My first gig in Chicago I had the pleasure of meeting Vivian Garcia after her performance at a street music festival. About a year ago she reached out asking if I was open to do a remix of a song her and Armando Perez collaborated on, called “Loc@s”. When she sent the track I was instantly taken by the sweet vocal melodies and performance. (more…)
Here at Dutty Artz we spend a lot of time highlighting our artists and releases, but there’s a lot more going on behind the scenes. Stephen Bowles, aka DJ Still Life, did great work as lead-publicist for Matt’s The Empire Never Ended album – landing some great, well written features, by writers who really understood the context that Matt’s work is coming out of. The work of publicists is becoming more and more important in an age where artists can launch a career off of an online crafted image (removing the artist and their work from any greater social context). Stephen’s work definitely showed many of us here how a publicist can help craft stories in a way that speaks to a project’s form, content, and context, and so with integrity, without sensationalizing.
When Stephen sent over his great remix of Schlachthofbronx’s Apizaco, I thought it would be the perfect time to bring his great behind the scenes work into the spotlight. I asked Stephen to give me a little background of what he’s been up to in his DJ life, and he sent over a great story of his personal journey. Check out the track and story below!
I’m headed off to Boston into a snowstorm that may leave me stranded, but I have the pleasure to be participating in two very exciting events this weekend, making it well worth the travel madness.
Ben Aqua, the man behind Austin’s #FEELINGS label, released his debut EP today. I’ve been a fan of #FEELINGS’ forward-thinking, genre-spanning dance releases for a minute now (especially Lōtic’s 2011 More Than Friends EP), so it was my pleasure to contribute a remix of the A-side. The initial idea behind my remix was to combine my love of New Orleans bounce music tropes with the tempo of Chicago footwork/juke.
Check it out below, followed by Ben’s original, and cop the whole Reset Yourself EP at Bandcamp.
I’m fairly sure by now some of you have heard of the mystical magical fun I have everytime I go down to Colombia and a lot of that has to do with our friends El Freaky in Bogota.
Considered by Uproot Andy as myself as an integral part of the network of tropical parties worldwide like Peligrosa, Muevete, Tormenta Tropical etc, these dudes throw down in a really fun 2DJ/1VJ format incorporating animations from the bizarre but genius mind of Fat Suggar Daddy. I’ve partied really hard longside these guys and I’m really happy to announce the premier of the remix to their single La Pongo. Kuduro collabo from none other than Dany F and Bleepolar, who’s recent remix for Subatomic Sound System featuring Jahdan and Anthony B, I’m really happy to add a lil español to the kuduro crate.
[originally posted at Mudd Up!]
Back in November the buena gente of Nrmal invited several international producers to Monterrey, Mexico, to collaborate with living legend old-school musicians from the area. Over the course of an intense, well-fed week, we worked out of jefe Toy Selectah’s studio. Norte Sonoro culminated in a free outdoor festival. There’s so much incredible music coming out of Mexico right now — Monterrey, Tijuana, DF, y más — it was an honor to participate in a project like this.
Who was involved? Along with Toy and the Nrmal crew, there was Algodón Egipcio (Venezuela), Chancha Vía Circuito (Argentina), myself, DJ Rupture (US), Helado Negro (Ecuador/US), Mumdance (UK)and White Rainbow (US). The Mexican artists were Javier Villarreal (Bronco guitarist!, they just played in NYC), Los Cardencheros de Sapioriz, Grupo Esencias and Osvaldo Lizcano con Enlace Vallenato. Today Nrmal released the free EP featuring tracks by all us internationals in conjunction with the various local groups.
We had an all around amazing time there — muy buena onda especially considering that most of the folks involved were meeting each other for the first time. My favorite track from the EP is from Caracas’ soundboy Algodón Egipcio (“Egyptian Cotton”!), who applies his sweet & experimental indie aesthetic to the time-damaged roots vocals of Los Cantantes Cardenches, a trio of septuagenarian cowboys who sing hypnotically heavy acapella songs about stuff like hangovers and dying out in the desert.
There’s more information on Nrmal’s blog – English version and Spanish version, and here’s an earlier post with behind-the-scenes photos. Below you’ll find a snapshot of Enlace Vallenato and I rehearsing, and a bilingual text I wrote about my participation:
For the Norte Sonoro project, I was invited to Monterrey for several days, to work with several regional musicians, leading up to a free public concert. I paired up with Enlace Vallenato – we decided that for the concert, they would play a short set, then I’d join them for three songs, adding beats, sound FX and scratches, and doing a little live dubbing on the lead accordion. It was a slow crossfade between their bouncy cumbia jams to my solo DJ set. We rehearsed in Toy Selectah’s studio. Labbing up with Enlace Vallenato, was great – the ‘blind date’ awkwardness quickly melted away and we set about listening, learning how to twist together our various musical idioms into something strong. Eduardo Galeano calls music “a language where all languages meet,” and he’s right. Towards the end of the rehearsal, Enlace Vallenato hit on a low-slung groove that really worked. We’d already figured out the shape of the concert, and Toy was like: “let’s record this! Right now.” So we did. It was amazing to see Toy in action. First off, his studio is magnificent. People talk a lot about how with a cracked copy of FruityLoops you can make incredible music (and it’s true), but seeing Toy at work, recording and directing Enlace Vallenato floored me, reminding me of how important real-world brick & mortar spaces of shared creation are. Toy’s a consummate producer– coaching the musicians, adjusting the recording setup for maximum quality, all the while keeping the vibes right. Later that night he & I returned to do some editing on the session files, and I took those back with me to Brooklyn for the remix. The main collaboration between Enlace Vallenato and I happened en vivo at the Norte Sonoro party, so I felt that this remix should flip things and offer a serious departure from their original. I asked Ben Lee aka Baby Copperhead, to add live banjo. I sped things up, brought in several synths playing new melodies developed with Ben. I left in some of the original accordion, and build a new synthed up soundworld around their rock-solid percussion.
“Para el proyecto de Norte Sonoro, me invitaron a Monterrey varios días a trabajar con músicos regionales y a dar un concierto público gratuito. Me emparejé con Enlace Vallenato –decidimos que para el concierto tocarían un set breve, y luego yo me les uniría en el escenario para añadir beats, efectos y escracheos a su set, y también hacer algo de dubbing en vivo sobre el acordeón principal. Fue un buen crossfade entre su fiesta cumbianchera y mi set de DJ. Ensayamos en el estudio de Toy Selectah. Trabajar con Enlace Vallenato fue fantástico –la dificultad de la “primera cita” se desvaneció rápidamente y nos dedicamos a escuchar y a decidir como íbamos a enredar nuestros idiomas musicales para crear algo sólido. Eduardo Galeano dice que la música es ‘un idioma en donde todos los lenguajes se reúnen’ y tiene toda la razón. Hacia el fin del ensayo, Enlace Vallenato encontró un ritmo lento que funcionó perfectamente. Ya habíamos determinado la forma del concierto, y Toy dijo: ‘Vamos a grabar esto! Ahora mismo!.’ Y eso hicimos. Es sorprendente ver a Toy en acción. Primero que nada, su estudio es magnífico. La gente habla mucho de cómo con una copia pirata de FruityLoops puedes hacer música increíble (y tienen razón), pero ver a Toy trabajar, grabando y dirigiendo a Enlace Vallenato, me voló la cabeza, y me recordó lo importante que son los espacios creativos físicos hechos de ladrillo y mortero. Toy es un productor consumado- coachea a los músicos, ajusta su equipo para obtener la máxima calidad posible, y siempre tiene buena vibra. Más tarde esa noche él y yo regresamos a editar los archivos de la sesión, y me los llevé a Brooklyn para hacer mi remix. La colaboración principal entre Enlace Vallenato y yo sucedió en vivo en la fiesta de Norte Sonoro, así que sentí que este remix debería de darle un giro de 180 grados y alejarse de la original. Le pedí a Ben Lee, también conocido como Baby Copperhead, que le agregara algo de banjo en vivo. Aceleré todo y metí varios sintetizadores con melodías que desarrollé con Ben. Dejé algo del acordeón original, y construí un mundo de sonido sintetizado alrededor de sus percusiones impecables.” ?DJ Rupture
I did my Low Income Tomorrowland mix 7 years ago for the mighty Lemon-Red blog. This was 2005, the same year YouTube debuted. Time flies when you’re updating your social networks…
The mix remains future (DL link above) and just last week, the Pseudojamaica crew gave an excerpt from L.I.T. a hi-rez video mashup treatment, check it:
And over here, DJ Su-Real took an Adil El Miloudi Moroccan banger from Mudd Up! and flipped it with a 4×4 friendly dancefloor remix.
[audio:http://negrophonic.com/mp3/CHEB ADIL CLUB MIX.mp3]
Adil El Miloudi – remixed by Su-Real [16 MB]
I <3 when the internet takes a ball I've lobbed and runs with it. Hive mind tennis: are we playing it or is it playin’ us?
1 Roasted Red Bell Pepper
1 Roasted Green Bell Pepper
15 Kalamato Olives
1 Tsp Italian Herb Tomato Paste
3-4 Sprigs Thyme
3 Garlic Cloves
2 Olive Oil Drizzles
I invited some friends to eat in exchange for a bread-breaking data swap. I’m definitely not on a culinary level with my dude DJ Rajah over at SoulCocina but this is really what meetings should be like. Exchanging in currencies that don’t depend as directly on the dollar really has an intrinsic value in making people connect. It leads to better less guarded conversation and reminds us that if we work together, there’s always more to eat on the table. Here’s my TOP 5 Things I won in the West Coast Data Swap
First up, G-Notes, the guitarist and beatsmith behind the hybrid flamenco act Granada Doaba and all around Gnawledge famalam hit me with a few remixes and edits
a sick Mex with Guns – Dame lo [Gnotes Rmx] hyper dembow bizness[audio:http://nyc.duttyartz.com/g3kojones/Dame Lo Gnotes Remix.mp3]
and this touch up of Gotye’s anti-love jam caught me off guard…[audio:http://nyc.duttyartz.com/g3kojones/Somebody That I Used To Know Gnotes Remix.mp3]
Now my homie, Santero in the Bay Area has been holding me down for a few years now. I was happy to crash at his this time around and spend some time getting to know what he’s been up to. I learned he has been working with our homie Boogat up in Montreal.. Notice how the cover art is Boogat with the fam all around at a BBQ or somn… home cooking how we do !
Santero also just put out a brand new mixtape a couple days ago for Los Rakas’ homegirl FAVI called Flor de Azahar (orange blossom – really the best smelling flower in the world for my money)
Santero also put me on to this Goapelle/Los Rakas Remix I had admittedly been sleeping on. It was featured on Fader and Rcrd Lbl months ago. Be sure to check them out on November 19th with me and Dre Skull at SOBs[audio:http://nyc.duttyartz.com/g3kojones/PLAY (Los Rakas Remix).mp3]
reposted from Mudd Up!
As a talisman against the fall-like chill of Brussels, here’s a heater-upper remix I did for Architecture in Helsinki a few years ago. The original is so good, I went all out brought in Mr Lee G on vocal duties:
Architecture in Helsinki Heart It Races (DJ Rupture’s Ital Hymn Mix feat. Mr Lee G) by djrupture
Speaking of Brussels — Belgium has had no government for over a year! Everything seems fine in Brussels, arguably Europe’s most spatially dissonant city. It’s a surreal place.
Today, Wednesday August 31th, I’ll DJ at ‘une petite fête entre amis’ put on by La8. Info. The next day I’ll make an appearance on Radio Panik 105.4 FM, not sure when, watch the Twitter for that. (Radio Panik is one of a handful of open-eared European radio stations that rebroadcast my WFMU radio show.)