

I have recently returned from a trip around Europe, where I played a few gigs, and attended Womex and the Impakt! Festival. Check out my tour mix, and an interview and mix I did for Africanhiphop.com’s radio show in Amsterdam’s Red Light District.

This week I’m back in New York, and I’m not the only one returning. New York is in for a big week showcasing some of Africa’s most internationally popular genres. Read on for a little round up of fun upcoming shows.

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Sufi Plug Ins, currently on display at the Istanbul Design Biennial, are touching down at the Aicon Gallery in New York City! This Thursday is the opening for the ‘Fact|Fission’ group show and you are invited to come catch Bill Bowen & I performing a 25-minute drone (using our DRONE plug-in, naturally) as live soundtrack to a new video by artist Nitin Mukul. Come melt with us… If you can’t make it on Thursday, Sufi Plug Ins prints & ‘how-to videos’ will be on view for the duration of the show, and the drone audio will be incorporated into Nitin’s video piece. Info | FB invite

[originally posted at Mudd Up]

This Thursday, November 29th, I’m presenting SUFI PLUG INS at a special session of Wayne Marshall’s Harvard course on ‘Technomusicology‘. Taking this unusual sound-software-art project to Harvard University! Amazing – thanks to Wayne for the invitation.

I expect we’ll cover a lot of ground, from Morocco music research stories to interface politix to considerations of software-as-art and the relationship between non-western knowledge systems & creative expression in our digital era.

The two-hour afternoon event is free & open to the public, so come along and let your Boston/Cambridge art-sound-tech friends know. Check out Wayne’s post for background on the class, and head here to read more about (& download, for free!) Sufi Plug Ins.

[screenshot: Sufi Plug Ins Bayati synthesizer]

Music 190r: Technomusicology presents… SUFI PLUG INS a conversation with Jace Clayton (DJ /Rupture) Arts @ 29 Garden (corner of Garden and Chauncy Streets) Harvard University Thurs, Nov 29, 3-5 pm.

I’ve been keeping this under my hat for a while so it’s a great pleasure to finally announce the first single for my new album: La Vida Loca feat. Troy Ave. It’s quite a departure from stuff of the last stuff you may have heard me do, I’ve been returning to my hiphop roots and incorporating some of the crazy southern rap sounds that are in the air. I linked up with Troy Ave to do this after hearing him on Mr. Motherfuckin Exquire’s mixtape and being impressed by his flow and panache. I’m really happy with how the song came out and hope you will enjoy it too.

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[youtube width=”525″ height=”360″]http://www.youtube.com/watch?v=ESj164wKc6I[/youtube]

Super excited about this new event, BomBeat, that I am launching with my crew Cumba Mela, and Nickodemus from Turntables on the Hudson.  Its all going down this Saturday, November 24th at Le Poisson Rouge, in Manhattan. Expect to hear a wide range of global bass music: cumbia, dancehall, kuduro, house, moombahton, reggaeton….

We have Jeremy Sole coming from LA, repping KCRW, TheLift, and Afro Funke.

We are going to try our best to get a free EP for ever event. Be sure to check out the first one bellow!

BomBeat EP1 November 24, 2012 @ LPR NYC by BomBeat