Mastermind behind the “Calling All Girls” single and remix EP, Robzilla has just put together a new mix to help promote the latest release. All this is in the lead up to the release of his full length collaborative album with Matt Shadetek from their sessions recording at Big Yard studios in Jamaica. (more…)
Released in early 2014 on Dutty Artz, Chan Dizzy’s “Calling All Girls” – the lead single from Robzilla and Matt Shadetek’s forthcoming collaborative album based on their sessions recording vocalists in Kingston – now gets the remix treatment from a set of both veteran and up and coming producers in the global electronic music scene. (more…)
The last stop on Matt Shadetek’s The Empire Never Ended Spring Tour will roll through Boston tomorrow night (Wednesday, May 15th.)
Having played host to almost every legend of experimental party music in the past decade, Dutty Artz is honored to show up and represent at a special edition of Beat Research for Boston’s growing Together electronic music festival. Since an astonishing number of Dutty fam have represented at Beat Research before, it’s amazing that this will be Matt’s first time playing the party! He will be performing alongside DJ Ripley, Chief Boima, and Beat Research co-founder DJ Flack’s live electronic band The Sublings!
You can also catch Matt and Ripley on several of the daytime panels for the Together Fest. Check the whole schedule here, and details on Matt’s panels below:
Matt explains a little bit of the process behind making The Empire Never Ended above.
My album The Empire Never Ended is finally out. The weight of waiting has lifted! Waiting to release things drives me crazy so I am super super happy to be able to finally share this music with you. I put a ton of time and effort into this record and I feel like it’s some of the better stuff I’ve done, sonically, song writing wise and in the way it all fits together. I’d love to hear your thoughts on it.
I just wrote a long piece on the Somali-American Rap group Malitia Malimob over at Africa is a Country. I won’t write too much more here so you can head on over to check out the post, but you DA readers should know that Malitia Malimob will be playing alongside Matt and myself in Seattle at the Dutty Artz Showcase at The Crocodile on April 3rd. The show will be the first out of town stop for Matt on his tour to promote The Empire Never Ended.
On Friday March 22nd at Glasslands Gallery in Brooklyn, Dutty Artz presents Change The Mood: The Empire Never Ended.
Matt Shadetek will perform material from his album The Empire Never Ended live! with a guest performance by Brooklyn rapper Troy Ave, and DJ sets by DJ /rupture, Geko Jones, and Chief Boima.
Dutty Artz is immensely proud to announce the new album from Matt Shadetek The Empire Never Ended, his second solo effort. The album will be out March 26th 2013 via Dutty Artz. The record is a mix of instrumental and vocal tracks which fuse Shadetek’s love for new sounds with the street knock of Rap and R&B. Guesting on the record are Riff Raff, Troy Ave, Chan Dizzy, Aku Orraca Teteh and Jahdan Blakkamoore. “After I moved back to NYC after living in Berlin I wanted to make something more local” Shadetek says “I grew up on rap music but there was a moment where things just got really boring and my interest went elsewhere. Lately things are getting interesting again.” You can listen to Madness from The Empire Never Ended over at Pitchfork.
I’ve been keeping this under my hat for a while so it’s a great pleasure to finally announce the first single for my new album: La Vida Loca feat. Troy Ave. It’s quite a departure from stuff of the last stuff you may have heard me do, I’ve been returning to my hiphop roots and incorporating some of the crazy southern rap sounds that are in the air. I linked up with Troy Ave to do this after hearing him on Mr. Motherfuckin Exquire’s mixtape and being impressed by his flow and panache. I’m really happy with how the song came out and hope you will enjoy it too.
This is the instrumental for my contribution to Le1f’s mixtape Dark York earlier this year. A few people were asking me for it and so I thought I’d make it available. It’s 128bpm so a bit slower than a lot of the ‘trap’ music popping on the net right now. My homie Dead O from clouds gave me a huge stack of underground Memphis rap CDs several years ago when I played in Helsinki with him and the hypnotic darkness really made an impact. This is my love letter to those beats. A big shoutout to Le1f for using it for his tape, as a lifelong New York Rap Guy I’m happy to be included in this new generation of weird rap that’s oozing out of NY right now. I’m calling the genre for this one Emotional Grease.
Last week me and Atropolis played at the launch party for the new Dub Stuy record label and their home built reggae sound system. Playing on this system was really really fun. Physical sound vibrations, great bass and a great vibe. Big shoutout to the Dub Stuy team for having the vision to put this together. We need more people thinking big like this in our underground scene in Brooklyn.